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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Allie Sabalis |
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Born in Dilingen, Germany in 1948. I am a Lithuanian-American who immigrated to this country with my parents after WW11. I am a Maine/New England Artist who paints Contemporary Realist paintings in Watercolors and Oils. My work has been shown extensively throughout New England and New York as well as Florida and is in many Museum and private collections.
My work has also been featured in the book "Art of Winter in Maine" published by Down East publishers.
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| About the Artist |
STATEMENT OF CREATIVE INTENT
I have found Maine & New England to be a complicated, unique and beautiful
place to live and paint. Historically, the well-depicted pictorial “iconography” of
this region continues to inspire artists, and in particular, myself. It is this
experience that I wish to convey in my new series of works entitled, “New Maine
Perspectives” and “Nature Stories.”
Although this series is painted realistically and the images are made up of
representations of objects from the daily things of living and use the painterly
conventions of still-life, landscape, pattern and color, the images break away
from conventional realism and the creation of a recognizable, three-dimensional
space.
The dynamics of “real” space within the two-dimensional format is
changed, by skewing the scale of objects, altering “correct” perspective and by
using random or multiple placement of images.
The works are made deliberately over-size and are visually complex. This
adds to their impact.
The visual narrative and commentary is also injected with a deliberate
humor, whimsy and in some pieces, art-historical reference--for example, in
---”Fisherman’s Friend”---what we are seeing when we look out of the window in
the “curious” living room, is a very well-known painting by Winslow Homer
entitled “The Fog Warning.”
In the “ Olson House” the image draws on the very real setting made
famous by Andrew Wyeth’s painting “Christina’s World.”
“No Trespassing” is a deliberate reminder of the fragility of our unique
ecological environment.
“Nature Stories:Target” reminds us of our responsibility to creatures other
than ourselves in our natural world.
The work is representative of explorations of my own artistic
“Regionalism,” bringing a greater understanding of the unique environment and
experience that is particular to New England. |
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Click to enlarge images (if larger image has been loaded) |
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Fisherman's Friend
1996-2000 101.6 x 152.4 cm |
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The visual narrative and commentary is also injected with a deliberate humor,
whimsy and in some pieces, art-historical reference--for example, in
---”Fisherman’s Friend”---what we are seeing when we look out of the window in
the “curious” living room, is a very well-known painting by Winslow Homer
entitled “The Fog Warning.”
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Ten after Ten
1996-2000 101.6 x 152.4 cm |
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Olson House
1996-2000 101.6 x 152.4 cm |
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In the “ Olson House” the image draws on the very real setting made famous by
Andrew Wyeth’s painting “Christina’s World.”
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Summer Afternoon
1996-2000 101.6 x 152.4 cm |
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Spring Melody
1996-2000 101.6 x 152.4 cm |
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Summer Pleasures
1996-2000 55.88 x 76.2 |
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Window Out
1996-2000 76.2 x 101.6 |
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Seduction
1996-2000 76.2 x 101.6 cm |
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No Trespassing
1996-2000 68.58 x 137.16 |
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Nearest Exit
1996-2000 55.88 x 76.2 cm |
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Iconography
1996-2000 55.88 x 76.2 cm |
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Tree Geraniums
2009 76.2 cm x 101.6 |
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Poppies & Tulips
2009 55.88 x 76.2 cm |
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Tulips & Candy
2009 55.88 x 76.2 cm |
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Early morning & Daylilies
2002 72x101 cm |
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Late Afternoon in Little Deer Isle
2002 50.8 x 101 cm |
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Naskeag Point
1994 137.16 x 213.36 cm |
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Early morning in Little Deer Isle
1994 50.8 x 101 cm |
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November Afternoon
1994-1996 137.16 x 243.84 |
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Barbara's Table #2
2009 Watercolor on arches 72x101 |
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Breakfast Table
2009 Watercolor on arches 72x101 |
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| Education and biography |
e:alliesabalis@cox.net
EXHIBITIONS***one-woman shows
2009 Conanicut Island Art Association, Annual Juried Exhibition, Jamestown, RI
2008 ***Gallery at Caterpillar Hill, Sedgwick, Maine
2007 Newport Art Museum, Annual Juried Exhibition, Newport, RI
2006 BAYVIEW GALLERY, Brunswick, Maine
2005 BAYVIEW GALLERY, Brunswick, Maine
NEWPORT ART MUSEUM, “Annual Juried Exhibition”, Newport, RI
RANDALL ART GALLERY, Jamestown, RI
BOSTON ART CONSULTING, Boston, Ma.
2004 ***RANDALL GALLERY, Jamestown, RI
NEWPORT ART MUSEUM, “Annual Juried Exhibition” Newport, RI
KATHERINE BUTLER GALLERY, Buck’s Harbor, ME.
BOSTON ART CONSULTING, Boston, Ma.
2003 BOSTON ART CONSULTING, Boston, Ma.
KATHERINE BUTLER GALLERY, Sarasota, Fla.,& Maine
2002 VISIONS 2002--Congregational Church, Newport, R.I.
***ALLIE SABALIS--CONTEMPORARY REALIST WORKS
Sabalis Fine Arts, Newport, Rhode Island
KATHERINE BUTLER GALLERY, Brooksville, Maine & Sarasota, Florida
2001 NOVEMBER SONG-The New O’Farrell Gallery, Brunswick, Maine
MAINE SUMMER- The New O’Farrell Gallery, Brunswick, Maine
GALLERY AT CATERPILLAR HILL, Sedgwick, Maine
WINTER SOLSTICE- The New O’Farrell Gallery, Brunswick, Maine
2000 ***ALLIE SABALIS-NEW MAINE PERSPECTIVES
The New O’Farrell Gallery, Brunswick, Maine
SELECTIONS FROM MAINE CORPORATE COLLECTIONS
The Art Gallery, Westbrook College Campus,
University of New England, Portland, Maine
-Guest Curator: Grant Jacks
1999 ISLANDS, TREES, PLANTS&GARDENS, Turtle Gallery, Deer Isle, Maine
GALLERY AT CATERPILLAR HILL, Sedgwick, Maine
BETWEEN THE MUSE GALLERY, Rockland, Maine
1998 A RICH HERITAGE: THE CRAFT TRADITION IN MAINE
York Institute Museum, Saco, Maine
***FRICK GALLERY, Northeast Harbor, Maine
INSPIRED BY FLOWERS, Ellsworth Public Library, Maine
1997 GALLERY AT CATERPILLAR HILL, Sedgwick, Maine
LAKES GALLERY, South Casco, Maine
MCGRATH-DUNHAM GALLERY, Castine, Maine
ALLIE SABALIS, PAGE 2
1996 CONTEMPORARY STILL-LIFE, McGrath-Dunham Gallery, Castine, Maine
***HIGHWAYS AND BYWAYS, Lakes Gallery, South Casco, Maine
DOWNEAST LOOKS AT DOWNEAST, Ellsworth Public Library, Maine
1995 ***PARTICULAR PLACES, Hauck Gallery, University of Maine, Orono
SUMMER’S END-Frick Gallery, Belfast, Maine
SMALL WORKS, Ellsworth Public Library, Maine, Curator.
1994 NEW ENGLAND LANDSCAPES, Lakes Gallery, South Casco, Maine
END OF SUMMER-Frick Gallery, Belfast, Maine
MAINE LANDSCAPES, Scarlett Kinney Gallery, Blue Hill, Maine
INTO THE GARDEN, Ellsworth and Bangor Public Libraries, traveling exhibit.
1993 MAINE PAINTERS, Frick Gallery, Belfast, Maine
PAINT! Ellsworth Public Library, Jewett Gallery, University of Maine, Augusta, traveling exhibit curated by Nicols Fox.
Scarlett Kinney Gallery, Blue Hill, Maine
1992 ***FRICK GALLERY, Belfast, Maine
1991 FABER-BIRREN, COLOR AWARD, Stamford Art Association, Stamford, Ct.
1990 BAA WORKS ON PAPER, The Berkshire Museum, Springfield, Ma.
VISIONS ON A GRAND SCALE, Northern Westchester Center for the Arts, NY
1989 BRANDRETH STUDIOS PLUS TWO, Old Library and Antiques Center,
Westport, Ct.
1987 WINTER SOLSTICE INVITATIONAL, Ceres Gallery, NYC
1985 NEW TALENT AT ALLAN STONE GALLERY, Allan Stone Gallery, NYC
ON THE LINE, Gallery at Hastings-on-Hudson, NY
SELF-PORTRAITS, Garrison Art Center, Garrison, NY
1984 HUNDREDS OF DRAWINGS, Artist’s Space, NYC
1976 UNUSUAL IMAGERY, Lincoln Center, NYC
ARTIST’S SPACE, NYC
***WOMEN IN THE ARTS FOUNDATION, NYC
***SOHO PHOTO GALLERY, NYC
1975 WOMEN IN ART, Lake Erie College, OH
1973 THE AFRICAN EXPERIENCE, Finch College Gallery, NYC
1971 MFA THESIS EXHIBIT IN PHOTOGRAPHY, Pratt Institute, Brooklyn, N.Y.
ALLIE SABALIS, PAGE 3
MUSEUM , CORPORATE & PRIVATE COLLECTIONS
NEWPORT ART MUSEUM, Newport, Maine
YORK INSTITUTE MUSEUM, Saco, Maine
TOWN OF CROTON-ON-HUDSON, NY
UNUM CORPORATION, Portland, Maine
MBNA CORPORATION, Belfast, Maine
VIA ART COPORATION, NYC
HENRY KRAVIS COLLECTION, NYC
PARASOL PRESS, NYC
EXXON CORPORATION, Houston, TX
Numerous Private Collections all around the U.S. and overseas
BOOKS , PUBLICATIONS
2002 “THE ART OF MAINE IN WINTER” Down East Publishers
Edited by Arnold Skolnick and Carl Little
1977 Phoenix Press, Brooklyn, NY. Staff Art Critic
1975 Invitation to Photography Annual, April ed.,--Published by Popular Photography (African Photographs)
MEDIA
1989 “ALLIE SABALIS, LANDSCAPE PAINTER”, Documentary, Continental Cable Systems
1979-81 SECOND UNIT DIRECTOR, ‘WASN’T THAT A TIME?” Documentary about the
Musical reunion at Carnegie Hall of the folk singing group, “The Weavers”. Produced
and Directed by Jim Brown.(PBS, “American Roots”).
1976-77 BAYVIEW MANOR, A HOME FOR ADULTS, Producer/Director. Documentary about
a therapeutic community setting in a proprietary home for adults.
1974 Co-operatively Produced, “Directed and Edited, “””Peter Tedeschi at 90,”
16mm.,w/sound, B&W, 10. min. A poetic portrait of an elderly man.
ALLIE SABALIS, page 4
EDUCATION
1972-73 Film Production, New York University, NYC
1971 M.F.A. Photography and Painting, Pratt Institute, Brooklyn, N.Y.
1969 B.A. Art, Nazareth College of Rochester, N.Y.
1968 Photography, Studio and Commercial Techniques, Rochester Institute of
Technology, Rochester, N.Y.
AWARDS
1992-2002 MAINE ARTS COMMISSION JURIED ARTISTS REGISTRY
1994 FINALIST, PERCENT FOR ART, Maine Arts Commission, Brooklin Elementary School
1983 CAPS VARS, Grant in Painting
1971 WILLIAM & AMY C. KOE GRANT, Foreign study abroad, Africa, Photography
PROFESSIONAL ORGANIZATIONS
Conanicut Island Art Association, Board of Directors, President Ex-Officio
Newport Gallery Night, Chair, Publicity Committee
Union of Maine Visual Artists
College Art Association
Women’s Caucus for the Arts
Women in the Arts Foundation
1992-1995 Board of Directors, WERU-FM, Orono, Maine
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Website: www.ImpactFolios.com/AllieSabalis |
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| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
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Copyright 2003-2010 © The Saatchi Gallery : London Contemporary Art Gallery
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