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Amy Mack
 
 
About the Artist

My family is filled with artists, educators, actors and storytellers, and I have always felt very lucky to hail from people who encourage and value artistic expression.

My father is an economist specializing in global food shortages, and I grew up listening to discussions of policy analysis, commodities variables and futures models. It is no surprise to me that this would some day have a profound influence on my art, and always knew that consumerism would find its way into my creative process.

 
Click to enlarge images
(if larger image has been loaded)
 

Art & Science II

Acrylic, oil stick, mixed media on canvas
78H by 50W inches

iTunes

Mixed media, hard putty plaster, primer,
25H by 36W by 3.75D inches

Distress Signal

Oil, mixed-media on canvas board.
17H by 21W framed (inches)

Distress Signal

Untitled (girl and boy barcodes)

Acrylic, mixed media painting collage
36H by 24W inches

T-MAX 3200

Acrylic, glaze on canvas
48H by 60W inches

 
Education and biography
A graduate of the Kansas City Art Institute, Kansas City, Missouri, I studied stills photography, video and experimented with mixed-media photo/painting. After graduation, I re-located to Los Angeles, California to find work as a commercial photographer on film sets and in the editorial portrait photography community. Having virtually no contacts in LA, I found myself hanging around the photo rental houses, investigating who was buying new equipment, starting up studios and possibly hiring. I have always considered myself to be extraordinarily fortunate to have worked with many of LA's finest photographers, and that I went on to shoot professionally for magazines, film set photography and corporate portrait work.

All the while, I exhibited my art in group shows whenever possible, primarily in Los Angeles, and eventually co-founded an artist-run studio space and gallery in the North Hollywood Arts District.

In 2001, I began my barcode consumerism work when a sales clerk noticed that my signature resembled the verticle design of a UPC code and, for fun, tried to scan it. I had hoped that Captain Crunch or Glue Stix would register, but alas it read "unreadable -- scan again." As timing would have it, I had been staring down a 6 by 8 foot blank canvas for several days, and as I walked back to my studio I took notice of the tiny barcode on a Hershey's candy bar. Within a short time, I had completed my first barcode painting -- a huge, lushy, gooey, dripping, delicious chocolate brown barcode, that was soon acquired by a significant collector of modern art.

I am forever asking clerks to scan my signature, hoping it will ring something up, but it never does.

My influences are: obviously my father's acumen and the artists within my family, as well as the works of Warhol, Rauschenberg and Kruger, modern art exhibitions, and every 7-11 quick stop convenience store I have ever frequented.
 
Future shows
Currently, I exhibit mainly within the United States and have received positive review and description in the New York Times. Many of my paintings hang in corporate and private art collections, alongside works by artists who have greatly influenced my art.

If you are interested in viewing more of my paintings, my online portfolio and detailed bio are found at the website link listed below.

Thank you for your time, and interest.
 
Website:  www.amymackpaintings.com
 
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