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陈列您的艺术作品给每天无数的访客观看
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| Anna Vanmatre | |
Anna VanMatre was born in Poland. Since 1997, she has resided in Cincinnati, Ohio, USA. |
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| 关于此艺术家 | |
She has been credited with developing techniques utilizing graphite on three-dimensional paper and creating monumental graphite paintings, many 10 to 20 feet high. From 1979-2003 she created cycles of black and white works entitled CLOUDY LANDSCAPE, TURBULENT TIMES, NO, HABITAT, SPACES and LIMITS. In 1996 she started a new cycle of graphite paintings called HOPE IN BLUE which added color for the first time. From 1998-2003 she developed 7-panel sequential works called Metamorphoses-Water and Metamorphoses-Fire. The titles refer to the presence of cyclical elements and procedures forming a single movement with constant contrasts and changes. At the same time, she began composing small collages in a new cycle called BEYOND THE EARTH CURTAINS and for the previous cycles NO and TURBULENT TIMES. 2003 and 2004 marked the introduction of the installations In Time In Between-Smoke and In Time In Between-Volcano containing large layered forms with intricate and dramatic shadow effects. In 2005-2006 her new cycles LINES ABOVE, ABOVE ALL, ABOVE AROUND and DENSITY ABOVE, featured vibrational objects in graphite on synthetic paper, three-color silkscreen on glass, collages, water ink and graphite images and black and white lithography. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
Blue Yellow Red on Grey
2006 |
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| Primary Colors 2006 - A new series of three-dimensional collages revealing a magnified view of the world above the horizon. She utilizizes intricate drawing techniques, silkscreen on glass, collage materials like synthetic paper and foil, color-layering and open glass plates to create works of multiple reflections and transparency.
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In Time In Between
2005 |
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| Ten-panel installation Smoke – Volcano, pulls the viewer in between its layers. With its subtle shadows, one is reminded that we are, like it or not, continuously enveloped in a vaporous zone located somewhere “in between”—temporally, spatially, and personally. |
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Four and Red Rain
2005 |
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| Lines Above features a striking linear approach, showing the ephemeral quality of subtle shapes to produce modern-day landscapes. The ambient objects suggest the fragile structure of clouds, air and rain. Using lanes crossing at the myriad angles, she constructs delicate yet dynamic lace-type contours in constant movement. The contrast between solid bright backgrounds and complex dimensional images shows the bold force of nature. |
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Above All- Cities 2
2005 |
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Above All- Black
2005 |
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Above Around 5
2005 |
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Four on Blue
2005 |
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| Lines Above features a striking linear approach, showing the ephemeral quality of subtle shapes to produce modern-day landscapes. The ambient objects suggest the fragile structure of clouds, air and rain. Using lanes crossing at the myriad angles, she constructs delicate yet dynamic lace-type contours in constant movement. The contrast between solid bright backgrounds and complex dimensional images shows the bold force of nature. |
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Red Sea from OPEN
2007 |
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| Sculptural painting/drawing. Cut and elevated parts of the image showing contrasting red background. |
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Black Blue Sea
2007 |
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| Sculptural painting/drawing. Cut and elevated parts of the image showing contrasting black background.
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Purple Sea from Open
2007 |
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| Nature based abstract sculptural painting/drawing utilizing cut and elevated surface elements in purple and black, contrasting with partially hidden red background below.
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Sedona 1
2006 |
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| Rocks formations in Sedona, Arizona |
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Sedona 2
2006 |
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| Rocks formations in Sedona, Arizona |
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Sedona 3
2006 |
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| Rocks formations in Sedona, Arizona |
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Black Sea from Open
2008 |
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| Sculptural painting/drawing. Cut and elevated parts of the image showing black background |
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Red Black Waves from Open
2008 |
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| Sculptural painting/drawing. Cut and elevated parts of the image showing contrasting red background. |
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Green Red Sea
2008 |
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| Nature based abstract sculptural painting/drawing utilizing cut and elevated surface elements in green and black, contrasting with partially hidden red background below.
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DeNatural Disaster
2008 |
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| DeNatural Distraction series focuses on the devastation created by Humankind and/or
power of Nature |
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DeNatural Disaster
2009 |
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| Nature based abstract sculptural painting/drawing utilizing cut and elevated surface elements in black and white, contrasting with partially hidden red background below.
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| 教育程度与个人自传 | |
| Anna VanMatre was educated at the Krakow Art High School and the Warsaw Academy of Fine Arts where she received her Masters Degree. Selected Solo Exhibitions 2005 – Broadway Gallery, New York City 2005 – Berliner Kunstproject, Berlin, Germany 2004 – Gallery@49, New York City 2004 – Contemporary Arts Center, Cincinnati (Multimedia) 2002 – Gallery@49, New York City 1999 – Music Hall, Cincinnati 1997 – Jerusalem Centre for the Performing Arts, Israel 1996 – El-Dan Forum, Studio Gallery, Jerusalem, Israel 1995 – Dieterle Center, University of Cincinnati 1994 – Bab El Kebir Gallery, Rabat, Morocco 1993 – Visual Gallery, Warsaw Cultural Center, Poland 1993 – Napoleon Castle, Ostroda, Poland 1992 – Regent Gallery, Virginia Beach 1989 – A.R.C. Gallery, Chicago 1989 – Tarble Art Center, Eastern Illinois University |
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| 网站: www.annavanmatre.com | |
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