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Anna Vanmatre
 
 
关于此艺术家

She has been credited with developing techniques utilizing graphite on three-dimensional paper and creating monumental graphite paintings, many 10 to 20 feet high. From 1979-2003 she created cycles of black and white works entitled CLOUDY LANDSCAPE, TURBULENT TIMES, NO, HABITAT, SPACES and LIMITS. In 1996 she started a new cycle of graphite paintings called HOPE IN BLUE which added color for the first time. From 1998-2003 she developed 7-panel sequential works called Metamorphoses-Water and Metamorphoses-Fire. The titles refer to the presence of cyclical elements and procedures forming a single movement with constant contrasts and changes. At the same time, she began composing small collages in a new cycle called BEYOND THE EARTH CURTAINS and for the previous cycles NO and TURBULENT TIMES. 2003 and 2004 marked the introduction of the installations In Time In Between-Smoke and In Time In Between-Volcano containing large layered forms with intricate and dramatic shadow effects. In 2005-2006 her new cycles LINES ABOVE, ABOVE ALL, ABOVE AROUND and DENSITY ABOVE, featured vibrational objects in graphite on synthetic paper, three-color silkscreen on glass, collages, water ink and graphite images and black and white lithography.

 
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Blue Yellow Red on Grey

2006
Silkscreen collage
50x50

Primary Colors 2006 - A new series of three-dimensional collages revealing a magnified view of the world above the horizon. She utilizizes intricate drawing techniques, silkscreen on glass, collage materials like synthetic paper and foil, color-layering and open glass plates to create works of multiple reflections and transparency.

In Time In Between

2005
Graphite/pastel/synthetic paper
1016x533

Ten-panel installation Smoke – Volcano, pulls the viewer in between its layers. With its subtle shadows, one is reminded that we are, like it or not, continuously enveloped in a vaporous zone located somewhere “in between”—temporally, spatially, and personally.

Four and Red Rain

2005
Graphite/collage
81x81

Lines Above features a striking linear approach, showing the ephemeral quality of subtle shapes to produce modern-day landscapes. The ambient objects suggest the fragile structure of clouds, air and rain. Using lanes crossing at the myriad angles, she constructs delicate yet dynamic lace-type contours in constant movement. The contrast between solid bright backgrounds and complex dimensional images shows the bold force of nature.

Above All- Cities 2

2005
Graphite/synthetic paper
6 pannels 26x17 each

Above All- Black

2005
Graphite/texture paper
178x229

Above Around 5

2005
Graphite/synthetic paper
63,5x132

Four on Blue

2005
Graphite/collage
68,5x68,5

Lines Above features a striking linear approach, showing the ephemeral quality of subtle shapes to produce modern-day landscapes. The ambient objects suggest the fragile structure of clouds, air and rain. Using lanes crossing at the myriad angles, she constructs delicate yet dynamic lace-type contours in constant movement. The contrast between solid bright backgrounds and complex dimensional images shows the bold force of nature.

Red Sea from OPEN

2007
acrylic ink/graphite/Yupo paper
66x101

Red Sea from OPEN
Sculptural painting/drawing. Cut and elevated parts of the image showing contrasting red background.

Black Blue Sea

2007
acrylic ink/graphite/Yupo paper
66x101

Black Blue Sea
Sculptural painting/drawing. Cut and elevated parts of the image showing contrasting black background.

Purple Sea from Open

2007
Acrylic ink/graphite/Yupo paper
66x101

Purple Sea from Open
Nature based abstract sculptural painting/drawing utilizing cut and elevated surface elements in purple and black, contrasting with partially hidden red background below.

Sedona 1

2006
acrylic ink/graphite/synthetic paper
133x86

Sedona 1
Rocks formations in Sedona, Arizona

Sedona 2

2006
acrylic ink/graphite/synthetic paper
133x86

Sedona 2
Rocks formations in Sedona, Arizona

Sedona 3

2006
acrylic ink/graphite/synthetic paper
133x86

Sedona 3
Rocks formations in Sedona, Arizona

Black Sea from Open

2008
Acrylic/Yupo paper
66x101

Black Sea from Open
Sculptural painting/drawing. Cut and elevated parts of the image showing black background

Red Black Waves from Open

2008
acrylic/Yupo paper
66x101

Red Black Waves from Open
Sculptural painting/drawing. Cut and elevated parts of the image showing contrasting red background.

Green Red Sea

2008
Acrylic ink/graphite/paper
60x101

Green Red Sea
Nature based abstract sculptural painting/drawing utilizing cut and elevated surface elements in green and black, contrasting with partially hidden red background below.

DeNatural Disaster

2008
Acrylic/graphite/cut paper
101x66

DeNatural Disaster
DeNatural Distraction series focuses on the devastation created by Humankind and/or power of Nature

DeNatural Disaster

2009
Acrylic/graphite/Yupo paper
101x66

DeNatural Disaster
Nature based abstract sculptural painting/drawing utilizing cut and elevated surface elements in black and white, contrasting with partially hidden red background below.
 
教育程度与个人自传
Anna VanMatre was educated at the Krakow Art High School and the Warsaw Academy of Fine Arts where she received her Masters Degree.

Selected Solo Exhibitions

2005 – Broadway Gallery, New York City
2005 – Berliner Kunstproject, Berlin, Germany
2004 – Gallery@49, New York City
2004 – Contemporary Arts Center, Cincinnati (Multimedia)
2002 – Gallery@49, New York City
1999 – Music Hall, Cincinnati
1997 – Jerusalem Centre for the Performing Arts, Israel
1996 – El-Dan Forum, Studio Gallery, Jerusalem, Israel
1995 – Dieterle Center, University of Cincinnati
1994 – Bab El Kebir Gallery, Rabat, Morocco
1993 – Visual Gallery, Warsaw Cultural Center, Poland
1993 – Napoleon Castle, Ostroda, Poland
1992 – Regent Gallery, Virginia Beach
1989 – A.R.C. Gallery, Chicago
1989 – Tarble Art Center, Eastern Illinois University


 
网站:  www.annavanmatre.com
 
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