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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| BEATRICE NJOROGE |
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Name: Beatrice Wanjiku Njoroge
Date of birth 1st June 1978
Physical address P.O. Box 295 Ngong Hills
E-mail address betku@yahoo.com
Telephone +2540733330828
I studied art at BuruBuru Institute Of Fine Arts graduated with a diploma in fine arts I’m a Painter and Printmaker though some works are also experimental of media using found materials for sculpture I’ve participated in several workshops both locally and internationally.
I’ve facilitated workshops locally on acrylic painting the focus was on colour its relation and contrast.
My work is mostly a psychological look into everday life and its relative resemblance to people everywhere around the globe. I am inspired most frequently by women and particularly African women. In Africa women feel more inferior or are treated as such in some tribes where it has been long decided that a woman’s place is in the kitchen, running the house, being mothers and rarely career women. Reacting to this, my work has therefore been a celebration of women as strong individuals, despite their environmental constraints.
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| About the Artist |
My work is mostly a psychological look into everday life and its relative resemblance to people everywhere around the globe. I am inspired most frequently by women and particularly African women. In Africa women feel more inferior or are treated as such in some tribes where it has been long decided that a woman’s place is in the kitchen, running the house, being mothers and rarely career women. Reacting to this, my work has therefore been a celebration of women as strong individuals, despite their environmental constraints.
Using colour as my primary tool, my work is more expressionist and I use colour to build a bridge between me and my audience. I want the audience to react to what they see and feel when they look at the work. I want to engage the audience to react in whichever way, be it by passionately liking the art or hating it. The reaction itself will have achieved the purpose the art work was created for. My culture is very much an intergral part of my work and with so many taboos within my culture and rigid ways of life I feel that we are all similar irrespective of our backgrounds, creed, race or religion. My work is normally semi abstract rendering life as see it rather than how it really is. The works tend to be amorphous.
My technique is impasto i like the thickness of paint in my work as i feel like a sculptor working on a two dimensional plane creating life in my own way using colour to celebrate our lives as women.
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Click to enlarge images (if larger image has been loaded) |
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face series4
2008 SOLD oil on canvas 90 x60 |
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photographs of people and sketched them on canvas. As I painted them, I disregarded the resemblance to the subject and concentrated on painting using different colours to show their expressions and to help relate to human emotion. Therefore the faces have multiple shades of blues, greens, red, purple, pink and yellow. I feel that the harmonius blend colours relate and contrast with each other and defines the emotions felt within the face.
This series presented an opportunity for me to talk about what the work is about. The interelationship of human beings, the need to preserve life and respect women who often are most susceptible. The faces become faceless in that they are faces of any one. People relate to them and because of the amorphous approach
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letter series
2008 oil and mixed media on canvas 160 X 120 |
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its a painting depicting the lost art of letter writting how technology is making it almost obsolete with the emails mobile phones however efficient they are letters that were handwritten had intimacy which technology cannot compare to the carcass is a symbol of this lost art and how disconnected we are becoming the painting incorporates old stamps like te penny black and some east african stamps |
rsvp
2008 oil and mixed media on canvas 120 X 90 |
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incorporating old stamps newspapers and envelops i felt the nostalgia of things past of how i wrote letters to my mother friends and how this has been replaced by emails and how people when they invite you to any event you have to rsvp the works links a past and present |
letter series 2
2008 SOLD oil and mixed media 112 X 92 |
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i used text letters addressing a loved one and stamps and envelops the figure is always dark as it can represent anyone sort of sa mirror where we can look and reflect |
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| Education and biography |
EDUCATIONAL BACKGROUND
1983-1992 Musa Gitau Primary School
1993-1996 Parklands Arya Girls High School
1998-2000 Buru Buru Institute of Fine Arts
(Attained a diploma)
2001
Sakos Computer College
(Attained a certificate)
SELECTED WORKSHOPS
2007 The Kuona Trust International Women’s Workshop
Shatana Triangle International Artist Workshop (Jordan)
Rafiki Triangle International Artist Workshop (Tanzania)
2005 Triangle insaka international workshop Zambia
Bankside gallery London
2004 Painting workshop
(Facilitated by George Levantes)
Wasanii international workshop
(Facilitated by Kuona trust)
Printing workshop
(Facilitated by Mandy Bonel)
2003 Figure drawing workshop
(Facilitated by Liza McKay)
Acrylic painting workshop
(Facilitated by Cameroonian based artist Joel Mpah Dooh)
Abstract drawing workshop
(Facilitated by South African artist Dinkies Sitole)
International East African Women’s workshop
(Organized by kuona trust)
2002 Acrylic painting workshop
(Facilitated by Patrick Mukabi)
Lino block printing workshop
(Facilitated by Ngene Mwaura)
RESIDENCY
2006 Kuona Trust
(10th international artist residence)
2004 Mua Hills Residency
(Facilitated by Miriam Syowia Kyambi)
For week program
Accomplished incorporating the environment into artworks
Achievement to use different mediums in my work
AWARDS
2006 The Most Promising Female Artist Award 2006
(By Alliance Franciase) the French cultural center
WORKSHOPS FACILITATED
2007 Body mapping art workshop with Xavier Verhoest
2006 Acrylic Painting Workshop
2005 Figure drawing classes (ISK)
2003 Kisumu Museum of Kenya
(Facilitated an acrylic painting workshop)
Kuona Trust studios
(Taught street children watercolor painting)
EXHIBITIONS
2008 How I like it Village market an artist initiative for the displaced
Contemporary Museum Art gallery
Gallery
Art for peace at the Godown Arts Center
2007 Group exhibition at the Godown Art center
Three some At the Godown Art center
2006 Africa Within: Many Eyes One Soul
(The Royal Commonwealth Society) London UK
Kuona Trust
10th international Artists Residency
2005 An exhibition by godown resident artists
(Godown Arts center)
2004 “Utopia” RaMOMA
“Paintings and Monoprints” Le’ Rustique
Art affair (RaMOMA)
Contours (Le’rustique Restaurant)
Landmines
(Le’rustique Restaurant)
2003 “Living with Art” Village Market
“East African women’s Workshop Exhibition” Gallery of Contemporary East African Art, National Museums of Kenya
“Pianist” Netherlands Embassy, Nairobi, Kenya
“Untitled pieces”
Commercial Bank of Africa
2002 “ Child Labor “ Goethe Institute
“Our Environment Our Future”
Gallery of Contemporary East African Art, National Museums of Kenya
“Art Affair 03” Rahimtulla Museum of Modem Art
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| Future shows |
| MARCH 2008 RaMOMA WOODCUT PRINTS |
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Website: www.african colours.net |
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| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
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Copyright 2003-2010 © The Saatchi Gallery : London Contemporary Art Gallery
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