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Bernadette Mcloughlin
 
 
关于此艺术家

Notions of time and space in relation to personal memories, underpins the reasoning behind many of the works I create. As an artist my work is predominantly textile based, often using the tactile and ephemeral nature of the medium itself to further question the viewer’s understanding of the piece.
Professionally much of my career has been spent teaching abroad, and my time spent in Japan has influenced my work greatly. More recently this can be seen reflected in my graphic design projects.

 
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The Blind Pligrim

1996
Tapestries (Nylon & cotton threads, feathers, package lables & acetates)
(34cm x 34cm) x 3

The Blind Pilgrim is about the search for ‘truth’ in a physical world. In asking an impossible question the pilgrim builds his reasoning on what he knows. The tapestries therefore represent the questions of the pilgrim and the shadows, the answers he looks for. The truth of the piece is in fact represented by the ever-changing, unobtainable light, which acts as the catalyst for the two states, which in itself represents the journey or search.

Finding Balance

Counting time and Casting shadows

Flying a Kite Forever

Patchwork Maps and Pin Cushion destinations

2000
textiles/ mixed media
(15x15x6cm)x 4

This is a diary, the re-tracing of footsteps, a woven patchwork of the seemingly inconsequential processes that lead us to the memorable.

Shadow & light

Acrylic, charcoal & pencil on paper.
29.5 x 41cm

Shadow & light
From the series 'Reinvention'

Views of Manchester

Acrylic, pastel & pencil on paper.
50x78cm

Views of Manchester
From the series 'In search of the Sublime'.

Untitled 4.

Acrylic on paper.
160x230cm

Untitled 4.
From the series 'Mapping Moon Gate'.
 
教育程度与个人自传
2003-2004:
UWIC (University of Wales Institute Cardiff),
PGCE Art & Design.

1998-2001:
Falmouth College of Art.
MA Fine Art

1994-1997:
Winchester School of Art.
BA Textile Art
 
网站:  www.bernieworld.co.uk/FineArt.html
 
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