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Klein's aim has always been to produce art which transcends, reason, explanation, or the need for justification. With this in mind, he set out to produce work that wouldn't require any knowledge of the culture or history of society or art and could be equally accessible to everyone. Initially he used mathematics, geometry, logic and systems as a way of producing images free of any personal baggage. Seeking to explore the balance between logic and emotions was the starting point for the Fluid Geometry series. Since then he's followed the inherent projective possibilities as his later work has developed in theme specific directions. Overcurrent is a series of Digital Urban Landscapes that reflect a view of society as seen from the banks of the Thames and is a development on publicity material he was commissioned to design for a contemporary electronic riverside perfomance. It alludes to the opinions and emotions not visible at the surface, an inverted undertow which controls and oversees our comprehension of everyday life. As Overcurrent looks at the big picture of society, images from The Electric Garden parallel the overwhelming intensity of the natural world in microcosm.

The Hidden Formula

2005
Giclee on stretched canvas
119 x 84 cm

Of Solid Light

2004
Giclee on stretched canvas
119 x 84 cm

Apparent Coincidence

2005
Giclee on stretched canvas
119 x 84 cm

Overcurrent 2

2005
Giclee on canvas in frame
84 x 59 cm

Overcurrent 11

2005
Giclee on canvas in frame
84 x 59 cm

Overcurrent 13

2006
Giclee on canvas in frame
84 x 59 cm

The Electric Garden 04c

2005
Giclee on canvas in frame
59 x 42 cm

The Electric Garden 07d

2005
Giclee on canvas in frame
59 x 42 cm