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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Cris Orfescu |
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• Born in Bucharest, Romania, lives and works in Los Angeles since 1991.
• 35 years of experimenting with different media and being involved in a variety of projects: NanoArt, digital art, murals, acrylic and oil painting, mixed media, faux painting, trompe l’oeil, graphics, animation, web design, logo design, and a backdrop for a TV show.
• Over 20 years of experimenting and perfecting a new art form, NANOART, which reflects the transition from Science to Art using Technology.
• Self-taught artist.
• International and national art exhibitions, awards, commissions, public and private collections.
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| About the Artist |
I create Art from Science using Technology.
My art is a reflection of the technological movement. I consider NanoArt to be a more appealing and effective way to communicate with the general public and to inform people about the new technologies of the 21st Century. NanoArt is intended to make the public aware of Nanotechnology and how will this impact our lives. Nanotechnology deals with the synthesis, manipulation and characterization of matter at the sub-100 nanometers level. Nanotechnology is still an emerging area although commercial products are already on the market. Nanotechnology is a very powerful combination of technologies that could be extremely beneficial or extremely dangerous, including life threatening. I think the best way to keep things under control is Knowledge. Not only governments and military should know about these developments, but the general public at large should be informed. My images, being attractive to the public from the esthetic point of view awaken the curiosity of my audience. As a result, people ask questions and have open discussions around these new technologies, and this is good because people will make informed decisions.
I bring the small world in front of my audience through high resolution electron microscope scans of natural micro or nanostructures and nanosculptures I create by physical or/and chemical processing. I paint and manipulate digitally the monochromatic electron images and print them with archival inks on canvas or fine art paper. This way, the scientific images become artworks and could be showcased for a large audience to educate the public with creative images that are appealing and acceptable.
NanoArt is not Photography. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D-look than the photographic images.
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Click to enlarge images (if larger image has been loaded) |
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The Silkworm Larva
2006 NanoArt 48cm x 33cm |
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Limited edition prints(edition size 10). The artist created a nanosculpture by hydrolyzing a tiny drop of a Silicon organometallic compound and coating the structure with Gold in order to be properly visualized with a Scanning Electron Microscope. The monochromatic electron scan has been painted and manipulated digitally and the final image was printed on canvas with long-lasting (archival) inks.
The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from traditional Photography, where images are created by photons(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
Leopard in Motion
2007 NanoArt 33cm x 33cm |
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Limited edition prints (edition size 10). The artist created a nanosculpture by hydrolyzing a tiny drop of a Titanium organometallic compound and coating the structure with Gold in order to be properly visualized with a Scanning Electron Microscope. The monochromatic scan has been painted and manipulated digitally and the final image was printed on canvas with long-lasting (archival) inks.
The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from traditional Photography, where images are created by photons(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 102cm x 5cm). |
Tribute to Kubrick Space Odyssey 2001
2006 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 10). The artist created a nanosculpture by freezing a tiny drop of colloidal graphite (graphite nanoparticles in a suspension) in Liquid Nitrogen at -196 deg C. The structure was visualized using a Scanning Electron Microscope. The monochromatic electron scan has been painted digitally. The final image was printed on canvas with long-lasting (archival) inks.
The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from traditional Photography, where images are created by photons(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
NanoFireball
2007 NanoArt 33cm x 33cm |
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Limited edition prints (edition size 10). The artist created a nanosculpture by hydrolyzing a tiny drop of a Titanium organometallic compound and coating the structure with Gold in order to be properly visualized with a Scanning Electron Microscope. The monochromatic scan has been painted and manipulated digitally and the final image was printed on canvas with long-lasting (archival) inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from traditional Photography, where images are created by photons(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 102cm x 5cm). |
Reverse Porosity
2006 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 10). The artist created a nanosculpture by casting a mixture of Graphite nanoparticles and polymer on glass. After it was peeled off, the free-standing layer was fractured in Liquid Nitrogen at -195 deg C. The fracture surface has been visualized with a Scanning Electron Microscope. The monochromatic electron scan has been painted and manipulated digitally. The final image was printed on canvas with long-lasting (archival) inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
Black Eye NanoOctopus
2007 NanoArt 33cm x 33cm |
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Limited edition prints (edition size 10). The artist created a nanosculpture by hydrolyzing a tiny drop of a Titanium organometallic compound and coating the structure with Gold in order to be properly visualized with a Scanning Electron Microscope. The monochromatic electron scan has been painted and manipulated digitally and the final image was printed on canvas with long-lasting (archival) inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from traditional Photography, where images are created by photons(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 102cm x 5cm). |
PolyMatrix
2006 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 10). The artist created a nanosculpture by casting a mixture of Graphite microparticles and polymer on glass. After it was peeled off, the free-standing layer was fractured in Liquid Nitrogen at -195 degC. The fracture surface has been visualized with a Scanning Electron Microscope. The monochromatic electron scan has been painted digitally. The final image was printed on canvas with long-lasting (archival) inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
NanoRGB
2007 NanoArt 33cm x 48cm |
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Limited edition prints (edition size 10). The artist fractured a nanomaterial in Liquid Nitrogen. The fracture surface is visualized with a scanning electron microscope. The monochromatic electron scan has been painted and manipulated digitally. The final image is printed on canvas with long-lasting (archival) inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles) as in NanoArt. The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images. This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 152cm x 5cm). |
Sunflower Fragments
2006 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 10). The artist visualized PVC micro-flakes with an electron microscope. The monochromatic scan was painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
Stretching the Limits 2
2007 NanoArt 33cm x 48cm |
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Limited edition prints (edition size 10). The artist created a nanosculpture by casting a mixture of polymers on glass. The layer's surface has been visualized with a Scannning Electron Microscope. The monochromatic electron scan has been painted and manipulated digitally. The final image is printed on canvas with archival inks specially formulated to last for a long time. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 152cm x 5cm). |
In Pieces
2004 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 50). The artist created a nanosculpture by freezing a tiny drop of colloidal graphite (graphite nanoparticles in a suspension) in Liquid Nitrogen at -196 deg C. The monochromatic scan has been painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
Landscape 1
2004 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 50). The artist created a nanosculpture by casting a mixture of Graphite nanoparticles and polymer on glass. After it was peeled off the free-standing layer was fractured in Liquid Nitrogen at -195 degC. The fracture surface of a cluster of graphite nanoparticles has been visualized with an electron microscope. The monochromatic scan has been painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
Flamingo
2005 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 50). To obtain the structure the artist created a nanosculpture by hydrolyzing a tiny drop of a chemical known as HMDS and coating the structure with Gold. The monochromatic scan has been painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from traditional Photography, where images are created by photons(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
NanoPink
2007 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 10). The artist fractured a nanomaterial in Liquid Nitrogen. The fracture surface is visualized with a scanning electron microscope. The monochromatic electron scan has been painted and manipulated digitally. The final image is printed on canvas with long-lasting (archival) inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles) as in NanoArt. The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
Infinity
2004 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 50). The artist imaged Gold coated dust particles with an electron microscope. The monochromatic scan has been painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
Rock Flowers 4
2006 NanoArt 33cm x 33cm |
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Limited edition prints (edition size 10). The artist visualized PVC micro-flakes with an electron microscope. The monochromatic scan was painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 102cm x 5cm). |
Reflections 1
2005 NanoArt 84cm x 107cm |
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Triptych. Limited edition prints (edition size 10). The artist imaged Lithium Cobalt Oxide microparticles embedded in a polymer matrix by scanning a small sample of the material in an electron microscope. The monochromatic scan has been painted and manipulated digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 305cm x 386cm x 5cm). |
Inorganic
2007 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 10). The artist created a nanosculpture by freezing a tiny drop of colloidal graphite (graphite nanoparticles in a suspension) in Liquid Nitrogen at -196 deg C. The monochromatic scan has been painted digitally. The final image is printed on canvas with archival inks. All prints are signed and numbered by the artist. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
Fireworks 2
2005 NanoArt 33cm x 48cm |
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Limited edition prints (edition size 50). The artist imaged Lithium Cobalt Oxide microparticles embedded in a polymer matrix by scanning a small sample of the material in an electron microscope. The monochromatic scan has been painted and manipulated digitally . The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 152cm x 5cm). |
Body Parts 1
2005 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 50). The artist imaged Lithium Cobalt Oxide microparticles embedded in a polymer matrix by scanning a small sample of the material in an electron microscope. The monochromatic scan has been painted digitally. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photon(particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper into the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
Overcast
2005 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 50). The artist visualized Carbon microparticles embedded in a polymer foam, using an electron microscope. The monochromatic scan was digitally painted. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper into the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
Power
2005 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 10). The artist visualized Graphite nanoparticles with an electron microscope. The monochromatic scan was digitally painted. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper into the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
Falling Leaf
2003 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 50). The artist visualized Gold coated dust particles using an electron microscope. The monochromatic scan has been digitally painted. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper in the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
Happy 50th, Honey!
2004 NanoArt 33cm x 48cm |
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Limited edition prints (edition size 50). Using an electron microscope the artist imaged a micro air bubble created under vacuum in an epoxy resin. The monochromatic scan has been painted and manipulated digitally. The final image is printed on canvas with archival inks. The prints last for a long time without deteriorating, when kept in adequate conditions. Conform to most viewers, these prints have an oil painting look. All prints are signed and numbered by the artist. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 102cm x 152cm x 5cm). |
Reticulation
1997 NanoArt 48cm x 33cm |
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Limited edition prints (edition size 50). The artist visualized Carbon microparticles embedded in a polymer foam, using an electron microscope. The monochromatic scan was digitally painted. The final image is printed on canvas with archival inks. The depth and three dimensions achieved in NanoArt sets this process of electron imaging apart from Photography, where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper into the structure creating images with more depth, more natural 3D look than the photographic images.
This artwork can be printed by request in a larger size on fine art paper or canvas - contact the artist for details. All prints are signed and numbered by the artist. To buy the original contact the artist (original size: 152cm x 102cm x 5cm). |
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| Education and biography |
Awards
March 2006, Los Angeles, California, USA - Winner in the international juried competition TOP 40 at Los Angeles Center for Digital Arts
February 2006, London, UK – Diploma of Excellence in the international juried competition REAL-TIME
September 2005, Los Angeles, California, USA - Winner in the 2006 Emerging Artist Calendar juried competition
August 2005, London, UK - World of Art Award for the Best in Art and Creativity May 2005, Beverly Hills, California, USA - First Place Award in the New Media category at the AFFAIRE IN THE GARDENS art show
October 2005, Burbank, California, USA – Honorable Mention - juried competition September 2005, Rome, Italy – Finalist in the DIGITALLY 2005 juried competition
May 2005, Santa Monica, California, USA - Honorary Best in Show Award - Backstreet Gallery juried competition
December 2004, Rome, Italy - Finalist in the BEYOND BOUNDARIES 2004 juried competition
Selected Exhibitions
March 2008, Florence, Italy – SCIENZA ED ARTE – University of Florence
December 2007, La Jolla, USA – NANOART EXTRAVAGANZA – Nano Tumor Center, University of San Diego
November 2007, New Jersey, USA - EYE TRICKS - Walsh Gallery, Seton Hall University
September 2007, Paris, France - OPEN ART 2007
April 2007, Kotka, Finland - The 1st International Festival of NANOART
February-March 2007, Long Beach, California, USA - 1st LA INTERNATIONAL ART FESTIVAL
November 2006, Chania, Greece – THE 4th INTERNATIONAL ART FESTIVAL CHANIA 2006
November 2006, Los Angeles, California, USA - jFerrari Gallery group show
November 2006, Dublin, Republic of Ireland - ART IRELAND
November 2006, San Diego, California, USA - FEATURED ARTIST at Gallery Studio 246
April-July 2006, San Pedro, California, USA – ON SITE AT THE GATE 2006, juried exhibition, Angels Gate Gallery
April-June 2006, San Diego, California, USA – 2006 INTERNATIONAL DIGITAL EXHIBITION, sponsored by SONY at the Museum of the Living Artist, SDAI
April 2006, Manizales, Colombia – THE 5th INTERNATIONAL FESTIVAL OF THE IMAGE, Caldas University
April 2006, Anchorage, Alaska, USA – SOFTCOPY, Kimura Gallery, University of Alaska
March 2006, Los Angeles, California, USA – TOP 40, juried exhibition, Los Angeles Center for Digital Art
February 2006, Los Angeles, California, USA – group show, Infusion Gallery
January-February 2006, Murfreesboro, Tennessee, USA - 12 X 12, A National Juried Exhibition of Small Scale Works of Art – Todd Gallery, Middle Tennessee State University
December 2005, Florence, Italy - THE 5th INTERNATIONAL BIENNALE OF CONTEMPORARY ART, Fortezza da Basso
December 2005, Miami, Florida, USA - MASTERS MYSTERY ART SHOW 2005
September 2005 – March 2006, Binghamton, New York, USA - THE 15th INTERNATIONAL MINI PRINT EXPO, Roberson Museum and Science Center
October 2005, Beverly Hills, California, USA - AFFAIRE IN THE GARDENS
October 2005, Burbank, California, USA – LEARNING AND PRODUCT EXPO: ART, Hilton Airport and Convention Center
September-October 2005, Los Angeles, California, USA - SNAP TO GRID, Los Angeles Center for Digital Art
August-September 2005, Pomona, California, USA - THE 2nd LATINO ART BIENNALE, Museum of Latino Art
July 2005, Las Vegas, Nevada, USA - WORLD MARKET CENTER DEBUT, Las Vegas Convention Center
June - July 2005, Hermosa Beach, California, USA - HERMOSA BEACH ART WALK
June 2005, Los Angeles, California, USA - Bank of America Plaza
May 2005, Beverly Hills, California, USA - AFFAIRE IN THE GARDENS May 2005, Santa Monica, California, USA – Santa Monica Civic Auditorium
April 2005, Los Angeles, California, USA - NANOART and PHOTOGRAPHY
February 2005, North Hollywood, California, USA - TWO MEN SHOW
November 2004, Los Angeles, California, USA – NANOART 2004, solo show |
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| Future shows |
May-June 2008, Cerritos, California, USA - Multimedia show
July 2008, La Jolla, California, USA - NanoArt solo show, University of San Diego
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