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| David Spiher |
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I am a painter living and working in New York City and the East Bay San Francisco area. I have been based in New York City for the last 13 years, making ends meet as a cultural lackey working at several museums including the Isamu Noguchi Museum and Sculpture Garden, and the Museum of the City of New York as well as writing monthly gallery reviews for Gay City News.
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| 关于此艺术家 |
What am I looking at, thinking about? My day-to-day, I put all the art stuff through the grinder of my New York life. The Number 7 train at rush hour.
Joan Mitchell �multi part canvases. Compositions that go up, the color of light, an aknowledgement of the physical body of the painting.
Jasper Johns � broken sequences, multipart canvases, compositions of patchworks,what is my grey?.
Cy Twombly � The sexual nature of drawing through wet paint.
Louise Fishman �her clumsy almost non-expressive paint handling and quality of light. The physical paint, the non-gestural loaded brush.
Ellsworth Kelly � a question of how to warm up and bring some life into the late multipanel works- they stink of awfully high art. A Sad place for him to end up.
Agnes Martin-the clarity and spirit a joy forever but what if it came in a juicy wet �romantic� package. The inflected line, yes -but what would Aunt Agnes look like in a hard rain?
Matisse grey - binding tonalities, the physical paint, the drawn line.
Always Hoffman � the personality -painting as �a reflection of self � if not it is a cheat.� Like inviting someone into your home or to visit you in your garden. The physical body of the paint. A conversation or a meal where both parties find out something they didn�t know at the beginning
Unions
What if Johns had been fucked up the ass by Hoffman and the shit baby lived?
If Joan Mitchell and Agnes Martin bore a child, the fruit of their love would look like what?
The love child of Ellsworth Kelly and Louise Fishman would resemble neither?
What would Sean Kelly�s kid look like if he had been knocked up by Cy Twombly?
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The Wrong Message
2004 20 |
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Not what anyone wants to look at or think about now. |
Pretend This Is Tuesday
2005 28 |
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The title is a reference to a converstion between Robert Raushchenberg and Betty Parsons |
Protect Me
2005 24 |
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Painted on the beach on Fire Island, after I quit my day job. |
Rhubard leaf
2005 18 |
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Gardening on Fire Island, including salvaging a home overtaken by thorny vines. |
Travels in the American West
2005 24''x48 |
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Painted in response to my first trip up from San Franciso to Sacremento, CA |
Way to the Sea v.2
2005 24 |
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From a series of single panel works involving a short vertical path and a long horizontal element. |
Rain in Florida Snow in Rhode
2006 24 inches x 48 |
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Two different emotional situations, places and climates with me in the middle.
collection Robert Beasley, Edgwaer, NJ |
Waterfall
2006 28 |
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A visual crashing of the waves, no?
collection Dr. Jamie Malcohm, New York |
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| 教育程度与个人自传 |
David Spiher, davidspiher@yahoo.com
New York
Studio 37, Open Studios 1996-2006
Barbara Ann Levy Gallery, Cherry Grove, Jason Seder and David Spiher 2005
Abbott Laboratories, Calendar image January 2005
Museum of the City of New York, wall drawings for The New New York Woman 2003
Barbara Ann Levy Gallery, Cherry Grove, The Oddest Thing 2002
Chelsea Eyes, Three from the Files, 2001
Barbara Ann Levy Gallery, Cherry Grove, Abstract Paintings 2001
Secret Ingredient, Hoboken, Visitor 2001
Catherine Moore Fine Art, Stripes 1999
Gallery @ 49, Clinton/Hell�s Kitchen 1999
Visual AIDS, Postcards from the Edge 1998-2005
Visual AIDS Web Gallery -Curator April 2006
Gay City News � Contributing Art Writer 2003- 2006
Positively Naked, Spencer Tunnick Documentary � Model 2005
Spencer Tunnick Photo Project -- Model February 2004
Noble Tile & Vessel � Ceramic Production 1994-1996
Evandale � Ceramic Design 1995
Susan Horton � Production Hand Weaver 1994 �1995
Performance Workshops � Amy Pivar 1999, Tim Miller 1997, 1998
Gay Men�s Performance Workshop 1997-1999
Boston/Provincetown
South End Open Studios 1992-1994
Artkammer, Community Identity 1993
University of Massachusetts, GALA Shows 1987-1991
Billy�s Provincetown, Washes 1990
Fort Point Open Studios 1989-1991
Cliff Roberts-Production Hand Weaver 1992-1994
Jill Rosenwald � Ceramic Production 1993-1994
Performance Workshop � Holly Hughes 1994
Columbus
ArtReach, Every Members Show, 1986
The Ohio State Fair 1984
Akron Art Institute, All Ohio Open 1982 HM
The Ohio State University, Thesis Show Open the Door 1982
Graduate Student Shows 1981-1982
MFA � The Ohio State University 1982
Larry Millard, Bruce Chao, and Carolee Schneeman
Indianapolis
The John Herron School of Art Alumni Drawings 1988
Senior Show 1980, Student Shows 1977-1979
BFA � The John Herron School of Art/Indiana University at Indianapolis 1980
Robert Berkshire, Peg Feirke, and Steve Mannheimer
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| 未来的展览 |
| featured artist Post Road Magazine, pub. Bridgeport, CT Spring 2007 |
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