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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Edmund Nagele |
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Edmund Nagele F.R.P.S.
1942/Germany
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| About the Artist |
When I left a Munich advertising studio for Ireland, I dreamt of cheap whiskey, hot geysers and a little adventure. Wrong, very wrong indeed! The whisky was expensive, the hot springs were in Iceland and the little adventure developed into a big adventure. The land and it's people were fascinating right from the beginning and after learning a few words of the English language, tinted with an Irish flavour, mind and soul were cleared of orderly Teutonic perceptions. The wind blew away the acquired photographic rules to let grey skies and green meadows produce stunning pictures. The adventure was in full swing and I never missed the Bavarian studio.
Since then I have travelled to many exotic countries. During 1973, in recognition of my work, I was awarded the honours of a Fellowship of the Royal Photographic Society of Great Britain (F.R.P.S.). In 1982 I started to build up my own Picture Library and for commercial reasons, moved to England. Here I soon discovered the Highland of Scotland which has so much in common with the Emerald Isle. The sunny beaches of exotic tourist destinations did not tempt me, hence it is no surprise that I still have not got around to buying a sensible sunshade for my camera. Instead of a sunshade I placed many other astonishing, yet creative bits, in front of my lenses in order to manipulate my work within the camera. Deception by photography?
Then came the pixels: Rather than being satisfied with retouching existing photographs, I went in at the deep end and experimented with many different digital styles. The painted effects, created with the help of PhotoShop and Painter software, give a new meaning to "painting with light". Here, photography drifts into virtual painting and with each controlled brushstroke new ideas are opened up.
Mankind expressed creativity in the Stone Ages with a few colours derived from nature itself. The palette of shades evolved over centuries, today even the smallest of home computers lays claim to "millions of colours". As in photography, it is not the camera that creates the picture but the person behind it - thus the computer technology is simply a medium helping us to express ourselves in ways we could have never envisaged a few years ago. May the selected images cross barriers of language and culture, offering only inspiration. |
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Click to enlarge images (if larger image has been loaded) |
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Flowering Desert
2006 Digital Art, 50 mb RGB drum scan, 6x7 cm transparency |
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Venezia
2006 Digital Art, 50 mb RGB drum scan, 6x7 cm transparency |
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St. Coloman
2005 Digital Art, 50 mb RGB drum scan, 6x7 cm transparency |
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Ascholding
2005 Digital Art, 50 mb RGB drum scan, 6x7 cm transparency |
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Blue Mood
2005 Digital Art, 50 mb RGB drum scan, 6x7 cm transparency |
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Sound of Taransay
2005 Digital Art, 50 mb RGB drum scan, 6x7 cm transparency |
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Light Fantastique
2006 Digital Art, 50 mb RGB drum scan, 6x7 cm transparency |
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The Red Box
2004 Digital Art, 50 mb RGB drum scan, 6x7 cm transparency |
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Website: www.nagelestock.com |
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| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
CLICK HERE TO SEND THIS PROFILE TO YOUR FRIENDS |
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Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
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