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Edwina Chaston
 
 
关于此艺术家

I explore universal relationships, mainly focussing on the positive emotion of love, and mans relationship with his environment.

Love in its varied forms is a primary emotion that crosses cultural boundaries. An emotion that too often gets subsumed in conflict and pressures of life, but I believe that use of our ability to give and receive it is a basic necessity for a complete life.
Through the use of simplified form and the removal of facial features, that may suggest an identity, I aim to depict the essence of these feelings, and provoke an empathy in the viewer.

Emotions are invoked in our relationship with nature, and within the environmentally-themed work I explore mans relationship with both the planet that we inhabit and other animal life, and the damage that we inflict.
There is a co-dependency between ourselves, other life and the planet that we live on. The damage that we do ultimately damages ourselves.
Damage is caused by the cumulative effect of small acts of thoughtlessness, such as the casual discarding of litter; some is caused as a direct result of the pressure on businesses, such as the farming industry, to cut costs and produce cheaper consumer goods. In the case of the farming industry this pressure gives us battery hens, and other space restricting conditions, leading to further problems. Pieces have included work on this theme under the umbrella title ‘The Consignment’.
Other themes have included genetic engineering and our desire to manipulate nature and implement our own desires, perhaps at a yet undiscovered cost.

Jonathon Porritt, talking about the need to make people more aware, in his book ‘Save the Earth’ says
“unless our emotions are stirred and our spirit challenged,
no amount of rational analysis can do the job”.

Art should ‘stir the emotions’ and can play an important job in heightening awareness: That is the aim that I have with my environmental pieces.

 
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The Power of The Storyteller

2001
Foundry bronze
19x14x15cms

Edition of 15

Dancing With My Dad

2002
cold-cast (resin) bronze
13x11x11

Edition of 30. Also available in foundry bronze - to order

In Need of Protection

2003
20 cm diameter x 2cm

wall relief. Edition of 30.Also available in foundry bronze - to order.

The consignment - sheep

2003
14x19x16

now available in resin bronze or foundry bronze - to order. Edition of 30.

Lullaby

2007
21x25x13

Edition of 30. Also available in foundry bronze - to order

The Crowd

2006
cast resin
14x15x5

Edition of 30.

Mother Earth

1997
ceramic with resin and metal
22x37x20

depicts the relationship between man and the environment - mother earth

The Shopping Trip 2

1999
resin bronze
15x11x5

The Shopping Trip 2
edition of 25. Available in Foundry bronze to order.

Convenience Food

2002
ceramic
15 x 18 x 35 per unit

Units of ceramic stacking sheep. 7 units shown.
 
教育程度与个人自传
Training
1972-1974 Hornsey College of Art, London
Exhibitions/Shows
2007 London - Mall galleries - Society of Women Artists
Essex - Naze Tower Gallery, Walton-on-Naze
- Gibberd Gallery, Harlow
Nottingham - Patchings Art Festival
Bucks - Obsidian Gallery
2006 Shrewsbury - International Open
Bucks - Obsidian Gallery
Herts - Bishops Stortford Open
Essex - Parndon Mill Gallery and Gibberd Open
Nottingham - Patchings Art Festival
Henley - Art Craft and Design show
2005 London - Oxo Tower, South Bank, Londonart.co.uk show
Bucks - Obsidian Gallery
Essex - Parndon Mill Gallery
Nottingham - Patchings Art Festival
Suffolk - Art Craft and Design show - Newmarket
2004 London - Arndean Gallery, Cork St, Londonart.co.uk show
Bucks - Obsidian Gallery
Essex - Baker Tilly, Chelmsford - group show
Essex - Leed Gallery, Writtle - group show
Herts - Stevenage arts centre - solo show
Nottingham - Patchings Art Festival
 
未来的展览
Will be exhibiting at the Discerning Eye exhibition in the Mall Galleries, London in November. I will also be showing and demonstrating at Patchings art show near Nottingham, England in June 2009
 
网站:  www.emotifs.co.uk
 
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