| Eric J Henderson |
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Born 1968, Dallas, Texas. I shoot with a 1950 Kodak Brownie Hawkeye. Exhibited in The Studio Museum in Harlem, Texas A&M University. Noted in The New Yorker Magazine, Time Out New York On-Demand, and on NPR station WNYC. Selected works available via Canvas, Paper, and Stone - New York City gallery.
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| 关于此艺术家 |
I found my camera on the ground 3 years ago in Harlem, at a sidewalk spot known as "junkie's bazaar" - bought it for $5. (I've bought a lot of things from those guys over the years. I thank them.) What moves me is to attempt a dialogue with this camera and its nominal past. The images are informed by that dialogue. Closely related to that is another subject I am exploring: the nature of technological advancement. It is definitely possible to exhaust a given technology; however, a good portion of our advancement leaves behind intrinsic and undiscovered utility for the sake of what is simply new. Infinity resides within the supposedly obsolete parameters of some of our old technologies. Nevertheless, it's not about being a romantic or a luddite: I don't worship the old or the new. I am fascinated, though, about searching for images squarely within the parameters of this camera. |
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staying in business
2006 40 x 40 |
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selfish to find you
2006 c-print 100 x 100 |
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sometimes, when tempted to locate myself (in order to locate other things), I don't. then i enjoy something new in the otherwise familiar. |
how brothers walk
2004 silver gelatin print 100 x 100 |
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I wondered if one crosswalk figure could actually help another across the street. I would that we walk like that, in pure help-mode, friend-mode, brother-mode...and we will, if not in this dispensation. (double exposure, no digital impositions) |
Nonsense between Earth & Sky
2004 giclee print 101 x 101 cm |
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Machine. (...my sheen)
2006 silver gelatin print 101 x 101 cm (40 in x 40 in) |
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wine tasting on empty street
2005 giclee print on archival paper 50 cm x 50 cm |
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made family by waiting
2006 silver gelatin print 50 cm x 50 cm |
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if, at one moment, I may identify with someone with nearly all my present person, then we may well be family, if only for that moment. |
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| 教育程度与个人自传 |
MBA: Thunderbird (Glendale, AZ) and Esade (Barcelona).
2007 - hrlm: pictures, The Studio Museum in Harlem. Print feature.
2007 - Solo exhibition - Walk: A 1950 Kodak Brownie Finds Its Present-Day Soul (Forsyth Galleries, Texas A&M University) http://vac.tamu.edu/erichenderson
2005 - hrlm: pictures, The Studio Museum in Harlem. Group Exhbit.
2006 - Feature/profile in El Diario - La Prensa, a spanish-language daily in New York City. |
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| 未来的展览 |
Featured Artist, premiere issue (March 2007) of "What A Duck" magazine (produced by http://www.adrenalina.tv)
PhotographicNYC.com - 2007
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网站: www.wnyc.org/stream/ram?file=/lopate/lopate030907c.mp3 |
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