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Esther Jervis
 
 
关于此艺术家

My work is about the creation and amalgamation of creatures and their surrounding stories. It alludes to the experience of hybrids derived from fables but going on from there to invent new characters, with a particular interest in transformation. The intention with all of the work is to make the viewer conscious of both their response to and their involvement with the characters; whether it is an awareness of the uncanny and the absurd, the notion of the spectacle; whether they are intrigued or repelled. The work also seeks to maintain a tension between this and more playful encounters with inventiveness and storytelling that leave space for the imagination to work.

 
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And then......

2006
Sculpture with wire, plaster and muslin
50 x 80 x 100 cm

And then......
We encounter her attempting to stand up, pushing down hard on her knee with her hoof-like hand, pushing up against the huge unwieldy head. It is unclear whether the movement will break through the layers of plaster or whether she will remain constricted. She looks up for a reference point, something to fix on while she is forcing her muscles into obedience. Was this always your head, your hands? Was it out of cruelty that you were formed this way or are you happy? Under what spell are you enchanted? She is the product of and response to so many myths and stories that have been shaken around and regurgitated, spitting her out onto the floor and leaving her to get up in her own time.

Donkey Girl

2006
Wire, tape and fabric
50 x 50 x 70cm

Donkey Girl

Pig Girl

2006
Plaster, tape and fabric
50 x 50 x 70cm

Pig Girl

Sniper Polastes

2005
C-type print (framed)
60 x 40cm

Sniper Polastes

Exomoiosis Begins

2005
C-type print (framed)
40 x 60 cm

Exomoiosis Begins

...all at once a chiranmos

2005
C-type print (framed)
50 x 40 cm

...all at once a chiranmos

Perfect love drives out fear

2007
Sculpture with wire, jesmonite and muslin
80 x 70 x 80cm

Perfect love drives out fear
He sits in the bell tower guarding his labyrinth of passages. He looks set to stay for a while, resting on some stones he has found. Will his legs get stiff? Maybe he will spring into action and scuttle away, but he looks frozen. Who will notice him? Will they be frightened or inquisitive? He is many different things; aggressive to one, vulnerable to another, defensive to another. Is he really guardian, or prisoner?

Nearly There

2007
Sculpture with wire, jesmonite and muslin
60 x 75 x 110cm

Nearly There

An exposed weakness

2007
Sculpture with wire, jesmonite and muslin
90 x 70 x 135

An exposed weakness

That moment

2007
Sculpture with wire, jesmonite and muslin
50 x 90 x 260 cm

Becoming 4

2007
Acrylic and pencil on Graph Paper
21 x 29

Hemmed In

2008
Sculpture with wire, jesmonite and muslin
35 x 24 x 85

Hemmed In

And again...

2008
Sculpture with wire, muslin and jesmonite
60 x 75 x 125cm

And again...
 
教育程度与个人自传
BA (hons) in Fine Art and Art History at Goldsmiths College, London. (1997 - 2000)

MA in Fine Art at Central Saint Martins, London. (2005 - 2007)

September 2008 - Collision Festival (Beyond Abject - showing with Rotoreliefs) - Area 10, London
1 - 13th September 2008 - Beggars' Banquet - House Gallery, London
August 2008 - Surface Gallery Open - Surface Gallery, Nottingham
2007 - Reformation - Christ Church Spitalfields, London
2007 - 11.472 - Barge House, London
2006 Unnatural Selection (Shrewsbury Open) - Shrewsbury Museum and Art Gallery
2006 Phantom (Dual Show)- Bearspace, London
2006 Identikit - temporarycontemporary, London
2005 New Art Birmingham - Jewellery Quarter, Birmingham
2005 Footsteps in the Citadel - Nolias Gallery, London
2005 Minotaur - Bearspace, London
2005 Becoming Fables (solo show)- Chapman Gallery, University of Salford
2004 Fashion Doll - Heriot-Watt University
2004 London Art Fair - Business Design Centre, London
 
网站:  www.estherjervis.com
 
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