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陈列您的艺术作品给每天无数的访客观看
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| Fabio Palumbo | |
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Born in Buenos Aires in 1967.Actually living in Ibiza since 2007, and before in Barcelona (Spain) since 1997. |
| 关于此艺术家 | |
“POLA-ART is the result of a long process of experimenting with manipulation of Polaroid photographs, images that have almost a painterly quality whilst keeping their intrinsic photographic essence. Bringing together photography and fine art in way that demonstrates the approximation between these two techniques. The result is a collection of images rich in colours, textures and volumes with their own distinctive personality and style. A different type of photographic art which aims to capture the essence of each scene photographed, discovering a new image within the image.” |
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| 按此以放大图像 (假如你已上传更大的图像) | |
Batllo I
2005 |
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| From Barcelona Series.
Used technique: photographies Polaroid manipulated manually during the process of developing. This technique known as " Manipulation of Polaroid Time Zero SX70 film "consists of the alteration and deformation of the gel that takes inside the film, by means of local pressure using an instrument of rounded top; in this case punches of metacrilato of own manufacture. Only it is possible to realize the manipulation up to the moment of the solidification of the gel, this period, depending on the conditions and the film, can range between 10 min. and half an hour approximately. Then, scanning the images route comes near to the amplifications processes of digital photography.
The work is conceived under the idea of “only piece” and it consists of two parts: first, the original Polaroid on which the manipulation has been realized; and the second part of the work is the photographic amplification of the Polaroid.
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Sense paraules
2005 |
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| From Barcelona Series.
Used technique: photographies Polaroid manipulated manually during the process of developing. This technique known as " Manipulation of Polaroid Time Zero SX70 film "consists of the alteration and deformation of the gel that takes inside the film, by means of local pressure using an instrument of rounded top; in this case punches of metacrilato of own manufacture. Only it is possible to realize the manipulation up to the moment of the solidification of the gel, this period, depending on the conditions and the film, can range between 10 min. and half an hour approximately. Then, scanning the images route comes near to the amplifications processes of digital photography.
The work is conceived under the idea of “only piece” and it consists of two parts: first, the original Polaroid on which the manipulation has been realized; and the second part of the work is the photographic amplification of the Polaroid.
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El Abrazo
2006 |
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| From Ibiza Series.
Used technique: photographies Polaroid manipulated manually during the process of developing. This technique known as " Manipulation of Polaroid Time Zero SX70 film "consists of the alteration and deformation of the gel that takes inside the film, by means of local pressure using an instrument of rounded top; in this case punches of metacrilato of own manufacture. Only it is possible to realize the manipulation up to the moment of the solidification of the gel, this period, depending on the conditions and the film, can range between 10 min. and half an hour approximately. Then, scanning the images route comes near to the amplifications processes of digital photography.
The work is conceived under the idea of “only piece” and it consists of two parts: first, the original Polaroid on which the manipulation has been realized; and the second part of the work is the photographic amplification of the Polaroid.
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La sombra de la palmera II
2006 |
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| From Ibiza Series.
Used technique: photographies Polaroid manipulated manually during the process of developing. This technique known as " Manipulation of Polaroid Time Zero SX70 film "consists of the alteration and deformation of the gel that takes inside the film, by means of local pressure using an instrument of rounded top; in this case punches of metacrilato of own manufacture. Only it is possible to realize the manipulation up to the moment of the solidification of the gel, this period, depending on the conditions and the film, can range between 10 min. and half an hour approximately. Then, scanning the images route comes near to the amplifications processes of digital photography.
The work is conceived under the idea of “only piece” and it consists of two parts: first, the original Polaroid on which the manipulation has been realized; and the second part of the work is the photographic amplification of the Polaroid.
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Los Girasoles
2005 |
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| From Ibiza Series.
Used technique: photographies Polaroid manipulated manually during the process of developing. This technique known as " Manipulation of Polaroid Time Zero SX70 film "consists of the alteration and deformation of the gel that takes inside the film, by means of local pressure using an instrument of rounded top; in this case punches of metacrilato of own manufacture. Only it is possible to realize the manipulation up to the moment of the solidification of the gel, this period, depending on the conditions and the film, can range between 10 min. and half an hour approximately. Then, scanning the images route comes near to the amplifications processes of digital photography.
The work is conceived under the idea of “only piece” and it consists of two parts: first, the original Polaroid on which the manipulation has been realized; and the second part of the work is the photographic amplification of the Polaroid.
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Ramblas V
2004 |
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| From Ramblas Series.
Used technique: photographies Polaroid manipulated manually during the process of developing. This technique known as " Manipulation of Polaroid Time Zero SX70 film "consists of the alteration and deformation of the gel that takes inside the film, by means of local pressure using an instrument of rounded top; in this case punches of metacrilato of own manufacture. Only it is possible to realize the manipulation up to the moment of the solidification of the gel, this period, depending on the conditions and the film, can range between 10 min. and half an hour approximately. Then, scanning the images route comes near to the amplifications processes of digital photography.
The work is conceived under the idea of “only piece” and it consists of two parts: first, the original Polaroid on which the manipulation has been realized; and the second part of the work is the photographic amplification of the Polaroid.
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Ramblas XVIII
2004 |
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| From Ramblas Series.
Used technique: photographies Polaroid manipulated manually during the process of developing. This technique known as " Manipulation of Polaroid Time Zero SX70 film "consists of the alteration and deformation of the gel that takes inside the film, by means of local pressure using an instrument of rounded top; in this case punches of metacrilato of own manufacture. Only it is possible to realize the manipulation up to the moment of the solidification of the gel, this period, depending on the conditions and the film, can range between 10 min. and half an hour approximately. Then, scanning the images route comes near to the amplifications processes of digital photography.
The work is conceived under the idea of “only piece” and it consists of two parts: first, the original Polaroid on which the manipulation has been realized; and the second part of the work is the photographic amplification of the Polaroid.
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| 教育程度与个人自传 | |
| 1986 Cursa estudios de publicidad en la Escuela Superior de Publicidad Dr.F.Ibos. 1997 – 1998 Estudios de fotografía en la Escuela de Fotografía Creativa de Andy Goldstein. 1998 – 2001 Estudios de Fotografía en el Institut d’Estudis Fotogràfics de Catalunya. Exposiciones Colectivas Junio 2007 Colectiva de Arte Erótico – Red 03. Barcelona Febrero 2006 Supermercado de Arte de American Prints. Aeroport El Prat. Barcelona Noviembre 2005 -22º Supermercado de Arte de American Prints. Barcelona -DelicARTessen – Galeria Esther Montoriol. Barcelona Junio 2004 Entrecot de Bou – Degustació d’art. Barcelona Diciembre 2002 Entrecot de Bou – Degustació d’art. Barcelona Diciembre 2000 Galería Cincómonos. Barcelona Septiembre 2000 Colectiva de alumnos Institut d’Estudis Fotogràfics de Catalunya Septiembre 1999 Colectiva de alumnos Institut d’Estudis Fotogràfics de Catalunya Exposiciones Individuales Mayo/Octubre 2007 Pola-Art / Ibiza Series. Hotel Rural Sa Talaia - Ibiza Julio 2007 Pola-Art / Ibiza Series. KM5 Gallery – Ibiza. Junio 2006 Pola-Art / Ibiza Series. Atzaró Hotel Agroturismo - Ibiza Abril/Octubre 2006 Pola-Art / Ibiza Series. Hotel Rural Sa Talaia - Ibiza Marzo 2006 Pola-Art Series. Sala de Exposiciones La Cafeteria de Anna Valls Castelldefells - Barcelona. Agosto 2005 Pola-Art / Ibiza Series. El Hotel – Ibiza. Julio 2005 Pola-Art / Ibiza Series. KM5 Gallery – Ibiza. Marzo 2005 Pola-Art Series – Centre Cultural Collblanc-La Torrassa. L’Hospitalet - Barcelona-España Mayo 2004 Pola-Art – Galería Artkaffee. Barcelona-España Marzo 2003 Imágenes de Buenos Aires – Tangofabrik. Leipzig-Alemania Julio 2002 Barcelona, Explosión de Luces / Imágenes de Buenos Aires. Galería Artkaffee. Barcelona-España Mayo 2000 Imágenes de Buenos Aires – Galería Cincómonos. Barcelona - España. Abril 2000 Vestida de Sombras – Universidad Autónoma de Barcelona. Bellaterra-Barcelona-España |
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