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Francine Leclercq
 
 
About the Artist

Exploration of the process of painting and the idea of painting with a deeper focus on the complementary dialogue between materiality, content, the space of the exhibition, perceptual process and encounter with the viewer.
Displacement, sequences, stratification, viscosity, morphological and semantic registers, curatorial and historical operations, are the elements with which I explore these notions.

 
Click to enlarge images
(if larger image has been loaded)
 

Olympia

2003
Acrylic, Resin on Masonite
148 x 183 cm (2 panels)

Untitled 2003-4

2003
Resin on Masonite
153 x 92 cm

The Last Supper Untitled

2007
Gesso on MDF, metal structure
240 x 640 cm (6 double panels)

The Last Supper Untitled

The last Supper Untitled

2007
detail

The last Supper Untitled

no picture available [081122]

2008
digital keying paint and thermochromic ink
122 x 163

no picture available [081122]
" No Picture Available [081122]" is a large canvas painted with digital keying paint used in film and photo studios as a background for digital composite images. It is a surface where everything and anything is possible: a surface waiting to become a picture. As this one (image) appears in certain atmospheric conditions (here temperature of the room), the spectator is once again sent back to nothingness as a tautological message reads: "no picture available at this time". The ephemeral nature of an exhibition is expressed... coming back... soon...

The last supper tablecloth

acrylic, urethane, masonite
153 x 92 cm

The Last supper tablecloth (detail)

acrylic, urethane, masonite
153 x 92 cm

[3:2] in progress

2009
Thermochromic ink on paper/metal
installation

The installation consists of hundreds cells measuring 3 x 2 inches each; the photographic 3:2 aspect ratio now adopted for the LCD screens of our digital devices such as cameras, i-phones and the likes has become our new format of perception. The scenario evokes the image of a vaporized display of memories scattered about like gas particles in suspense, fully liberated from the captivity of their once fleshy bunker, the body. A coat of thermochromic ink is applied to cells, causing a nuance such that they may be perceived as an opaque monochrome, a blur or transparent where the underlying image is fully visible depending on temperature and location, the proximity of bodies and heat exchange. It is an experiment whereby art is the moment of a mutual dependency fermented by an active participation of the senses.
 
Education and biography
Francine LeClercq completed her education in interior architecture and fine arts with honors from the School of Decorative Arts in Strasbourg/ France. Recipient of the Ritleng Prize, she was invited to collaborate on works with the International architect/artist/designer Gaetano Pesce in France and United States.
Her work is grounded on the thematic of perception and the tectonics of painting and has been exhibited in galleries and museums in France and the United States. She has had the privilege to see her work selected by eminent curators such as Peter Blum/Peter Blum gallery, James Cuno/Art Institute Chicago, Lynne Warren/ Curator, Museum of Contemporary Art of Chicago, and Maxwell Anderson / Whitney Museum, to mention a few.
She has lived in New York City since 1992, where aside from painting, she practices architecture and design with Ali Soltani.
 
Future shows
2009 Francine LeClercq [3:2]
http://www.soho20gallery.com

2008 "Make me an offer"The illinois Institure of Art Chicago

2008 Visual AIDS, Metro Picture NYC
 
Website:  www.francineleclercq.blogspot.com
 
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