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陈列您的艺术作品给每天无数的访客观看
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| Gulay Alpay | |
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I was born in Istanbul. I like to cooperate all around the world for social and public art events..If I fell where is an positive artistic and humanistic energie I like to be there...For to create new art works,ideas,diologs with Artists and Public peoples...I hope I can move my artistic visions with me where I will go... |
| 关于此艺术家 | |
Gulay Alpay’s work displays delicacy and fragility, revealing a deep respect for something fundamental, some primal, indigenous sense of shape and color, yet she creates with bursts of contemporary idioms. Her paintings are playful, spirited, freeform and deceptively complex. There’s not a single corner, hard edged, geometric line to be found in her composition, instead the shapes are as fluid as the submerged sounds that fuel her imagination. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
"the box of dreams"
2006- December |
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| this is an public art project
It showed during Contemporary Art Ist.Fair 2006-December |
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CLASICAL SOUNDS
2004 |
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Montreal Jazz Festival
on canvas- mixed media |
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| During Montreal jazz Festival I reflected my impressions and feelings with my art |
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silk pink
2006 |
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| Pink Silk Simone Cappa- NY Arts Magazine May-June 2007
Sometimes all it takes to make an already professional art world event even more serious is a big pink tent adorned with amateur art and condoms. The concept behind Gulay Alpay’s not so silk, Silk Room construction of wood, pink paint, condoms and plenty of brushes and paint palettes for the general public to take up for themselves was less so high art than high purpose. Alpay created this interactive structure with the goal of making a statement about the female and her body.
Here, the artist invited visitors of all ages to express themselves on walls painted in the stereotypically feminine color of pink and splattered with rainbow-colored condoms in an attempt to incite a call to arms against unwanted pregnancy and sexually transmitted diseases in cultures and societies whose economies are at that of the Western world’s poverty level and below. The interactive installation thus provided a theme for the potential creativity at hand and got the visitors to this Turkish contemporary art fair thinking about birth and disease control in a way that was, literally, productive.
Although, by the end of the fair, the majority of the structure’s extensive coverings played off of Alpay’s original abstract swirls, blotches and complex lines of strong paint colors which are so characteristic of the artist’s larger oeuvre, the participants added much in the way of statements and expressions in their native tongues as well as in each of their individual brush strokes, but they also contributed by way of the very footprints left behind on the floor of Alpay’s structure. These were hundreds of artists/art participants with a purpose, and both their brush strokes and their presence left visible traces on the surface of Alpay’s installation. Thanks to Alpay, these remnants now serve as testament to the fight for sex education.
Drect link for news: http://nyartsmagazine.com/index.php?option=com_content&task=view&id=7288&Itemid=240
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Songs of Whales
2005 |
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| I am displaying what I describe as the transfer of the audio into visual. All the colors of the ocean, whirling waves and bursting chords of movement convey the musical and mystical world of the whale in my canvases. |
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Interective performance
2009-May New York Broadway Gal |
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| Paint with me... |
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3 D project Room Enstallation
2009-May New York Broadway Gal |
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| 20 NY ARTS
www.nyartsmagazine.com
reviewed
Evolving Environments
Abraham Lubelski on Gulay Alpay 3D Project Room Installation.
Using fluorescent paint and fabric to explore
color, luminosity, movement and sculptural space, Turkish artist Gulay Alpay
captures the energy of the life—from the people she meets to the places she travels. With raw energy and provocation Alpay’s work explores painting’s potential. Her installations, paintings and interactive environments occupy a domain between a romantic and a conceptual art form in which a deep, psychological experience is formed. In her works broad brushstrokes and graffiti-esque lines, in acidic and delicate
colors, dash across an epic surface inviting
the viewer inside.
Alpay’s 3D Project Room Installation is a world within a world. Each of these “worlds” are created with a variety of mediums.
Alpay has developed a reputation for epic poetic works that display both delicacy and fragility, revealing a deep respect
for something fundamental, primal, and indigenous.
Alpay began the invocative piece in Istanbul, completing the creative process in front of a live audience at the gallery space in NY. Turkish designer Emre Erturk collaborated with Alpay on the opening night during the performance. The performance/
live installation re-creates the artist’s
studio within a gallery context, allowing
both the artist and the viewer to exist inside, and outside the picture—therefore becoming apart of the artist’s state of creation.
In this sense her action is both political
and aesthetic–and in its action, aims to transform existing language and its effects.
Alpay continues to explore the idea of transforming yourself and your environment through ritual and the creative act. To her, each artistic act—from layering paint on the silk and her own body to building an environment of paintings and drawings—are all opportunities
for purification, love and rebirth. At her core she is still investigating the alternative semantics of the artistic body–those suppressed by layers of Western rationalism. Presenting
this scenario as a premeditated action in a clinically white and a typically cold space, she challenges both what is acceptable in an art venue, as well as the boundaries of art. In this way the exhibition and performance questions her position as subject/object and the possibility
of transcending this. 3D Project Room Installation offers us as viewers the opportunity to investigate relations—throwing performance art back into a pool of nebulous ideas and issues. More specifically, the categorization of the work, which fluctuates from performance to living sculpture and live installation, to looped video art-like action.
Demanding that viewers leave at the door notions of what painting should be, Alpay allows them the freedom to let feelings be their guide. Her paintings and sketches, straddle the line between representation and abstraction. The artist’s strength lies within this fluid movement between genres and categories. Caught between description and dreamlike states, and the observed and the imagined, Alpay’s work transforms the natural world into poetic
visions and fantasy, while still utilizing symbolic elements to convey psychological ideas and emphasize the “freedom” of art from traditional
culture.
While preserving
both Expressionist influences,
Alpay’s paintings offer a new and unique contribution to the art and culture
of their times. Her method is contemplative, meditative, and indulgent. The paradoxes in Alpay’s work lie in the blurring of boundaries between interior and exterior, self and others, the physical and spiritual. This is a mysterious form of creation, in which art seems to return to its ancestral shamanic role. Reminiscent of a dream voyage to another place, Alpay’s works are deeply personal, evoking her own subconsciousness, while revealing universal
truths about the journey and celebration of life. |
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| 教育程度与个人自传 | |
| GÜLAY ALPAY • 1989- Graduaded from Painting Department-Fine Arts Faculty of Mimar Sinan University(MSÜ) ( Prof.Özdemir Altan 's studio). • 1992- had master degree in same department of MSÜ. • Some exihibitions she contributed: • 1985-89 Some exhibitions of young talented artists sponsored by public organizations included also State Fine Art Gallery- İstanbul. • 1990- Mixed exhibition of young artists by Derimod Art Gallery- İstanbul. • 1990- Some exhibitions in Kassel- Germany projected by Fine Art Faculty of Kassel University and MSÜ. • 1990- First personnel exhibition of herself in Press Museum İstanbul. • 1991- Contemporary Art I- mixed exhibition in Cemal Resit Rey Exhibition Hall- İstanbul. • 1991- The Turkish 8 Famous Modern Artists' Exhibition in MSÜ Exhibition Centre İstanbul. • 1994- Present Artists 15th Istanbul Exhibition in Painting and Scultpture Museum. • 1995- Second personnel exhibition in The Opera Art Gallery of The Marmara Hotel-İstanbul. • 1995- International Modern Fine Arts Exhibition of All Fann in Hann-Münden-Germany. • 1995- 100 Contemporary Artists Exhibition in Artemis Art Gallery- İstanbul. • 1996- All Fann- International Fine Arts Exhibitions in Kassel- Germany. • 1997- Her third personnel exhibition in Artemis Art Gallery- İstanbul. • 1998- Performance in Artemis Art Gallery- İstanbul. • 1998-1999 She was working new art projects ( California) • 2000-Mixed Exhibition - In Artemis Art Gallery- İstanbul • 2001- Detroid's Museum of New Art - Documenta USA exhibition • 2002- The Coaster Project- Artemis Art Center • 2002- 4. solo exhibition - Artemis Art Center • 2003- Mixed Exhibition- Avenue du Parc 'Mile End Library Montreal -Canada • 2004-May- İnternational Tile- Project - Artemis Art Center- İstanbul • 2004- August- -solo show- Canada- Monreal Gora Art Gallery • 2005- Tuyap Art Fair- Istanbul • 2005 Cekirdek Sanat Gallery "66 Women 66 Art Piece" mix-exhibition. • 2005-December Solo exhibition in NY Broadway Gallery • 2006-7 September Opening,Group Show”Doodle” NY Broadway Gallery • 2006- NY Gershwin Otel was accepted Artist-in Residence program 2006 .2006 Gershwin Pop Art Gallery Art Show • 2006 8 September opening solo exhibition in NY TC Turkish Culture and Tourism Office • 2006 Biennale 3000 Sao Paolo .2006 Contemporary İst. Art Fair Public Art performance-enstalation and exhibition NY Broadway Gallery .2007 Contemporary Art Fair İst.Public Art Performance NY Beijing Gallery ( wisiting 40.000 ) .2008 London Biennale public art performance with Trans Culturalexchange artists 2009 Boston-İstanbul show-perfromance Here,There and Everywhere |
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| 未来的展览 | |
| "The box of dreams" Public Art Project Travel Exhibition | |
| 网站: www.gulayalpay.com | |
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