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| Head Clausnitzer |
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Jan van der Marck founder of the MCA Chicago has said, Clausnitzer's work "speaks in a familiar yet edgy language . . .it is art distilled down to an accessible iconography - in new and surprising combinations of vividly colored juxtapositions and references to the abstract, to pop culture and to high fashion, to irony and to the matter -of- fact."

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| 关于此艺术家 |
In Clausnitzer’s work, there is an important digression from a complete alignment with the technically driven side of world New Media art. This digression serves to set up an edgy relationship in his work between “slick production values and the old fashioned evidence of the artist’s hand.” New Media is being embraced as a total methodology, but it is frequently unable to look immediate and fresh, to appear spontaneous, and is nearly always unable to deliver breathy energy. By their very nature, New Media methods are not personal in these ways, as well as in others. They are in fact once or twice removed from original sources. Clausnitzer’s ability to create compelling pictures that utilize technological effects in ways that give us a hand-made feel is a driving factor in all of his works on display at Micro Museum.
It is in this New Media approach that Clausnitzer finds himself at his most inventive. Inspired by the many new mediums available to artists of all kinds these days, he at the same time sees new questions and problems arising for picture makers. He also sees that a few artists are beginning to address these issues. Such notions as “when should the evidence of an artist’s hand or his or her thinking processes in a work of New Media art be made apparent and thus incorporated as a part of the overall esthetic of a finished work?” The development of modern visual technologies has tended increasingly toward a perfection of product. Clausnitzer believes that we find part of our enjoyment of visual art in the evidences of the act of creation. These are, of course, brush strokes or pencil marks and the small glitches of surface that are left behind in a piece of art that says to us that this thing was made by hand. However...
Kathleen Laziza, Micro Museum, New York
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Women tickling women - transformer
2007 Photo-montage, oil on paper 42cm x 55cm |
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Women tickling women - clowns
2007 Photo-montage, oil on paper 55cm x 42cm |
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Women tickling women - horse tail whip
2007 Photo-montage, oil on paper 55cm x 42cm |
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Women tickling women - bungalow
2007 Photo-montage, oil on paper 55cm x 42cm |
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Thousand Petaled Lotus
2007 acrylic on canvas 160 cm at the median line |
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From my series of hand imagery on canvas |
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| 教育程度与个人自传 |
| SELECTED SHOWS • reiner Tisch, Berlin 2005 • Micro Museum, N.Y. 2003 • Museum of New Art, Detroit 2001 • Joyce Goldstein Gallery, N.Y. 1998 • GROUP • COCA, Christchurch, NZ (traveling) 2006-2007 • Ivy/ Paris 2006 • Atelierhof, Bremen 2006 • C.A.N, Philadelphia 2004 • TIXE, N.Y. 2003 • Monique Goldstrom Gallery, N.Y. 2003 • Galerie Rothamel, Erfurt, DE 2002 • Musee ArtColle, Paris 2002 • Carnegie Museum, Pittsburgh 1996, 98 • NYU small works, New York 1998 • WALL INSTALLATIONS • reiner Tisch, Berlin, DE 2005 • AMMO/ DUMBO, N.Y. 2003 • Museum of New Art, Detroit 2001 • New Art Center, Boston 2001 • RESIDENCIES • Chashama Tribeca Studio Residency 2004-2005 |
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| 未来的展览 |
| Touring with a group show around New Zealand culminating in the Christchurch Biennial at COCA NZ in August 2007. |
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网站: www.headclausnitzerrooms.com/ |
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