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J S Holland
 
 
关于此艺术家

Everyone thinks an artist needs an artist's statement. Even the bartender at Seidenfaden's said I needed one, and I trust my bartender with things I wouldn't trust with my wife, if I had a wife. Which I don't.

But I've always hated reading artist's statements. They usually fall somewhere between "I paint puppies because they're so cute" or "the primary crux of my oeuvre is deconstruction of the postmodern paradigm". Who needs it? Not I. I just paint what the little voices in my head tell me to. Like Lee Harvey Oswald, I'm just a patsy.

My Remodernist art is not for the jaded or the unenthusiastic.

Bernard Buffet said: "Painting, we do not talk about it, we do not analyze it, we feel it." There it is, then. My paintings do not require the viewer to read two pounds of text in order to be "truly understood" in the "proper perspective".

What you see on these canvases is exactly what I intended, no more, no less. Don't criticize me for failing to achieve something I never set out to do in the first place.

 
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Conversation with a Television

2003

Ace Sitting Around Drinking

2002

Clown Eating Fried Chicken

2004

Nude Reading Comic Books

2006

Piggy With Spatula

2006

Erica in the Studio

2006

Erica in the Studio

Intergalactic Cupcake

2006

In Revenge and in Love

2005

In Revenge and in Love
 
教育程度与个人自传
Attended Model Laboratory School in Richmond, KY, taking college-level art courses in high school. Briefly attended Atlanta Institute of Art, Eastern Kentucky University, and University of Kentucky, but dropped out each time.

Recent solo exhibitions:
July 2003: Desperate Telegrams, Gallerie Soleil, Lexington, Kentucky.
January 2004: Worthless Advice, Cinderblock Gallery, Louisville.
December 2004: Fragments of the 20th Century, Somerville, MA.
February 2005: Clowns in Love, Jigsaw Gallery, NYC.
February 2006: Jefferson County Confidential, Deatrick Gallery, Louisville.
April 2006: Project Egg, installation of art-filled easter eggs, Chicago, Atlanta, Cincinnati, St. Louis, Nashville, and Indianapolis.
June 2006: Appalachian Voodoo, Black Box Gallery, Seattle, WA.
June 2006: Outhouse in Flames, Morgan Art Space, Brooklyn, NY.
 
未来的展览
January 26, 2007: Dark Observatory: Painting as performance art, Bingham Theater, Louisville, KY.

April 2007: Fuel to Build a Fire, KISS Coffeehouse, Myrtle Beach, SC

Throughout 2007: Keyscratchings, a traveling installation of prints held in the most unconventional venues possible: alleys, gas stations, porno stores, vacant lots, public restrooms, etc.
 
网站:  www.jeffreyscottholland.com/
 
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