| |
Skip navigation
|
|
 |
|
|
|
 |
|
|
|
|
 |
|
|
|
 |
|
 |
|
|
 |
|
 |
|
|
 |
|
 |

TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
|
|
 |
|
 |
|
|
|
|
| Jonathan Gitelson |
| |
|
Born (1975) in Mount Kisco, NY and currently resides in Chicago, Illinois.
Jonathan received a BA in literature from Marlboro College in 1997 and completed his MFA at Columbia College in 2004.
He is an adjunct faculty member in the Photography Department at Columbia College and in the Department of Fine Arts at Loyola University.
 |
| |
| About the Artist |
As an artist, I am interested in every day events and observations. Overheard conversations, personal reflections, chance encounters and found objects are just a few of the seemingly mundane things that have inspired my work. By examining the overlooked artifacts of everyday life such as discarded letters or shoes hanging on telephone wires, I catch a glimpse into the lives of people in my community. |
| |
Click to enlarge images (if larger image has been loaded) |
| |
Green Dolphin Street
2005 101 x 127 cm |
|
During the summer of 2004, I moved across the street from the Funky Buddha Lounge, a popular nightclub in Chicago’s West Loop neighborhood. Each night I would park my car on the street, and each morning I would find that numerous club fliers had been shoved beneath my windshield wipers and into the cracks of my windows. By the time I got to my car each morning, many of the other car owners had already left for the day, discarding their fliers on the ground. This form of advertising intrigued me – an attempt at communication with consumers that was clearly failing, creating huge volumes of what was essentially expensively printed instant garbage.
Shortly after I moved in, I began collecting the fliers from my car and from the sidewalk around my home. By January of 2005, I had collected over 1000 fliers, enough to cover my entire car. I spent three months hand-sewing the fliers together to create a car cover and have photographed the car, with car cover, parked in front of the clubs from whom I had received fliers.
“The Car Project” was completed in December of 2005 and consists of eight large-scale photographs. Each exhibition print is digitally printed at 40” X 50” which allows the viewer to read the individual fliers within each photograph. The photographs have been exhibited along with a metal sculpture that is in the shape of my car upon which I have exhibited the actual car cover.
|
Excalibur
2005 Inkjet Print 101 x 127 cm |
|
During the summer of 2004, I moved across the street from the Funky Buddha Lounge, a popular nightclub in Chicago’s West Loop neighborhood. Each night I would park my car on the street, and each morning I would find that numerous club fliers had been shoved beneath my windshield wipers and into the cracks of my windows. By the time I got to my car each morning, many of the other car owners had already left for the day, discarding their fliers on the ground. This form of advertising intrigued me – an attempt at communication with consumers that was clearly failing, creating huge volumes of what was essentially expensively printed instant garbage. Shortly after I moved in, I began collecting the fliers from my car and from the sidewalk around my home. By January of 2005, I had collected over 1000 fliers, enough to cover my entire car. I spent three months hand-sewing the fliers together to create a car cover and have photographed the car, with car cover, parked in front of the clubs from whom I had received fliers. “The Car Project” was completed in December of 2005 and consists of eight large-scale photographs. Each exhibition print is digitally printed at 40” X 50” which allows the viewer to read the individual fliers within each photograph. The photographs have been exhibited along with a metal sculpture that is in the shape of my car upon which I have exhibited the actual car cover. |
Congress Theater
2005 Inkjet Print 101 x 127 cm |
|
During the summer of 2004, I moved across the street from the Funky Buddha Lounge, a popular nightclub in Chicago’s West Loop neighborhood. Each night I would park my car on the street, and each morning I would find that numerous club fliers had been shoved beneath my windshield wipers and into the cracks of my windows. By the time I got to my car each morning, many of the other car owners had already left for the day, discarding their fliers on the ground. This form of advertising intrigued me – an attempt at communication with consumers that was clearly failing, creating huge volumes of what was essentially expensively printed instant garbage. Shortly after I moved in, I began collecting the fliers from my car and from the sidewalk around my home. By January of 2005, I had collected over 1000 fliers, enough to cover my entire car. I spent three months hand-sewing the fliers together to create a car cover and have photographed the car, with car cover, parked in front of the clubs from whom I had received fliers. “The Car Project” was completed in December of 2005 and consists of eight large-scale photographs. Each exhibition print is digitally printed at 40” X 50” which allows the viewer to read the individual fliers within each photograph. The photographs have been exhibited along with a metal sculpture that is in the shape of my car upon which I have exhibited the actual car cover. |
Chuck O Luck
2004 Inkjet Print 160 x 71 cm |
|
I began to create large-scale posters in the spring of 2004 as an extension of my artist’s books. I have used the work of Chris Ware, The Russian Constructivists, old cinema posters and various other sources as my templates and have often accompanied my posters with short films. |
What Does It All Mean?
2004 Inkjet Print 160 x 102 cm |
|
I began to create large-scale posters in the spring of 2004 as an extension of my artist’s books. I have used the work of Chris Ware, The Russian Constructivists, old cinema posters and various other sources as my templates and have often accompanied my posters with short films. |
The Quitter
2005 Inkjet Print 160 x 102 cm |
|
I began to create large-scale posters in the spring of 2004 as an extension of my artist’s books. I have used the work of Chris Ware, The Russian Constructivists, old cinema posters and various other sources as my templates and have often accompanied my posters with short films. |
| |
| Education and biography |
MFA, Photography, Columbia College Chicago, 2004; BA, Literature and Photography, Marlboro College, 1997
SOLO:
�The Car Project,� Peter Miller Gallery, Chicago, IL [March 17-Apil 22, 2006]
�Social Studies,� Peter Miller Gallery, Chicago, IL [Sept 10�Oct 30, 2004]
GROUP:
�Car Culture� Chicago Cultural Center, Chicago, IL [2006]
�18th Evanston and Vicinity Biennial� Evanston Arts Center, Evanston, IL [2006]
�New Trends In Chicago Photography� Version Kunsthalle, Chicago, IL [2006]
�Unlimited ID� Dazibao Centre de Photographies Actuelles, Montreal, Quebec [2006]
�Unlimited ID� Neutral Ground, Regina, Saskatchewan [2006]
�Photocentric,� Minnesota Center for Photography, Minneapolis, MN [2005]
�Wish,� Center On Contemporary Art, Seattle, WA [2005]
Nova Young Arts Fair, Chicago, IL [2005]
�FACT/FICTION,� Creative Arts Workshop, New Haven, CT [2004]
�47th Annual International Exhibition,� San Diego Art Institute, San Diego, CA [2005]
|
| |
| Future shows |
Group Shows:
“Chicagraphy:Jonathan Gitelson, Matt Siber and Brian Ulrich,†Galerie f5.6, Munich, Germany [November]
“Houston Center for Photography Membership Exhibition,†Curated by Anne Wilkes Tucker, Houston Center for Photography, Houston, TX [June 8-July 22]
“Concerning Tomorrow,†Curated by Jason Lazarus, Atlas Gallery, Chicago, IL [June]
“Photocentric,†Curated by Lisa Hostetler, Minnesota Center for Photography, Minneapolis, MN [March 31 - May 27]
_________________________________
Art Fairs/Festivals:
“Paris Photo,†Paris, France [November 15-18]
“Innmotion Festival,†Barcelona, Spain [July 4-7]
“The Artist Project,†Art Chicago, Chicago, IL [April 27-30]
__________________________________________
Publications:
“Light and Lens: Photography in the Digital Age,†Edited by Robert Hirsch, Elsevier’s Focal Press, [2007]
“Camera Austria,†Essay by Karen Irvine, Graz, Austria [March]
“Intersection Magazine,†London, UK [Winter 2006/2007]
__________________________________________
Curatorial:
“43rd Annual Versionfest Photographic Invitational,†Curated with Brian Ulrich, Version Kunsthalle, Chicago, IL (April 19-May 6, 2007)
_________________________________________
Public Art Commissions:
City of Chicago Arts In Transit Public Art Commission (permanent installation, Armitage Brown Line Station), Chicago, IL [2007]
|
| |
|
Website: www.thegit.net |
| |
| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
CLICK HERE TO SEND THIS PROFILE TO YOUR FRIENDS |
| |
|
|
Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
|



|
|