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Jonathan Gitelson
 
 
About the Artist

As an artist, I am interested in every day events and observations. Overheard conversations, personal reflections, chance encounters and found objects are just a few of the seemingly mundane things that have inspired my work. By examining the overlooked artifacts of everyday life such as discarded letters or shoes hanging on telephone wires, I catch a glimpse into the lives of people in my community.

 
Click to enlarge images
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Green Dolphin Street

2005
101 x 127 cm

During the summer of 2004, I moved across the street from the Funky Buddha Lounge, a popular nightclub in Chicago’s West Loop neighborhood. Each night I would park my car on the street, and each morning I would find that numerous club fliers had been shoved beneath my windshield wipers and into the cracks of my windows. By the time I got to my car each morning, many of the other car owners had already left for the day, discarding their fliers on the ground. This form of advertising intrigued me – an attempt at communication with consumers that was clearly failing, creating huge volumes of what was essentially expensively printed instant garbage. Shortly after I moved in, I began collecting the fliers from my car and from the sidewalk around my home. By January of 2005, I had collected over 1000 fliers, enough to cover my entire car. I spent three months hand-sewing the fliers together to create a car cover and have photographed the car, with car cover, parked in front of the clubs from whom I had received fliers. “The Car Project” was completed in December of 2005 and consists of eight large-scale photographs. Each exhibition print is digitally printed at 40” X 50” which allows the viewer to read the individual fliers within each photograph. The photographs have been exhibited along with a metal sculpture that is in the shape of my car upon which I have exhibited the actual car cover.

Excalibur

2005
Inkjet Print
101 x 127 cm

During the summer of 2004, I moved across the street from the Funky Buddha Lounge, a popular nightclub in Chicago’s West Loop neighborhood. Each night I would park my car on the street, and each morning I would find that numerous club fliers had been shoved beneath my windshield wipers and into the cracks of my windows. By the time I got to my car each morning, many of the other car owners had already left for the day, discarding their fliers on the ground. This form of advertising intrigued me – an attempt at communication with consumers that was clearly failing, creating huge volumes of what was essentially expensively printed instant garbage. Shortly after I moved in, I began collecting the fliers from my car and from the sidewalk around my home. By January of 2005, I had collected over 1000 fliers, enough to cover my entire car. I spent three months hand-sewing the fliers together to create a car cover and have photographed the car, with car cover, parked in front of the clubs from whom I had received fliers. “The Car Project” was completed in December of 2005 and consists of eight large-scale photographs. Each exhibition print is digitally printed at 40” X 50” which allows the viewer to read the individual fliers within each photograph. The photographs have been exhibited along with a metal sculpture that is in the shape of my car upon which I have exhibited the actual car cover.

Congress Theater

2005
Inkjet Print
101 x 127 cm

During the summer of 2004, I moved across the street from the Funky Buddha Lounge, a popular nightclub in Chicago’s West Loop neighborhood. Each night I would park my car on the street, and each morning I would find that numerous club fliers had been shoved beneath my windshield wipers and into the cracks of my windows. By the time I got to my car each morning, many of the other car owners had already left for the day, discarding their fliers on the ground. This form of advertising intrigued me – an attempt at communication with consumers that was clearly failing, creating huge volumes of what was essentially expensively printed instant garbage. Shortly after I moved in, I began collecting the fliers from my car and from the sidewalk around my home. By January of 2005, I had collected over 1000 fliers, enough to cover my entire car. I spent three months hand-sewing the fliers together to create a car cover and have photographed the car, with car cover, parked in front of the clubs from whom I had received fliers. “The Car Project” was completed in December of 2005 and consists of eight large-scale photographs. Each exhibition print is digitally printed at 40” X 50” which allows the viewer to read the individual fliers within each photograph. The photographs have been exhibited along with a metal sculpture that is in the shape of my car upon which I have exhibited the actual car cover.

Chuck O Luck

2004
Inkjet Print
160 x 71 cm

I began to create large-scale posters in the spring of 2004 as an extension of my artist’s books. I have used the work of Chris Ware, The Russian Constructivists, old cinema posters and various other sources as my templates and have often accompanied my posters with short films.

What Does It All Mean?

2004
Inkjet Print
160 x 102 cm

I began to create large-scale posters in the spring of 2004 as an extension of my artist’s books. I have used the work of Chris Ware, The Russian Constructivists, old cinema posters and various other sources as my templates and have often accompanied my posters with short films.

The Quitter

2005
Inkjet Print
160 x 102 cm

I began to create large-scale posters in the spring of 2004 as an extension of my artist’s books. I have used the work of Chris Ware, The Russian Constructivists, old cinema posters and various other sources as my templates and have often accompanied my posters with short films.
 
Education and biography
MFA, Photography, Columbia College Chicago, 2004; BA, Literature and Photography, Marlboro College, 1997

SOLO:
�The Car Project,� Peter Miller Gallery, Chicago, IL [March 17-Apil 22, 2006]
�Social Studies,� Peter Miller Gallery, Chicago, IL [Sept 10�Oct 30, 2004]

GROUP:
�Car Culture� Chicago Cultural Center, Chicago, IL [2006]
�18th Evanston and Vicinity Biennial� Evanston Arts Center, Evanston, IL [2006]
�New Trends In Chicago Photography� Version Kunsthalle, Chicago, IL [2006]
�Unlimited ID� Dazibao Centre de Photographies Actuelles, Montreal, Quebec [2006]
�Unlimited ID� Neutral Ground, Regina, Saskatchewan [2006]
�Photocentric,� Minnesota Center for Photography, Minneapolis, MN [2005]
�Wish,� Center On Contemporary Art, Seattle, WA [2005]
Nova Young Arts Fair, Chicago, IL [2005]
�FACT/FICTION,� Creative Arts Workshop, New Haven, CT [2004]
�47th Annual International Exhibition,� San Diego Art Institute, San Diego, CA [2005]
 
Future shows
Group Shows:

“Chicagraphy:Jonathan Gitelson, Matt Siber and Brian Ulrich,” Galerie f5.6, Munich, Germany [November]

“Houston Center for Photography Membership Exhibition,” Curated by Anne Wilkes Tucker, Houston Center for Photography, Houston, TX [June 8-July 22]

“Concerning Tomorrow,” Curated by Jason Lazarus, Atlas Gallery, Chicago, IL [June]

“Photocentric,” Curated by Lisa Hostetler, Minnesota Center for Photography, Minneapolis, MN [March 31 - May 27]
_________________________________

Art Fairs/Festivals:

“Paris Photo,” Paris, France [November 15-18]

“Innmotion Festival,” Barcelona, Spain [July 4-7]

“The Artist Project,” Art Chicago, Chicago, IL [April 27-30]
__________________________________________

Publications:

“Light and Lens: Photography in the Digital Age,” Edited by Robert Hirsch, Elsevier’s Focal Press, [2007]

“Camera Austria,” Essay by Karen Irvine, Graz, Austria [March]

“Intersection Magazine,” London, UK [Winter 2006/2007]
__________________________________________

Curatorial:

“43rd Annual Versionfest Photographic Invitational,” Curated with Brian Ulrich, Version Kunsthalle, Chicago, IL (April 19-May 6, 2007)
_________________________________________

Public Art Commissions:

City of Chicago Arts In Transit Public Art Commission (permanent installation, Armitage Brown Line Station), Chicago, IL [2007]
 
Website:  www.thegit.net
 
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