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Julie Anne Denton
 
 
关于此艺术家

My work is and always has been deeply rooted in organized religious belief and its iconography. The idea that rules made up 500 years ago or more cannot be broken or revised; the ideology that Christ will come back and rule on the Earth for a thousand years with the righteous dead in his wake; the rumour that nuns were raped and tortured and their children murdered in a Canadian nunnery. All these premises and more are the things that interest me! My love of the 14th Century artist Hieronymus Bosch and the glass artist Bertil Valien encourage me to create wonderful what if’s… and maybe’s. Spiked with a bit of black humour to boot, I hope to encourage the viewer to think and laugh and question!

 
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Maria Monk 1836 Anno Dominate

Detail - Cutting from the Times in early 2005 and Laser etched contemporary version of the Shelah na gog originally found in some old Irish Christian Churches, Shelah modelled by me.

Urban Ancestor

2006
Borosillicate glass and lead glass base
16" x4" x4"

This piece was inspired by a Tarot card that kept on turning up, it was called the ‘Ancestor’ card, and it was reminding me not to forget my roots. (I am Manx, with a Celtic tradition behind me) Urban Ancestor is a representation of someone walking tall in a contemporary society with their traditional self intact

Walking on egg shells

2005
Sand cast lead glass with copper, solid and flameworked lead glass inclusion painted with paradise paint, steel stand
19" x 19" x 19"

Walking on egg shells is about the unsteady relationship I have with my brother.

Maria Monk 1836 Anno Dominate

2006
Plate glass and paradise paint, borosillicate and soft glass, photographically laser etched glass, UV glue, mixed media
30" x 12" x 12"

Maria Monk 1836 Anno Dominate
Detail - Made after reading a nonfictional book about an unhappy nun - social commentary on society, Christianity, Paganism and hypocrisy.

O Rose

2002
Sandcast lead glass with flameworked inclusions
30cm x 20cm x 15cm

Inspired by the William Blake poem of the same Name

Spirit of the tree

2007
borosillicate glass and stone
45cm x 30cm

better to have loved

2008
Sandcast glass with flameworked inclusions, highly polished on one side and edges with electroplated nikel on steel and stone frame

better to have loved
 
教育程度与个人自传
Commissions
2005 Commissioned to create Turner and whistler beads for the Tate Britain’s retail jewellery collection.
2005 Commission to create six panelled window for Mr & Mrs O’Halloran
1999 Designed and created Glass Star for the theatre production ‘Journey of the Soul’, for La Vecchia Inc, U.S.A.
1998 Designed and produced sunglasses for a musical company called ‘Sector 51’, U.K.

Education/Work history
August 2006 Teaching assistant to Loren Stump at Plowden & Thompson’s, West Midlands, U.K.
July 2006 Teaching assistant to Sally Prasch and Pat Bennet at Penland School of Crafts, NC, U.S.A.
Autumn 2005 Flameworking demonstrator @ Creative Glass, Switzerland
May 2005 Speaker in a panel discussion on ‘art or artefact’ at Oxford University Museum of Natural History for the Summer Town arts week.
May 2005 Teaching assistant to Shane Fero and Silvia Levenson at Creative Glass, Kent, U.K.
August 2004 Demonstrator, speaker and teaching assistant to Shane Fero, at the Glass Biennale, Ruskin Mill, Stourbridge, U.K.
June 2003 Studied Flameworking the human form in soft glass under Luccio Bubacco at Frantz Art Glass, Shelton, Washington, USA
Sept 2002 – Aug 2003 Artist in Residence predominantly concentrating on flameworked glass, at the Courtyard Gallery, IOM
Sept 2002 Attended sandcasting Master class with Bertil Valien at Northlands Creative Glass Studio, Lybster, Scotland.
Feb 2001 – July 2001 Artist in residence and teaching assistant to Emilio Santini, Virginia, U.S.A.
Sept 1996 – July 2000 Received 2:1 BA Honours Degree in Glass and Philosophy from the University of Wolverhampton, U.K.
Summer 1999 - Studied Flameworking under Emilio Santini at Pilchuck Glass School, Seattle, Washington, U.S.A.

Workshops
Autumn 2006 Flameworking instructor @ the Glass Furnace, Beykoz, Turkey
Spring 2006 Flameworking instructor @ Creative Glass, Zurich, Switzerland
Autumn 2005 Flameworking demonstrator @ Creative Glass, Zurich, Switzerland
Summer 2005 Flameworking instructor @ the Glass Furnace, Beykoz, Turkey
Summer 2005 Head of six week intensive workshop in Flameworking @ Snowfarm Craft Program, Williamsburg, Mass, U.S.A.
Autumn 2004 Flameworking instructor @ the Glass Furnace, Beykoz, Turkey
Summer 2004 Head of six week intensive workshop in Flameworking @ Snowfarm Craft Program, Williamsburg, Mass, U.S.A.
Spring 2003 Five day cross-over class in Flameworking and sandcasting @ Crystal Lotus Studio, Derrylin, Northern Ireland, UK
Summer 2002 Head of six week intensive workshop in Flameworking @ Snowfarm Craft Program, Williamsburg, Mass, U.S.A.
2001 – Present day Life drawing tutor in one off courses throughout the year @ The Courtyard Gallery, Isle of Man, UK
Winter 2001 – summer 2001Emilio Santini’s teaching assistant @ various educational establishments up and down the East Coast, USA
2000 – Present day Flameworking instructor in two, two day workshops every year @ Plowden & Thompson, West Midlands, UK

Exhibitions
Summer 2006 'Liquid Light' Contemporary glass @ Liquid Glass Centre, Frome
Summer 2006 ‘British Glass Biennale 2006’ @ Ruskin Centre, Stourbridge, U.K.
Spring 2006 ‘Courtyard Artists Spring Exhibition’ @ The Courtyard Gallery, IOM
Spring 2006 ‘Spring Exhibition’ @ Obsidian Art Gallery, Buckinghamshire, U.K
Autumn 2005 Joint exhibition with Margaret Claydon @ The Courtyard Gallery, IOM
Spring 2005 ‘Spring Exhibition’ @ Obsidian Art Gallery, Buckinghamshire, U.K.
Winter 2004 ‘Courtyard Artists Christmas show’ @ The Courtyard Gallery, IOM
Summer 2004 ‘British Glass Biennale 2004’ @ Ruskin Centre, Stourbridge, U.K.
Spring 2004 ‘Six Artists Contemporary Show’ @ The Courtyard Gallery, IOM
Summer 2003 'A passage in time' solo show @ The Courtyard Gallery, IOM
Summer 1997 & Autumn 2002 'Singer and Friedlander' @ the Manx Museum, IOM
Spring, Summer 2001 & Spring 2002 ‘Glass Invitational’ @ Cristallo, Virginia, U.S.A.
Summer 2001 ‘Passing the Torch’ @ West End Gallery, Corning, U.S.A.
Summer 2001 ‘Strung Out’ @ Bullseye Connection, Portland, U.S.A.
Autumn 2000 Grin and Wear it’ @ The Glass Art Gallery, London.
Autumn 2000 ‘You can say that again’ @ Sui Generi, Cheltenham, U.K.
Summer 2000 ‘Summer Showcase 2000’ @ Candid Arts Trust, London.
Summer 2000 ‘New Designers’ @ The Business Design Centre, London.
Summer 2000 ‘Glasswhole’ @ University of Wolverhampton, U.K.
Spring 2000 ‘Klub 2000’ @ Bilston Craft Gallery, Midlands, UK
Summer 1999 The Lighthouse Gallery, Midlands, U.K.
 
网站:  www.glassodyssey.co.uk
 
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