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| Kule Ingozi | |
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15 April 1984, Sierra Leone |
| 关于此艺术家 | |
My work is not an attempt at healing, the things I have seen and done cannot be cured, or erased that easily. I am merely a billboard for a world brainwashed by greed. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
Idols of the Cave (Detail)
2007 |
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| Abstract painting in black, red and silver with smashed, but working chandelier to the top, and at the base a requisitory with nest of human remains and eggshells. |
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Idols of the Cave
2007 |
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| Abstract painting in black, red and silver with smashed, but working chandelier to the top, and at the base a requisitory with nest of human remains and eggshells. |
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I Ingozi have killed a white man
2006 |
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| Abstract painting featuring found objects and printed pornographic imagery |
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Dante Cantos 20 (The man who cried into his own arse)
2006 |
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| Abstract painting featuring copy of Dante's death mask and human bone. |
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Table setting for Midas (Detail)
2006 |
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| Collage of pornographic material attached by rope to a metalic gold field painting with bones and gold plated cuttlery attached to base. |
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Table setting for Midas
2006 |
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| Collage of pornographic material attached by rope to a metalic gold field painting with bones and gold plated cuttlery attached to base. |
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I dried myself with criminal air
2007 |
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| Text based painting inspired by the writings of Rimbaud featuring killed and stuffed cobra
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The Enemy's Child
2007 |
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| Original drawing made with the artist's unique medium, consisting of found resins, pigment, African soil and artist's blood. It forms part of the artist's 'Blood Simulacra' drawings shown at the Royal Academy in Feb 2008. |
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Riven
2008 |
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| Part of my 'Blood Simulacra' drawings to be shown at the Royal Academy in Feb 2008 |
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The Carnivorous Vulture III
2008 |
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| Part of my 'Blood Simulacra' drawing series to be shown at the Royal Academy in Feb 2008. |
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Bitter Presence
2007 |
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| Original drawing made with the artist's unique medium, consisting of found resins, pigment, African soil and artist's blood. It forms part of the artist's 'Blood Simulacra' drawings shown at the Royal Academy in Feb 2008. |
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Marabou Stood
2007 |
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| Original drawing made with the artist's unique medium, consisting of found resins, pigment, African soil and artist's blood. It forms part of the artist's 'Blood Simulacra' drawings shown at the Royal Academy in Feb 2008. |
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Like a tree split by lightning
2008 |
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| Part of my 'Blood Simulacra' drawing series to be shown at the Royal Academy in Feb 2008 |
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My father still sings in my dreams
2008 |
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| Part of my 'Blood Simulacra' drawing series to be shown at the Royal Academy in Feb 2008 |
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| 教育程度与个人自传 | |
| I have drawn since I was a child, but have learned painting during the two years in London. My first works was shown in stolen spaces, but my first gallery show was at Meskalito gallery in East London in 2007, where I showed my ‘Idols of the Cave’ painting. I am excited to work in new forms and have worked with the curator Alfred camp on ‘Ein Grosser Schwartzer’. This has been a big challenge as I understand that art is more than objects, but how the objects work with each other to make more than is physically there. My last project ‘Cockaigne Culture’ at the Royal Academy in London which closed in February 2008 has resolved many material questions, and I have also felt confident to argue for my own understanding of concepts, and win through. | |
| 未来的展览 | |
| I am excited to be working on new sculptures with cursed objects and I will hope to be showing them this year in London. If you have object that you think to be cursed or give you back luck then you can send me images at 'kuleingozi@gmail.com'. I do not look at my email many times in winter, so please wait for reply patiently. | |
| 网站: www.artists.de/Ingozi.html | |
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