| Kurchi Dasgupta |
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Kurchi Dasgupta grew up in Kolkata, and did an MA in Comparative Literature initiating her into translation in which she excells by rendering modern Bengali masterpieces into English. She has also done brief publishing of books and CDs where the visual combined with the auditory. Besides she has done book illustration and screenplays, and was CEO of the Society for the Preservation of Satyajit Ray Films in Kolkata.
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| About the Artist |
Based in Calcutta, working out of Kathmandu, she has just shown her new series on world cinema in a solo in London.
"Painting, to me, is more a journey into the self and its location. It is an effort to detect and crystallise the elements that form the basis of our selves - across borders.
In all my efforts I have tried to recontextualise everyday reality by drilling into the depths of the subconscious, and try and provide the viewer/participator with a new set of tools with which s/he can can perceive and interpret things around, and within ..." |
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Click to enlarge images (if larger image has been loaded) |
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Camellia
2006 gouache on paper 30x24 |
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the camellia in my garden |
Face-2
2006 gouache on paper 30x30 |
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Conception
2007 gouache on paper 33x50 |
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One Single Skinned Chicken in the Silence of the Universe
2006 gouache on paper 35x25 cms |
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Fish, watching TV
2006 gouache on paper 26x20 |
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Transduction, or the Mechanics of Pain
2007 gouache 65x48 |
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A Post Peak Oil World
2007 gouache 41x28 |
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In an Endless Queue in a Post-Peak Oil World
A mother and child wait in an endless queue – for a can of fuel -- set against a dying sun that silhouettes a decrepit oilrig.
The duo, entwining the past and the future, the root and the seed, stand waiting – forlorn -- on an expanse of rugged earth broken only by the dark endless queue of fuel cans.
Composite echoes of a pristine pre-industrial past and jagged edges of helpless, failing economies waft towards us from the rugged soil, whose immediacy is reminiscent of Millet or Van Gogh.
The world has gone into forced regression.
Redemption, promised by the blue dome of a translucent sky, is but a fleeting promise -- the shimmering depths bear the imprint of Hubbert’s Peak Oil graph like a watermark -- or a long-lost prophecy, ignored. It explodes, like the planet’s imminent oil crisis ...
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Kathmandu
2006 gouache on paper 27x29 cm |
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Origin 4
2005 gouache 35 x 25 cm |
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Beyond
2007 gouache 40 x 28 cm |
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Origin 1
2005 gouache 20x20 cm |
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| Education and biography |
A solo at the BVB Millennium Gallery, London, 2008
A Collective with artshole.co.uk at The Brick Lane Gallery (London), July 2007
1998 Master�s in Comparative Literature, JU, Calcutta
1994 Diploma in Commercial Arts, BILAMS |
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| Future shows |
| Shows in India and UK coming up |
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Website: www.kurchidasgupta.com |
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