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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Linda Friedman Schmidt |
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1949 Eschwege, Germany
I am a self-taught artist.
I was born in a Displaced Persons Camp after WWII. I arrived in the United States at the age of six months. I now live and work in Franklin Lakes, New Jersey.
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| About the Artist |
I am a self taught portraitist and figurative expressionist. My art is the process of discovering my own personal truth. My medium, discarded clothing, represents the “second skin.” This skin is the sign of our transformability, our ability to become other, and yet to persist and survive in that becoming other. I shed and transform old layers to reveal my true joyous identity. I transform sadness into gladness, badness into goodness, worthlessness into worthiness. I transform women’s work into something new, whose whole is greater than the sum of its parts. I transform the ordinary into the extraordinary.
I give new meaning to the idea of fashion as art. Looking at the notion that clothes make the person, or you are what you wear, I deconstruct what I have been wearing, layers of psychological trauma, and transform them to discover a new identity - the real me, the person I always wanted to be. As I hand cut each strip, I experience the pleasure of cutting what I no longer need from my life. Cut, unraveled garments will cause nakedness, authenticity. I am tired of the false self. I examine the human condition and feelings through my own emotional experiences and life history. I explore issues of identity, gender, race, aging, relationships, immigration.
Discarded clothes are remnants, displaced, odd pieces, leftovers, like my family of Holocaust survivors. I am rescuing them and myself ( biblical reference “holy remnants”) with this work. The hand-cut strips of discarded clothing also represent lint, something that sticks to you, hard to get rid of, unwanted, like the pain from emotional suffering that I am driven to transform.
Lint is passed from person to person through incidental contact. It is a way to connect with others, an opportunity for exchange. There was little emotional connection in my war-traumatized family. Growing up, I felt like an outsider, different, yet I yearned for a connection with others. Now, I brush up against countless others whose clothing wears on in my work. I thread one generation to the next, connecting with my mother and countless women who picked up hooks and needles before me.
I am piecing together and repairing the fabric of my life, achieving peace by piecing together a new world. I am cutting out the old, sad story, creating a more pleasing, colorful one. I am condensing old clothes, photographs, images in my head, and a lifetime of feelings. I am putting together the pieces that make up the patterns of my soul.
My work is a celebration of color, texture, and handwork. There is joy, peace and love in the process of creation. This is my spiritual journey, immersed in every detail, experiencing the pleasure of the now, the hands working, moving in a steady rhythm, the rhythm of life.
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Click to enlarge images (if larger image has been loaded) |
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Salsa Cures Sadness
2002 Discarded Clothing 60" x 42" |
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Salsa Cures Sadness #2
2005 Discarded Clothing 65" x 42" |
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The Scream Within
2007 Discarded Clothing 27" x 20" |
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The Power of the Pied Piper
2004 Discarded Clothing 49" x 48" |
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Prisoner of Childhood
2007 Discarded Clothing 26" x 18" |
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The Bad With The Good
2009 Discarded Clothing 41" x 43" |
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| Education and biography |
Self-taught artist
MAJOR EXHIBITS AND SOLO SHOWS:
2005 American Folk Art Museum New York City
"Self and Subject"
2005 Lancaster Quilt & Textile
Museum, Lancaster PA,
"Linda Friedman Schmidt:
Textiles Are My Paint"
SELECTED GROUP SHOWS:
2008 Montclair Art Museum, Montclair, NJ
"Tribal Roots in the Garden State," catalog
Juror: Ulysses Dietz, Curator
Newark Museum
2008 ARC Gallery, Chicago,IL
"Are We There Yet? 30 Years of Feminism" National Juried
Exhibition
2008 The Arts Alliance At Clear Lake, Houston, Texas
"Opposites Attract" National Art Competition, catalog
Juror: William Stover, Asst. Curator Department of Contemporary Art, Museum of Fine Arts Boston
2007 Noyes Museum of Art, Oceanville, NJ, New Jersey Arts Annual: Fine Art, catalog
Juror: Jeffrey Wechsler, Senior Curator Zimmerli Museum
2006 Brennan Court House Gallery, Jersey City, NJ
"Identity"
Juror:Dr. Rocio Aranda Alvarado, Curator Jersey City
Museum
2006 Hoyt Institute of Fine Arts, New Castle, PA
"Mid Atlantic Annual Juried Exhibition"
Juror: Faith Ringgold, Artist
2006 Taller Boricua Gallery,
New York City, "Jazz Textures," JVC Jazz Festival
Invitational Exhibition
2006 William Paterson University,Ben Shahn Galleries, Wayne, NJ
"Connections," catalog
Juror: Dr, Donald Kuspit, Contributing Editor Artforum
2006 Cahoon Museum of American Art, Cotuit, MA
"Folks in Fiber" Invitational Exhibition
2005 Jersey City Museum, Jersey City, NJ
"New Jersey Arts Annual"
Invited to participate by Curator Dr. Rocio Aranda-Alvarado
2005 Mad Art Gallery,
St. Louis, MO
"Contemporary Women Artists International Exhibition XII"
Juror: Judy Chicago, Artist
2005 Fuller Craft Museum, Brockton, MA
"Trashformations,"
Juror: Lloyd Herman, Founding Director Smithsonian's Renwick Gallery
2004 Stamford Art Association,
"24th Annual Faber Birren National Color Award Show,"
Juror: Apsara DiQuinzio, Curatorial Associate Whitney
Museum of American Art
2004 Harper College, Palatine, Illinois
"Small Works, 27th National Art Exhbition"
Juror: Lynne Warren, Curator
Museum of Contemporary Art Chicago
2004 Rocky Mount Art Center,
"Hand-Crafted"
Juror: Melissa Post, Curator
Mint Museum of Craft & Design
2003 Pleiades Gallery Chelsea, New York City,
"21st Annual Juried Exhibition"
Juror: Anne Umland, Curator
Department of Painting & Sculpture,
Museum of Modern Art,New York
2003 The Morris Museum, Morristown, NJ,
"New Jersey Arts Annual: Fine Arts," catalog
Jurors: Willie Cole, Artist and Laura Galvanek, Curator The Morris Museum
2003 Seton Hall University,
South Orange, NJ
"Women in the New Millennium
International Juried Exhibit"
Juror: Jane Hammond, Artist
2002 Long Beach Island Foundation of the Arts & Sciences, Loveladies, NJ
"Third National Juried Competition"
Juror: Maria-Christina Villasenor,Associate Curator
Guggenheim Museum, New York
LECTURES
2007 Lecture and slide presentation, American Folk Art Museum, New York City, June 2, 2007
2006 Gallery Talk, Identity, Brennan Court House Gallery, Jersey City, NJ, October 5, 2006
2006 Gallery Talk, Jazz Textures, JVC Jazz Festival, Taller Boricua Gallery, NYC, August 26, 2006
2005 Lecture and slide presentation, ArtTalk, Jersey City Museum, Jersey City, NJ, November 3, 2005
2005 Gallery Talk, Self & Subject, American Folk Art Museum, NYC, June 2, 2005
2005 Lecture, Green Mountain Guild Annual Meeting, Shelburne Museum, Shelburne, Vermont, April 2, 2005
2005 Lecture and slide presentation, Women Portray Women in Textiles, American Folk Art Museum, NYC, March 30, 2005
2004 Lecture and slide presentation, American Folk Art Museum, New York City, March 13, 2004
2003 Lecture and artist panel discussion, Seton Hall University, South Orange, NJ, February 6, 2003
SELECTED PUBLICATIONS
2008 FiberArts Magazine, January/February 2008 Volune 34, Number 4 , “Linda Friedman Schmidt: Hooking Her Way to Healing”
by Stefanie Berganini, p.80
2007 Contemporary Hooked Rugs: Themes and Memories, Chapter Five, “The Many Faces of Linda Friedman Schmidt Linda Rae Coughlin, Schiffer Publishing Ltd., 2007, pp. 57-63
2007 ATHA Magazine, Cover and Story, issue no. 164, Association of Traditional Hooking Artists, April/May 2007, p.15
2007 Catalog, New Jersey Fine Arts Annual, The Noyes Museum of Art, Oceanville, NJ
2005 The Star-Ledger, Friday, Oct. 7, 2005, Art Review,“Jersey City’s ‘Circa’ Looks Beyond Surveying the State’s Best Pieces,” by Dan Bischoff, p 47
2005 The New York Times, Sunday, September 11, 2005, Section 14,“Fall Art Preview: From Homages to Homer to Pop Art Indians”
by Benjamin Genocchio, p. 14
2005 Catalog, “Circa Craft 2005,” New Jersey Arts Annual, Jersey City Museum, Jersey City, NJ, pp 10, 29, 38
2005 FiberArts Magazine, “Textiles are My Paint,” Interweave Press, Sept/Oct 2005, p. 68
2005 Northeast Journal of Antiques & Art, “A Day on the ‘Outside’””by Noah Fleisher, July 2005
2005 Lancaster New Era, “Linda Friedman Schmidt: I Piece Together The Life That I Want,” Kathleen Daminger, June 30, 2005
2005 ATHA Magazine, Cover and Story, issue no.153, Association of Traditional Hooking Artists, Dallas, TX, June/July 2005, p.13
2005 Catalog, “Trashformations East,” Introduction by Lloyd Herman, Fuller Craft Museum, Brockton, MA, p. 67
2005 Catalog, “Contemporary Women Artists International Exhibition XIII juried by Judy Chicago,” Mad Art Gallery, St. Louis, MO
2004 Fiberarts Design Book 7, ed. Susan Mowery Kieffer, Lark Books, div. Sterling Publishing Co., New York, 2004, p.133
2004 Catalog, “Small Works,” 27th Harper College National Exhibition, Palatine. Illinois, p.10
2003 Quilts Japan, Volume NV3124, Nihon Vogue Company Ltd., Tokyo, Japan, November 2003, page 124
2003 Quilt Connection, American Folk Art Museum quarterly publication, New York, NY, Summer 2003, Vol. XV, “Linda Friedman Schmidt” by Eleanor Berman, p.3
2003 Catalog, “Cultural Explorations,” New Jersey Arts Annual: Fine Arts, Morris Museum, Morristown, NJ, p. 24
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| Future shows |
2009 Mikimoto Gallery,Ginza, Tokyo, Japan
"Stripes" Invitational Exhibition |
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| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
CLICK HERE TO SEND THIS PROFILE TO YOUR FRIENDS |
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Copyright 2003-2010 © The Saatchi Gallery : London Contemporary Art Gallery
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