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Lis J Schwitters
 
 
关于此艺术家

Influenced by Photographic Modernism (1920's - 1930's) and Russian Constructivism, Schwitters uses traditional and digital photographic methods in creating her prints.

 
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Supersonic

2006
Digital Pigment Print
14x11 inches framed

Geometric Abstractions: In creating these computer generated photographic images, I was influenced by Henri Cartier-Bresson's fondness for using a sense of geometry in his photographs. By using Adobe Photoshop exclusively, I have created these images by using the pen tool and a blank canvas. I am exploring the boundaries between the canvas and photographic prints while using mathematics to visually express my ideas.

Static Electricity

2006
Digital Pigment Print
20 x 20 inches framed

Geometric Abstractions: In creating these computer generated photographic images, I was influenced by Henri Cartier-Bresson's fondness for using a sense of geometry in his photographs. By using Adobe Photoshop exclusively, I have created these images by using the pen tool and a blank canvas. I am exploring the boundaries between the canvas and photographic prints while using mathematics to visually express my ideas.

Azured Waves of Glory

2006
Digital Pigment Print
20 x 20 inches framed

Geometric Abstractions: In creating these computer generated photographic images, I was influenced by Henri Cartier-Bresson's fondness for using a sense of geometry in his photographs. By using Adobe Photoshop exclusively, I have created these images by using the pen tool and a blank canvas. I am exploring the boundaries between the canvas and photographic prints while using mathematics to visually express my ideas.

Velocity

2006
Digital Pigment Print
20 x 20 inches framed

Geometric Abstractions: In creating these computer generated photographic images, I was influenced by Henri Cartier-Bresson's fondness for using a sense of geometry in his photographs. By using Adobe Photoshop exclusively, I have created these images by using the pen tool and a blank canvas. I am exploring the boundaries between the canvas and photographic prints while using mathematics to visually express my ideas.

Virtual Flora

2006
Digital Pigment Print
24 x 20 inches framed

Geometric Abstractions: In creating these computer generated photographic images, I was influenced by Henri Cartier-Bresson's fondness for using a sense of geometry in his photographs. By using Adobe Photoshop exclusively, I have created these images by using the pen tool and a blank canvas. I am exploring the boundaries between the canvas and photographic prints while using mathematics to visually express my ideas.

Trapped

2006
Digital Pigment Print
20 x 20 inches framed

Geometric Abstractions: In creating these computer generated photographic images, I was influenced by Henri Cartier-Bresson's fondness for using a sense of geometry in his photographs. By using Adobe Photoshop exclusively, I have created these images by using the pen tool and a blank canvas. I am exploring the boundaries between the canvas and photographic prints while using mathematics to visually express my ideas.

Centrifuge

2006
Digital Pigment Print
20 x 20 inches framed

Geometric Abstractions: In creating these computer generated photographic images, I was influenced by Henri Cartier-Bresson's fondness for using a sense of geometry in his photographs. By using Adobe Photoshop exclusively, I have created these images by using the pen tool and a blank canvas. I am exploring the boundaries between the canvas and photographic prints while using mathematics to visually express my ideas.

Migration

2006
Digital Pigment Print
20 x 20 inches framed

Geometric Abstractions: In creating these computer generated photographic images, I was influenced by Henri Cartier-Bresson's fondness for using a sense of geometry in his photographs. By using Adobe Photoshop exclusively, I have created these images by using the pen tool and a blank canvas. I am exploring the boundaries between the canvas and photographic prints while using mathematics to visually express my ideas.
 
教育程度与个人自传
While enjoying both photographing (the capture of an image), and printing (the creation of an image), she directed her career towards laboratory work. Schwitters has worked as a Photographic Lab Technician (Printmaker) for such notable institutions as California Institute of Technology/Jet Propulsion Laboratory (NASA/JPL) in Pasadena, Warner Bros. Studios in Burbank, and Paramount Pictures in Hollywood, California.
Schwitters has won numerous awards including an Artist Fellowship supported by the Community Services Department, Cultural Affairs Division of the City of San Buenaventura. Her photographic prints have been exhibited in; the Palm Springs Art Museum, the Ventura County Museum of History and Art, the Carnegie Art Museum in Oxnard, the Santa Barbara Contemporary Arts Forum, the Center for Photographic Art in Carmel, and at other notable museums and galleries across the Country.
 
未来的展览
Check out my web site!
 
网站:  www.lisjschwitters.com
 
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