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Marc Tigrane
 
 
About the Artist

Tigrane is self-taught, and has always painted, sculpted and exhibited during the last forty years, going through various pictorial experimental phases. From a surrealist inspiration at first, his painting has become a kind pop
futuristic in the eighties. After a two years rupture with painting, he came back, in 1987, with a “cosmic”abstraction in which the “bursting of the shapes” revealed a spontaneous and well considered evolution about the meaning of his painting. At the beginning of the Nineties, his work has become meaningful, with signs and characters. Today and particularly with the Essenomes, his work, now opened to other medias, comes within a synthesis of forty years of researches and painting and is also, at the same time, an innovative opening to the world and to the contemporary art.
Since 1975, he has evenly exhibited in France and abroad (Geneva, Brussels, Barcelona, New York, Boston, Amsterdam, Rotterdam…) and his paintings can be found in many particular collections.
Some of them are now in the permanent collection of the Museum of Modern and Contemporary Art of Erevan, the Armenian capital city.

 
Click to enlarge images
(if larger image has been loaded)
 

Essenomes Tribe

2006
Acrilic on canvas
Twelve square format paintings (50x50cm)

A King, a Queen. And always, ten subjects. Twelve square format paintings (50X50cm). On this initial principle, Tigrane imagines the codes governing the working and the development of the community of the Essenomes*, of which the rules of the game are: Principles The first generation of the Essenomes, that was once created in the artist’s workshop, was first composed of twelve Essenomes. At their top, a King and a Queen, inchanging. Around them, the ten subjects are destined to leave the original community and to migrate with their buyers. Each one is then immediately replaced by a new Essenome from the second generation, then from the third generation and so on… The original tribe is recomposed around the King and the Queen, and swarms its members until it forms a planetary community. The community of the Essenomes is thus in a perpetual expansion and in a permanent regeneration. Formation of the communities Any gathering of Essenomes founds a community. By principle, a community becomes a tribe when it is full composed of a twelve painted polyptichs. Within each tribe, there can be filiations of generations; it is possible for an Essenome to mix with another one, whatever the generation. Identification of the Essenomes Each Essenome is provided with a real identity card, composed of photograph and its name, which allows to know its place in the genealogy of the Essenomes and, possibly, its geographical location. The name of each Essenome is made of a combination of letters and numbers according to a process of identification developed by the artist. Moreover, each migrating Essenome is recorded and located on Google Earth. Collection of Essenomes Each collector can acquire one or more Essenomes, coming from the same generation or from different generation. Thus, he settles a community, that can possibly become a tribe! If he wishes it, the collector can join the community of the owners of the Essenomes, through bonds and an Internet site which is dedicated to the universe and the current events of the Essenomes. On this website, the collectors can exchange and converse, but also take part actively in the Essenomes development project of a planetary community.

King

2006
50x50 cm

King of Essenomes Tribe

Queen

2006
Acrylic on canvas
50x50cm

Queen of the Essenomes Tribe

Abome

2006
Acrylic on canvas
50x50 cm

Acome

2006
Acrylic on canvas
50x50 cm

Adome

2006
Acrylic on canvas
50x50 cm

White Cube

White Cube
White cube The spectator discovers a new kind of collection of portraits. Over the entire length of the walls, several generations of tribes of Essenomes are stretched. The 50cm x 50 cm pictures, fixed on rails, each one representing an Essenome, allow, like in any picture gallery, to discover the pictorial work of Tigrane. Profusion, proliferation… The Essenomes, always increasing in number invade space, producing a visual impact which is sufficient unto itself.

Black box

Black box
Here, the spectator is going to an entirely black room. He penetrates in a different visual universe, in which the virtuality and the interactivity give a dynamic and participative relation to the work, to the story and to the images. From the start, a sonorous environment surrounds the spectator in a particular atmosphere. Several installations can be organized according to the possibilities of the site : An interactive wall of images : the spectator, with the console he has in front of him, can create a new “tribal-painting” of twelve Essenomes, that he will be able to record and print. All the combinations, already made or not, are driven by a specific computer program. A connection to the Website dedicated to the Essenomes A video wall: on this wall, made up of twelve autonomous fractions, photographs, videos, paintings, become animated on a perpetual rhythm of images of current events, places, landscapes broken with information about the evolution of the migration of the Essenomes… Taking the pulse of the world, this real video creation work, regularly updated, questions the globalized vision we have of the world today, between “mixing” and “zapping”. A holographic program of projection: the lenticular images offer an unusual three-dimensionality to the Essenomes figures, questioning with this little bit magical device the way we understand virtuality through a hologram.
 
Education and biography
Expositions personnelles / Exhibitions
n 1975 - Maison Barnave – Grenoble n 1977 - Galerie du Prado – Marseille
n 1982 - Théâtre – Toulon n 1982 - Galerie Brune Toulon n 1983 - Espace des Cordeliers – Briançon n 1984 - Centre Culturel – Bandol n 1989 - Jeune Révolution Cénesthésique Galerie Gran Dia – Paris (Préface du catalogue : Maryse HAERDI / Galerie Boeuf – Toulon n 1990 - Formes et Matières Cénesthésiques La Réserve – Genève, Participation du sculpteur André BUSCHER, Préface du catalogue : Maryse HAERDI / Campus International – Toulon / n 1992 - Atelier 170 – Bruxelles / Galerie Topos - Thonex-Genève
n 1998 - Galerie de Provence - New York –USA n 2000 - A Touch of France Gallery - Boston USA / 2000 - Galerie Richard - Cavaillon – France n 2001 - Agora Gallery - Soho - New York-USA / Accenture – Sophia Antipolis /Valbone n 2002 Galerie Art Actuel – Paris n 2002 - Galerie Jupiter Halles-Beaubourg Paris / Galerie Jupiter Saint Louis en l’Ile Paris n 2002 - Valbonne Sophia Antipolis / Galerie du Bosphore Tamaris n 2003 - Galerie Bcn Artedirecte – Barcelone n 2005 - Galerie Marie Demange – Paris n 2006 Musicatreize - Marseille.


Expositions de groupe – Salons / Beaux-Arts exhibitions
n 1976 - Salon du Dauphiné / Salon d’Uriage n 1977-Art Inter’Antibes - Art Inter Marseille n 1978 - Palais des Papes Avignon n 1979 - Hyères – Var n 1982 - Galerie Brune – Toulon / Salon du Lavandou – Var n 1983 – Salon Assemblée Nationale – Paris / Art Expo - New York / MC2 – Avignon n 1984 - Galerie Interrogation – Toulon n 1989 - Galerie Interrogation - Toulon - “ Collections particulières dans le Var (Participation de : Arnal,Bacon, Duvillier, Clave, Fichet, Kijno, Pons, Pignon ...) / Salon d’Automne - Grand Palais – Paris n 1989 - “ La Tour Eiffel en Bastille “ / Galerie Gran Dia – Paris n 1992 - “ Abstraction Cénesthésique “ - sous l’égide des Affaires Culturelles de St Tropez avec le soutien de la Galerie Katia Granoff - Paris, de Maryse Haerdi de Patrick Favardin Historien d’Art. (Participation de : Arnal, Bellegarde, Duvillier, Gillet, Haerdi, Loubchansky, Messagier.) n 1996 - Biennale d’Art contemporain
( Peintures ) – Briançon n 1998 - Biennale d’Art contemporain ( Sculptures) – Briançon n 2004 – Kunst Even Haarlem / Salon Ahoy Rotterdam- n 2007 - Collections du Musée d’Art Moderne d’Erevan à l’ Orangerie du Sénat, Paris.
 
Future shows
2008 Contemporary Art Galery Marie Demange Paris/Rethondes
 
Website:  www.art-tigrane.com
 
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