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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Meruzhan Khachatryan |
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Merujan Khachatryan was born on February, 26, 1980 in Yerevan, in a painter's family.
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| About the Artist |
Being involved in numerous exhibitions both personal and joint, he started his productive creative work. His works are available in private collections in different countries:
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Click to enlarge images (if larger image has been loaded) |
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Memory of stones.
2008 Canvas, oil 70 / 50 1500 $ |
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Memory of stones. From a series the Armenian stones. These stones till now remember heat of hands of masters which worked at them, transferring generations all beauty and cleanliness of belief of Christian values. Values which now (can be even this second) are profaned and destroyed by people not concerning to creation of these values. |
Still-life from a series the Armenian stones
2008 Canvas, oil 100 / 70 1800 $ |
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The Armenian still-life with a fragment of the bottom part of cross - stone (in Armenian, khachcar) and with the Armenian carpet. |
Pomegranates and cross - stone. From a series the Armenian stones.
2007 Canvas / oil 80 / 70 1500 $ |
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Half cross - stone with the Armenian carpet, with pomegranates. From a series the Armenian stones. These stones till now remember heat of hands of masters which worked at them, transferring generations all beauty and cleanliness of belief of Christian values. Values which now (can be even this second) are profaned and destroyed by people not concerning to creation of these values |
ARMENIA
2008 canvas/oil 90 / 60 |
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ARMENIA. Аttributes оf national culture, attributes of a life. The majestic Armenian culture gives always the generous riches to all world. |
The suffering is a proof of the right to a happy life.
2009 oil / canvas 2000 $ 80 / 60 |
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The suffering is a proof of the right to a happy life. My personal conclusions on a theme of happiness. Searches of an essence of happiness as those up to a writing of this work me have led to this idea. There can be it sounds very strictly and even it is severe, but to mine the difficult happiness is more worthy than a lung. |
APRIL, 24 Dedicated to... Great KOMITAS
2009 oil on canvas,7000$ 80x90cm |
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Komitas, a.k.a. Soghomon Soghomonyan, was born on September 26, 1869 in Anatolia, Turkey, in the town of Koutina (Ketaia). His father, Gevorg Soghomonyan was a shoemaker but he also composed songs and had a beautiful voice. The composer’s mother – Tagui - was also singled out for her vivid musical abilities; she was a carpet weaver.
Komitas’s childhood was joyless and full of deprivations. He lost his mother when he was less than one year old, and because his father was too busy his grandmother took care of him. At age 7 Komitas entered the local elementary school. As soon as he finished school his father sent him to Broosa to continue his education. However, he failed and 4 months later he came home having ultimately become an orphan: his father passed away and Soghomon was only 11 years old…
“He was a frail, weak, pale boy, always thoughtful and kind. He was dressed poorly, ” one of his classmates recalled about Komitas.
Soghomon was often seen sleeping on the cold stones of the laundry room.
He could sing perfectly, and no wonder in Koutina he was nicknamed “a little vagrant singer”.
For his delightful voice Soghomonyan was also indebted to an event that fundamentally changed the entire course of his life.
In 1881 the priest of Koutina, G. Dertsakyan, had to leave for Echmiadzin to be ordained a bishop. At the request of the Catholicos he brought the gifted orphan boy with him to study at the Echmiadzin Church Seminary. Twelve-year old Soghomon was selected out of the other 20 orphans to study at the Seminary. As it was forbidden to speak Armenian at that time the boy spoke Turkish and when being greeted by the Catholicos Gevorg IV, he replied, “I don’t speak Armenian, if you wish I will sing”. Then with his fine soprano voice he sang an Armenian sharakan (a church hymn) without understanding the words. Due to his exclusive aptitude Soghomon overcame all the obstacles in a very short time and perfectly learned Armenian.
In 1890 Soghomon was ordained a monk.
In 1893 he finished studying at the seminary, then he was ordained a “Vardapet” (priest) and acquired his new name “Komitas” - the name of the outstanding poet of VII century, the author of sharakans. At the seminary Komitas was assigned to teach music.
Along with teaching, Komitas organized a choir, an orchestra of folk instruments, and treated folk songs; he made the first researches in the field of Armenian Church music.
In 1895 Komitas was ordained an archimandrite. In the autumn of the same year he left for Tiflis to study at the musical college. However, when he met the composer Makar Yekmalyan, who had received his education at the conservatory of Petersburg, he changed his mind and started studying a course on harmony by that composer. These studies became the original forerunner and the firm basis for gaining the European technique of composition.
The further events of Komitas’s life had to do with the large music center in Europe – Berlin, where he went to study under the protection of the Catholicos, being financed by the largest Armenian oil magnate Alexander Mantashyan.
Komitas entered the private conservatory of Professor Richard Schmidt. Within the conservatory Komitas took private classes on singing, elaborating his beautiful voice, fine baritone. Simultaneously with these classes, he also attended the lectures on Philosophy, Esthetics, General History and History of Music. During these academic years he had an opportunity to “communicate” with European music, continually enriching the supply of knowledge, and engaging in musical criticism. Upon the invitation of the International Music Association he held lectures devoted to the Armenian church and contemporary music in comparison with Turkish, Arabic and Kurdish music.
In September 1899 Komitas returned to Echmiadzin and started his musical activity right away. In a short period he radically changed the system of teaching music in the seminary, organized a small orchestra and perfected the performance level of the choir.
He visited various regions of Armenia treating and putting down thousands of Armenian, Kurdish, Persian and Turkish songs…… |
From a cycle ' Penetration ' Reconsideration
2009 oil on canvas, 60x80cm |
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From a cycle ' Penetration ' Reconsideration.
This is a special cycle that mentions my specific relation to this theme. |
'Start to fly'' From a series penetration.
2009 oil on canvas,90x60cm |
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'Start to fly'' From a series penetration.this is a special cycle that mentions my specific relation to this theme. |
The toreador.
2009 oil on canvas,80x90cm |
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The toreador. Love, admiration, humility and struggle in unified. |
The toreador.2
2009 oil on canvas,70x80cm |
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The toreador. Love, admiration, humility and struggle in unified.2 |
The old kind Armenian still-life.
2009 oil on canvas 70x60 |
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Old kind Armenian still-life. From time to time it is necessary to look at the values. |
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| Education and biography |
Merujan Khachatryan was born on February, 26, 1980 in Yerevan, in a painter's family. He graduated from the Painting Department of the college of art after P.Terlemezjana in 2001. Being involved in numerous exhibitions both personal and joint, he started his productive creative work. His works are available in private collections in different countries:
Russia, Greece, Cyprus, France, Italy, Spain, Portugal, Denmark, Holland, England, Ireland, India, Egypt, Japan, China, Turkey, Lebanon, Brazil, the USA, Canada, Ukraine, Kazakhstan, Georgia, Argentina, Iran, Venezuela, Israel, Australia, New Zealand
And a lot of other countries, and certainly Armenia.
Since 2004, Merujan Khachatryan is a member of the Artists Union of Republic Armenia.
Works of Merujan Khachatryan were exposed:
Russia, Sankt-Peterburg: 1993. In the contecst of "Days of the Armenian Culture" Festival.
USA. Los Angeles: 1994. In the contecst of " Bravo Armenia " Festival.
Denmark, Copenhagen: 2005. In the contecst of " Culture of Armenia " Exhibition
Armenia, Yerevan:
2003 " the Republican Youth Exhibition " the Exhibition in the house of the Union of Artists of Armenia
2003-2004, " the Republican Exhibition Schedules " the Exhibition in the house of the Union of Artists of Armenia
2004 " the Republican Exhibition of Self-portraits " the Exhibition in the house of the Union of Artists of Armenia
2007. An exhibition under the name " Old and new Yerevan " in the Art gallery " Аrev-art " as in Municipality of Yerevan sity
2008. An exhibition devoted 75years of the Union of Artists of Republic Armenia. An exhibition in the house of the Union of Artists of Armenia
2008. An exhibition under the name "Freedom" in the Art gallery " Аrev-art "
2008 " the Republican Youth Exhibition " the Exhibition in the house of the Union of Artists of Armenia
In the future will exposed the individual exhibition.
Now the new catalogue and the booklet of works Meruzhan Khachatryan is printed.
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| Future shows |
In the future will exposed the individual exhibition.
Now the new catalogue and the booklet of works Meruzhan Khachatryan is printed. |
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Website: meruzhan.artnow.ru |
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Copyright 2003-2010 © The Saatchi Gallery : London Contemporary Art Gallery
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