| Mervyn Diese |
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Contact Info
Registration Type: Artist
Artist / Group Name: diesekonstruction
Born: London 1963
Country: United Kingdom
Website: http://www.diesekonstruction.co.uk
skype name: originalsyna
Short Bio:
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| 关于此艺术家 |
The year 2000 opened with decor worked on while on contract with Monster Ink Ltd., in four time zones. London, Dublin, Paris, New York. February saw the Tenth Anniversary Show by DDM, after which he took a rest from music to concentrate on web and more film based projects. Linking up two like-minded manipulators of technology he sort to explore and participate in live video mixing as decorative environment for entertainment venues. In November 2000 DVJ’s was formed as an active unit, and have now to date established three residencies, one of was a weekly club at the Vic Naylor Restaurant & Bar St. John St. London. EC1.
The DVJ’s went to perform at Edinburgh Festival in 2002 as part of a show called ‘Alan Shitface I Am Virus’ and the Pleasance Theatre Club nights where their visual debauchery continued well in to the early hours. They also appeared at Glastonbury Festival in 2003, and performed with the bands EAT STATIC, PRIMAL SCREAM, SYSTEM 7, and OSRIC TENTICALS, as well as providing environments for large scale clubs and parties.
With the coming of war his next filmic production was a web based art piece titled
‘ George Bush and his weapons of Mass distraction’ this as part of a worldwide art event called WARTIME and featured over 120 artists. The wartime site can be found at:
http://offline.area3.net/wartime/
In 2004 he chose to revisit the past by exhibiting some of the work from ‘37’ a digital picture work created in the years 1999/2000 to celebrate the turn of the centaury. The work had never been shown in its printed form outside of the Internet, and although some of the imagery had been used in the DVJ’s project this would be the first time that some the work could be seen in print. The show was staged at the Vic Naylor Restaurant & Bar St. John St. London. EC1. And ran for two months from June till August 2004.
In that same year he was try to open a gallery in London an while researching the possibilities had a motorcycle accident which halted all work on that project, and curb creative activity for a while. The events of July 2005 spurred a return to form with the creation of 1 new painted work titled “STOCKWELL” and the start of the ‘3 Monkeys’ project.
In December 2005 he made what was to be a very stimulating trip to see Jhan Stanley, ceramic artist, and partner who was work on a British Council Fund Ceramic art project in Indonesia. The break from the urban realities of London, England was extremely refreshing and has been a source of inspiration for several pieces to be released this year. He continues to explore the development of Internet via his own web space
http://www.diesekonstruction.co.uk
with a view to developing a sales base for works and products of his own design, ranging from clothing to works of art.
Major works and collections:
Aug 6 .8:15 1945 – acrylic on canvass
The Head of Jeff Ellis – acrylic on canvass
It’s A Man’s World – gouache and collage on paper
Wars Rich Pageant – watercolour on paper
My Spikey Box
– sculpture and environment, plus multimedia performance
The Dead Dog Chronicles – publication
The Rock thrower – oil on canvass
Neighbourhood Threat – acrylic on canvass
The Truth Presents itself – official documents and sound
37- digital paintings
The Revenge of John Crow part 1
- photographic with digital manipulation
Mad Hatters Tea Party – living sculptural event
The Victim – plaster on wire
Catch 22 – barbed wire, paper, metal. plastic
The Sleeper – plaster on wire
Spare Change – plaster on wire
George Bush and his Weapons of Mass Deception
– multi media web movie
3 monkeys – printed paper, sculptural works, and installations
Stratford2006 – photograhic
...MERVYN DIESE
Artist.Designer.Technician
theartist@diesekonstruction.co.uk
tel: 07890 465064
Commercial Folio
Fine Art folio
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| 按此以放大图像 (假如你已上传更大的图像) |
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Stockwell
2005 A4 29.7 x 210 |
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The murder of Jean Charles De Meneze |
diesekonstruction print 30
1999 digitally canvas print A0 - 1188 x 841 |
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from a range of 37 prints to comemorate reaching the year 2000
One of 16 produced and released for sale comes with certification |
The Revenge of John Crow part1. print 3
2001 digitally canvass printed 1,828 x 1,219mm |
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Negative Gun threat |
Deadlier than the male
2007 digital on canvass 300c m x 100cm |
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a three pannel portraite of a friend dancing whist completely out of control after abusing the drug alchol. |
BROKEN
2006 DIGITAL PHOTO 100cm x 200cm |
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protraite of model in a drug enduced colapse |
constallation Gemini
2008 Digital PHOTO |
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Self portraite |
PoliceMenShouldBeAfraidofOurLenses
2009 digital photograpic manipulation 300 x 100cm |
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From the recent work
Terrorist, Artist or Journolist-Feb162009
Part of the 3 monkeys project shot at the Photoshoot event. called by Mark Thomas and the BPJ to mark the moment Clause 76 made it illeagal to photograph the British Police |
HappySnappers
2009 Digital photograpic manipulation 300 x 100cm |
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From the recent work Terrorist, Artist or Journolist-Feb162009 Part of the 3 monkeys project shot at the Photoshoot event. called by Mark Thomas and the BPJ to mark the moment Clause 76 made it illeagal to photograph the British Police |
Then Who Watches The Watchmen
2009 Digital photograpic manipulation 300 x 100cm |
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From the recent work Terrorist, Artist or Journolist-Feb162009 Part of the 3 monkeys project shot at the Photoshoot event. called by Mark Thomas and the BPJ to mark the moment Clause 76 made it illeagal to photograph the British Police |
Justicebeingdrainedfromthecorpseofreason
2009 Digital photograpic manipulation 200 x 100 |
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From the recent work Terrorist, Artist or Journolist-Feb162009 Part of the 3 monkeys project shot at the Photoshoot event. called by Mark Thomas and the BPJ to mark the moment Clause 76 made it illeagal to photograph the British Police |
ladyVengence
2009 Digital photograpic manipulation 500 x 100cm |
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From the recent work Terrorist, Artist or Journolist-Feb162009 Part of the 3 monkeys project shot at the Photoshoot event. called by Mark Thomas and the BPJ to mark the moment Clause 76 made it illeagal to photograph the British Police |
EvenIdontThinkThisIsRight
2009 Digital photograpic manipulation 300 x 100cm |
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From the recent work Terrorist, Artist or Journolist-Feb162009 Part of the 3 monkeys project shot at the Photoshoot event. called by Mark Thomas and the BPJ to mark the moment Clause 76 made it illeagal to photograph the British Police |
ideasthatcanneverbekilled
2009 Digital photograpic manipulation 200 x 100 |
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From the recent work Terrorist, Artist or Journolist-Feb162009 Part of the 3 monkeys project shot at the Photoshoot event. called by Mark Thomas and the BPJ to mark the moment Clause 76 made it illeagal to photograph the British Police |
TheCrowonThePondofFilth
2009 Digital photograpic manipulation 200 x 400 |
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From the recent work Terrorist, Artist or Journolist-Feb162009 Part of the 3 monkeys project shot at the Photoshoot event. called by Mark Thomas and the BPJ to mark the moment Clause 76 made it illeagal to photograph the British Police |
knowyourrights
2009 digital photograpic manipulation 200 x 400 |
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| 教育程度与个人自传 |
Exhibitions:
Clays Lane Arts festival
– Clays Lane Community Centre, London E15 - 1984
Home is where the Art is
– Stratford Shopping Centre, London E15 – 1991
Darkside – solo exhibition.
The Tram Depot, Lower Clapton Road, London E5 - 1993
My Spikey Box
– sculptural installation and performance environment,
Arch 136 Mentmore Terrace, London E8 – 1997
Dog and Toad – the Barley Mow Curtain Road, London N1 – 1999
Wartime – online world wide collaborative work, internet. http://wartime.net - 2003
9 from 37 plus 4 – solo show, Vic Naylor Restaurant 38-42 St Johns Street London EC1
site specific works:
Mad hatters tea party
– Public Park Hackney London E5
My Spikey Box
– railway arch Hackney, London E8
4 angels
– Collaborative painting of Oxford Circus, London W1 – Dec 1999
Wartime
–online world wide collaborative work, internet. http://wartime.net |
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| 未来的展览 |
3 Monkeys
This years first batch of work released is from the digital media bank that I am building for the final show. This particular batch of images was made on the same day that I shot a small film about Clause 76 and the way it was criminalising my ablitiy to make art. If my artistic recordings of state errors, mismangement is labeled as a crime, and censored, then where is my freedom to make art? If anything Clause 76 of the terrorist act vaildates the statements made with in the work 3 Monkeys. But as a radical artist should I shut up, comply, and behave or should I continue to catalouge the comedy of errors that government and humanity continues to act out.
M. Diese - 2009 update |
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网站: www.diesekonstruction.co.uk |
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