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The year 2000 opened with decor worked on while on contract with Monster Ink Ltd., in four time zones. London, Dublin, Paris, New York. February saw the Tenth Anniversary Show by DDM, after which he took a rest from music to concentrate on web and more film based projects. Linking up two like-minded manipulators of technology he sort to explore and participate in live video mixing as decorative environment for entertainment venues. In November 2000 DVJ’s was formed as an active unit, and have now to date established three residencies, one of was a weekly club at the Vic Naylor Restaurant & Bar St. John St. London. EC1.

The DVJ’s went to perform at Edinburgh Festival in 2002 as part of a show called ‘Alan Shitface I Am Virus’ and the Pleasance Theatre Club nights where their visual debauchery continued well in to the early hours. They also appeared at Glastonbury Festival in 2003, and performed with the bands EAT STATIC, PRIMAL SCREAM, SYSTEM 7, and OSRIC TENTICALS, as well as providing environments for large scale clubs and parties.



With the coming of war his next filmic production was a web based art piece titled

‘ George Bush and his weapons of Mass distraction’ this as part of a worldwide art event called WARTIME and featured over 120 artists. The wartime site can be found at:



http://offline.area3.net/wartime/



In 2004 he chose to revisit the past by exhibiting some of the work from ‘37’ a digital picture work created in the years 1999/2000 to celebrate the turn of the centaury. The work had never been shown in its printed form outside of the Internet, and although some of the imagery had been used in the DVJ’s project this would be the first time that some the work could be seen in print. The show was staged at the Vic Naylor Restaurant & Bar St. John St. London. EC1. And ran for two months from June till August 2004.



In that same year he was try to open a gallery in London an while researching the possibilities had a motorcycle accident which halted all work on that project, and curb creative activity for a while. The events of July 2005 spurred a return to form with the creation of 1 new painted work titled “STOCKWELL” and the start of the ‘3 Monkeys’ project.



In December 2005 he made what was to be a very stimulating trip to see Jhan Stanley, ceramic artist, and partner who was work on a British Council Fund Ceramic art project in Indonesia. The break from the urban realities of London, England was extremely refreshing and has been a source of inspiration for several pieces to be released this year. He continues to explore the development of Internet via his own web space



http://www.diesekonstruction.co.uk

with a view to developing a sales base for works and products of his own design, ranging from clothing to works of art.



Major works and collections:


Aug 6 .8:15 1945 – acrylic on canvass


The Head of Jeff Ellis – acrylic on canvass


It’s A Man’s World – gouache and collage on paper


Wars Rich Pageant – watercolour on paper


My Spikey Box

– sculpture and environment, plus multimedia performance


The Dead Dog Chronicles – publication


The Rock thrower – oil on canvass


Neighbourhood Threat – acrylic on canvass


The Truth Presents itself – official documents and sound


37- digital paintings


The Revenge of John Crow part 1

- photographic with digital manipulation


Mad Hatters Tea Party – living sculptural event


The Victim – plaster on wire


Catch 22 – barbed wire, paper, metal. plastic


The Sleeper – plaster on wire


Spare Change – plaster on wire


George Bush and his Weapons of Mass Deception

– multi media web movie


3 monkeys – printed paper, sculptural works, and installations


Stratford2006 – photograhic


...MERVYN DIESE

Artist.Designer.Technician

theartist@diesekonstruction.co.uk


tel: 07890 465064

Commercial Folio

Fine Art folio

Stockwell

2005
A4 29.7 x 210

diesekonstruction print 30

1999
digitally canvas print
A0 - 1188 x 841

The Revenge of John Crow part1. print 3

2001
digitally canvass printed
1,828 x 1,219mm

Deadlier than the male

2007
digital on canvass
300c m x 100cm

BROKEN

2006
DIGITAL PHOTO
100cm x 200cm

constallation Gemini

2008
Digital PHOTO

PoliceMenShouldBeAfraidofOurLenses

2009
digital photograpic manipulation
300 x 100cm

HappySnappers

2009
Digital photograpic manipulation
300 x 100cm

Then Who Watches The Watchmen

2009
Digital photograpic manipulation
300 x 100cm

Justicebeingdrainedfromthecorpseofreason

2009
Digital photograpic manipulation
200 x 100

ladyVengence

2009
Digital photograpic manipulation
500 x 100cm

EvenIdontThinkThisIsRight

2009
Digital photograpic manipulation
300 x 100cm

ideasthatcanneverbekilled

2009
Digital photograpic manipulation
200 x 100

TheCrowonThePondofFilth

2009
Digital photograpic manipulation
200 x 400

knowyourrights

2009
digital photograpic manipulation
200 x 400