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The nexus between music and painting and ways of pictorially representing sound and silence, have been the main subjects of my work as an artist since 1980. This exploration has many facets from attempts at a pictorial representation of sound, to the creation of environments (maybe places or landscapes) that result from the sensations, feelings, states of mind and/or visions generated by music. My work has gone through different stages from attempts to illustration of specific musical work to explorations of aspects of the musical structure itself. This is, of course, purely subjective

The final phase of production in my work is distinguished by a return to painting, almost forgotten in my eagerness in use it as a medium instead of a purpose, and the utilization of all I’ve learned through the years about shaping a pictorial – not musical – art work, which held all the spiritual power of music, as an autonomous entity, without moving it away from it’s musical sources by means of referent codes, which, I hope, made possible the identification of the theme by the viewer.

The resolution of this process continues to evolve as I grow as an artist and a person. It remains my principal challenge

Miguel Cerejido

Chord 2

1999
Acrylic/paper
51 x 73

Rest 2

1999
Acrylic/paper
51 x 73

Stage 2

2005
Acrylic/canvas
91.5 x 122

Ancient Sounds

2005
Acrylic/paper
51 x 73

Native Composition

2005
Acrylic/paper
73 x 51

Soon

1997
Acrylic/paper
51 x 73

The One

205
Acrylic/paper
73 x 51

Requiem

1999
Acrylic/canvas
80 x 100

Bella-Coola Song

2005
Acrylic/paper
51 x 73.5

Blue Jay

2005
Acrylic/canvas
61 x 76 cms

Master Of Images

2005
Acrylic/canvas
66 x 51

Dawn

2005
Acrylic/paper
73.5 x 51

Stage Set 3

2005
Acrylic/canvas
91.5 x 122 cms

Wing

2005
Acrylic/canvas
66 x 51

Landscape 1

2001
Digital Imaging

Landscape 2

2001
Digital Imaging