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Miranda Maher
 
 
About the Artist

I'm fascinated by the blind spots in our cultural psyche that cause our errors and idiosyncrasies (yet they continue, unexamined and uncorrected). This interest has drawn me to explore many themes from murder and war to epistemology and language.

Recently, I have been captivated by Birds. Ever since I realized that it is utterly impossible for us to comprehend bird consciousness -- or "Birdness" as I came to call it -- their image and presence has taken on a new significance for me. My bird-work uses many forms, but tries to grasp that consciousness in some feeble way even as it examines our egocentric, self-serving views of them.

Somehow, birds brought me to Sound. Although I continue to crave the silence of images on paper, making only silent installations feels incomplete. Life is full of such interesting, varied sounds, so why not address this? Why not orchestrate it? My installations always, on some level, embrace viewers in a particular space. What is an embrace without the breath and heartbeat?

 
Click to enlarge images
(if larger image has been loaded)
 

Birdness Series No. 2 - Small

2005
Series of 12, each 40x55cm

A species’ wingspan and wing speed in beats-per-second is combined to invent a more experiential way to draw bird flight. ...One that conveys the effort as well as the power. Another series, "Birdness Series No. 1" uses the same elements to present the flight of 20 Hummingbird species

from "Betty" Series

2005
38x27cm

Her presence and particularity transcend species, even while she is being so very feline. This cat only reveals herself to me: She hides when anyone else is around, but is my devoted shadow. She shares the feline love of bags and is photographed here reveling in a net bag that covers her, while letting her see and breathe (something her paper and plastic bags don't do). These photographs evidence something inexplicable I hope we all possess in some measure. ...Perhaps it's just the unselfconscious enjoyment of consciousness.

Oneiric Oology

2006
Variable

Oneiric Oology explores our ambivalent love-affair with dreams. Sometimes they seem like small containers of wisdom/poetry/ information which reveal our unconscious to others, to ourselves. Other times we see them as doorways to other realities: to the collective unconscious and beyond. Inevitably, they carry a heavy responsibility for such ephemeral little narratives. Can these exquisite fragments survive analysis and interpretation? Can they really give us what we need from them? The neo-Freudian analyst in me wants to dissect them and display their hidden meaning. The poet in me wants to leave the bizarre delicacy of the images undisturbed.

Internal Difference, --where the Meanings are

2007
Mixed Media Installation
dim var

250 yards of cotton cheesecloth dotted with heat-transferred inkjet photographs stream down the two story oval staircase, only lit by entering sunlight. Texts lure visitors up the stairs where they encounter audio of Emily Dickinson’s poetry read in contemporary voice. Simple elements combine to explore E.D.’s power and influence as an absent presence in her time and ours. E.D.’s poetry read by: Barbara Henning Technical Design Assistance: R.B. Stein

Dreams of Flying

2006
Installation
dim var.

A dim, soft environment, white cotton, feathers (in the pillows, on the floor) and the sound of wings fluttering at the edge of awareness evoke metaphors of birds and memories of sleep to conjure dreams of being a bird rather than the super-human flight commonly experienced.

Home Improvement 2

2007
Wall Installation
dim var.

This series of nine objects combines bird nests and paper ribbons printed with the logos of various contemporary design houses known for their luxury apparel. The series pokes fun at our consumer culture values by “improving” the delicately crafted bird nests with the cache of designer labels. The nests are all abandoned by various North American species (no one was evicted from their little home for the sake of this work). The nests are displayed on thin wood shelves that echo each one’s specific shape.
 
Education and biography
Some venues that have shown my work: Wave Hill, Sara Tecchia Gallery, Geborgen Kamer (Netherlands), The Urban Institute of Contemporary Art, White Columns, The Drawing Center, Nicole Klagsbrun Gallery and Pierogi's Flat Files. I have also shown work at Kunstbunker in Nuremberg, the Milwaukee Art Museum, the Bronx Museum of Art and the Brooklyn Museum of Art.
 
Future shows
I will have work in several exhibitions in the near future. Please add your email to my announcement list to receive the details when they're available.
 
Website:  www.miranda-maher.com
 
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