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showcase your art to thousands
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| Nezaket Ekici | |
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born 1970 Kirsehir/ Turkey |
| About the Artist | |
Artist Statement: Nezaket Ekici |
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| Click to enlarge images (if larger image has been loaded) |
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“Inafferrabile/ Greifbar Fern”
2004 |
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| The Artist (Nezaket Ekici) stands with the back to the viewer, in an created red colored room, with a wedding dress 8 meters long and 6-meter width. She tries to pull up desperately in Sisyphus work the long zipper in the back. Because the dress is closely sewed on purpose in the sleeve, shoulder and hip, it will be impossible to come up with the zipper. By using microphones, the noises of the zipper and breathing become audible. During 30 minutes, the viewer is torn whether he should help or not. In the end the Artist stops undone things with an open back and leaves the room with her long train
Performance presented for the exibition 2yk Galerie Kunstfabrik am Flutgraben e.V., Berlin 10.9 – 8.10.2004
Equipment: Bridal dress, 2 func microphones, mixer, sound system, boxes, red space
Duration of the Performance: 30 Minuten
Camera: Andreas Dammertz
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„Fountain“ Blue
2004 |
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| A photo edition has been made of the performance Fountain. First in a business lobby and secondly in a theatre in Berlin. Looking onto the architectoral language, these places are the very opposite to each other: the first - right angles, blue painted walls and sandstone colored Walls made of glazed tiles. The second one -architecture of the twenties of the past century building elegance and Pomp around the people. These places attach value to very different social philosophies: the first one diskusses recent capitalism with all its potential for crisis and the second one, in the theatre of the people serves a almost naive Reminizienz to former times than it is a basis for provocation. The two Photo Editions of Fountain “pomp” and “blue” reflect the penetration of place and art.
Photo: by A.R. Jenchen
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„Nobles Opak“
2005 |
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| Although Schiele was initially influenced by the work of Gustav Klimt, he soon developed his own anticlassical style which emphasized hidden (spiritual) feelings rahter than aesthetics. This performance represents the similarities and differences between these two artists’ ideas about Love and Death. The costume and decor derives from Klimt, who used many black-and-white patterns. The extreme expressions, grimaces and physical poses derive from Schiele.
Presented at: Schiele / Abramovic / De Châtel and IPG "Persistent and Gradual Loss of Self-Control" Van Gogh Museum, Amsterdam 25.3-19.6.2005
"Nobles Opak" vom 12.5-18.5.2005
Equipment: black and white costume (original design of Klimt), black colour, shelf (70 cm x 200 cm)
Duration:
6 days each 8 hour
1 day 12 hour
Photo by Andreas Dammertz
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„Living Spot“
2005 |
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| “The performance "Living spot" takes place on the 5th flour of a business building. The area for the performance serves normally as a passage area. The front side is glass. The area is filled up to the cover with white ballons. the artist dressed in business style let More than 1500 ballons burst by using hands, feet and the whole body. Only aid is a pencil. The area, which remains inconspicuous in the office everyday life, is now noticed in a new way by the artist and the viewers: visually, accustically and haptically. The balloons are quasi empty cases. The area is doubled and reflects itselve in this renewed filling from air (its own air), in small spatial units. Units, partitionings by breath-thin and high-tension diaphragm. The respiratory volume of the area did not change. No new air was brought in or taken away and anyhow the subject cannot breathe any longer.”
Performance presented for the exibition “Kunst am Bau”, GASAG, Berliner Gaswerke Aktiengesellschaft, Berlin 28.1.2005
Equipment: 1500 white ballons, amplifier, Soundmixer, 4 Boxes, 4 microphones, headset microphone, costüme
Duration of the Performance: 45 minutes
Camera: Andreas Dammertz
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„My Pig“
2004 |
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The red of the leash functions as a mark of a taboo break and is an expression of the unusual unification of a severely Muslim dressed woman with an animal (a pig) understood according to the “koran” as unclean. But the pig is only an innocent living being and has earned our acknowledgment like each other being.
Photo by Rüdiger Lubricht |
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„Hullabelly“
2002 |
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In the Video Performance „Hullabelly“ the artist, veiled by a headscarf, in trousers and skirt, a hula-hoop to Oriental belly dance music. She uses only her head to rotate the hoop.
DVD PAL, 2 min. Loop
Equipment: Sound equipment, hula-hoops, Turkish belly dancing music
Video still, Camera by Susanne Winterling
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"I had a dream..."
2003 |
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| For the performance “I Had a Dream….” a 1m x 15m roll of grass is laid out. The artist mows the lawn with her teeth. A camera installed at the end of the lawn shows close-ups of the action on monitors installed in the adjoining room. The audience is at first not able to determine whether they are viewing a recording or a live transmission Presented at “Kunstvereine – 6 Standorte”, Laga, Federal Flower Show, Gronau-Losser, Flower Hall, 2003 Equipment: 15-metre-stretch of grass, pedestal, monitors, video recorder, camera Duration of the Performance: 3 hour Camera: Andreas Dammertz Photos by Cora Wruck |
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Nazar
2006 |
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The Fotoedition Nazar presents a dress made of "blue glass eyes", which are known in Orient as a talisman against bad looks. The dress consists of 600 glass-eyes which weigh more than 30 kg. The dress has two meanings. On the one hand, the dress protects against bad looks and expresses majesty over the evel itself. On the other hand the "blue eye" does not appear as a simple symbol against evil, but as a functional element of an everyday subject. The foto edition emphasizes the fetish charakter of the "blue eye" and compensates this inquisition with noble beauty in it appearence. The foto edition derives from the Performance with the same name "Nazar".
Foto by Cetin Özer
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| Education and biography | |
| Education: 1990 – 1993 Degree in Layout Operator and Printing Plate training, Duisburg and München 1994 – 2000 M.A. Degree in Art Pedagogy and Art History, with Prof. Wolfgang Kehr, Ludwig-Maximilians Universität München 1996 – 2000 Studies sculpture, with Prof. Heribert Sturm, Akademie der Bildenden Künste, München 2001 – 2003 Degree in Fine Arts, with Prof. Dr. Marina Abramovic, Hochschule für Bildende Künste Braunschweig 2004 MFA-Degree, with Prof. Dr. Marina Abramovic, Hochschule für Bildende Künste Braunschweig Scholarships, Grants, Awards: 1998 Bursary for foreign Student from Bavarian Free State Munich 2000 Antonio Ratti Foundation, International Summer Academy Como, Italy with Ilya Kabakov 2001 Brazier's International Artist Workshop Oxfordeshire, England 2001 Project grant from Kulturreferat der Stadt München und Dresdner Bank 2002 Artist’ and Authors’ Bursary by the Else-Heiliger-Fonds, Konrad-Adenauer-Stiftung 2002 Project grant from Goethe Institut Inter Nationes Mailand/ Italy 2003 Bursary for Artist in Residencies , Stiftung Künstlerdorf Schöppingen, for 5 months 2003 Project grant from Goethe Institut Inter Nationes Damascus/ Syria 2004 Bursary for Artist in Residencies, Barkenhoff-Stiftung Künstlerhäuser Worpswede, for 9 months 2004 GASAG Art Award Berlin 2004 2005 Bursary for Artist in Residencies BM Contemporary Art Center ISTANBUL, for 6 months 2005 Arbeitsstipendium Stiftung Kunstfonds Bonn 2006 Kunststiftung Baden-Württemberg Solo Exibition: 1999 "Lab Control" Installation/Performance Academy Gallery Munich 2000 „Emotion in Motion“ Kissperformance Kaskadenkondensator Basel, Switzerland 2002 “Lee(h)rstellen- Beauty lies in the eye of the Beholder”; Instal./Perform. Academy Galery Munich 2002 “Werkschau” Instal./Performance Gallery White Elephant Berlin 2002 „Emotion in Motion“ Kissperfor./Instal. Gallery Valeria Belvedere Milano 2004 “Fountain” Install./Performance/Foto Galley Breitengraser, Room for Comtemporary Sculpture 2005 „Orientación-Nezaket Ekici“ Performance, Video, Fotoeditions; Goethe Institut Madrid, Spain 2005 „National Anthems“ Videoinstallation, Proje 4L Artvarium, Elgiz Museum of Contemporary Art 2005 “Gözü Kara”/ Fearless, Gallery Karsi Sanatlar Calismalari, Istanbul 2006 “Emotion in Motion#7”Künstlerverein Malkasten, Düsseldorf Group Exibition: 2000 -“Große Kunstaustellung München/Haus der Kunst 2002 Museum of contempery Art in Munich - Advanced Course in Visual Arts “ILYA KABAKOV” Foundatione Ratti, Chiesa San Francesco COMO -“Zimmer Frei” Hotel Mariandl Munich - “Gestrandet” Container Ausstellung Odeonsplace Munich - Galerie Unartig Munich 2001 - “ Iceprincess" Interim Munich - "Step by Step" Gallery KHG Leo 11, Munich - “Translation, Transformation” The 7th Performance Studies Conference / Mainz University - “base.ment” Subway U6 Munich - Course of ILYA Kabakov in Gallery Via Farini Milano - Brazier's International Artist Workshop Oxfordshire - Real Presence - Generation, 25. May Museum, Belgrad - Marking the territory, Irish Museum of Modern Art, Dublin - “Get that Balance” Sculputure Factory Cork - “A little bit of History Repeated”/ Kunst-Werke Berlin - Autoren Gallery Munich 2002 -„Durch die Zeit“ Kunstraum 10, Hannover - „Common ground#1“, Landesvertr. Niedersachsen, Berlin - Random Ize Film and Video festival, London - No Place , Ifa Galerie Bonn - "Magnetmusicport- the electronic Woddstock" in Wittstock bei Berlin - "Short Play" Workshops "Clean the House/ Marina Abramovic Museum Galego de Arte contemporaneo, Santiago de Compostela, - „frisch eingetroffen“ Zeitraum _ex!t Büro für Kunst e.V., Mannheim - Braunschweiger Kulturnacht 2002, Braunschweig -„TransArt02“ Franzensfeste/Fortezza Brixten -„Pret à porter“ Via Farini Milano -“Body Power/ Power Play” Würtembergisches Kunstverein Stuttgart - „Stipendiaten Ausstellung (EHF 2002)“ der Konrad-Adenauer-Stiftung Berlin 2003 -MAX5 Show/ Film & Video Festival at the Foundry, London England - “Rituale- in der zeitgenössischen Kunst” Akademie der Künste Berlin - Women’s Art Festival 5TH International Aleppo/Syria - Random Ize Film and Video festival, Taipei/ Taiwan - As soon as possible/ Performance Loop, PAC Milano - Recycling the future, Venice Biennale - Performance in der Kunsthalle Fridericianum Kassel - Mediatatic Super Salon Amsterdam, - 6 Kunstvereine – 6 Standorte, Landesgartenschau Gronau/Losser - Dialogues on artistic production and contemporary cultures, Sparwasser HQ, Berlin - Random Ize Film and Video festival, Malmö Sweden - 4th International Performancefestival Odense, Dänemark - “Ab in die Mitte” Cityoffensive Schöppingen, Künstlerdorf Schöppingen - SconfinArt – Expo d’Arte Contemporanea, Trento - 40 Heures/ 40 Stunden, Ausstellungsprojekt im Kloster La Tourette, Lyon - 20. Kasseler Dokumentarfilm und Videofest, Kassel - Galerie zur Möbelfabrik, Berlin 2004 - Mediamatic Super Salon Amsterdam - International Performancefestival Boston - Frankfurter Art fair 2004, Galerie Breitengraser - Gruppenausstellung Künstlerhäuser Worpswede Galerie Alter Rathaus, Worpswede - The 2ndCrossroads Symposium 4-6.6.2004, Riddarhyttan Schweden - bgnm, berliner Gesellschaft für neue Musik, Discussion Migration, Berlin - Cleaning the House Project, NMAC Foundation Montenmedio Arte Contemporáneo Cadiz, Spanien - Loop Performance, PS1 Contemporary Art Center New York - Der Raum, Die Wand, Das Buch, MeisterschülerInnen Austellung, Galerie der Hochschule, HBK Braunschweig - Rituale der Gesundheit, Galerie im Park, Krankenhaus-Museum, Haus im Park, Bremen - GASAG Kunstpreis 2004, 2yk Galerie, Kunstfabrik am Flutgraben e.V., Berlin - Artforum Berlin Artfair, Stand Kunstfabrik am Flutgraben e.V. - Braunschweiger Kulturnacht, Lot Theater, Braunschweig - Sauber, Projektraum Künstlerhaus I, Künstlerhäuser Worpswede - Raumkonzepte, Marta Museum Herford - The Retrospective, Abramovic Class, Gallery der Hochschule, HBK Braunschweig - Tanz und Performancefestival „Auftauchen“, Hamburg - Ebent 04 International Festival of Performance of Barcelona, Barcelona andMadrid - Re-enact Performancenight, Club 11, Amsterdam 2005 - Gasag Kunst am Bau Performance, Berlin 28.1.2005 - Eröffnung des Kunstmuseums Stuttgart, 5-6.3.2005 - Directors Lounge, Videoscreen 10-20.2.2005, Berlin - Videoscreen of „180 Wishes“ Opening exibition of Goethe Institut Madrid 9.4.2005 - 1. Performance-Festival Schleswig-Holstein auf Schloß Salzau, Kiel 19-26.4.2005, - Persistent and Gradual Loss of Self-Control«, Van Gogh Museum, Amsterdam, 14-20.5.2005 - Gifted Generation, Haus Eins, Hebbel Theater, Berlin, 21-22.5.2005 - Let Love blossom with IPG, Galleria Civica di Arte Contemporanea, Trento 11.6-11.9.2005 - Women and Münster, Gallerie Sotodo, Münster 28.6-11.7.2005 - Rohkunstbau, Landpartien, Schloß Leuthin, Berlin 6.8.2005 - „MAX5 Show/ Film & Video Festival“ at the Foundry, London England - "Memento Mori "Atelierhaus Panzerhalle Groß Glienicke/ Potsdam, - „chur_interveniert 2005“ Ortspezifische Kunstprojekte und Rahmenveranstaltungen in der Altstadt von Chur, - „Vogelfrei 6- Paradiesgärten“ Out Door Biennale, Darmstadt - “Between two Sides” “Aykut Barka” Ferry, Besiktas-Kad?köy line, Istanbul - „Catania Art Fiera“ 22-25.9.2005 Italia - „Visibilty Project“ Galata Perform, Istanbul - „11. Künstlerintage“ Museum Mobile im Audi Forum, Ingolstadt - „e_motion in motion“ Kongress der Gesellschaft für Tanzforschung und NDS Tanzkultur, Bern - „Orientación“ Reina Sofia Museum Goethe Institut Madrid, Spanien - IPG, Gallery Illy, New York/ USA - „II.Performance Art Festival“ Pontevedra, Spanien 2006 - Blessed are the Merciful , Galerie Feigen, NY - The Aromory Show, NY -HVCCA, Peekskill NY - EHF 2010, Konrad-Adenauer-Stiftung, Berlin - Best of, Galerie Breitengraser Room for contemporary sculture - CONTENEDORES-Action-Art International Festival (Seville-Spain), - Foi#3 International Performancefestival Singapore and Satu Kali Festival Malaysia, - “Islam- Die Ringe der Künstler”, Pasinger Fabrik München, -Centrifug, Performance Festival, Dansstaionen, Malmö BOOKS/ CATALOGUES/ ARTICLES WRITTEN BY THE ARTIST Ekici Nezaket: “Rezeptionsästhetische Theorien und deren praktische Anwendung bei der Vermittlungsarbeit im Museum, aufgezeigt anhand des Gemäldes “Die Vision des heiligen Franziskus” von Carlo Sareceni in der Alten Pinakothek München”, München 2000 Exh. Cat. „Nezaket Ekici“ GASAG Kunstpreis Berlin 2004 Exh. Cat. “Gözü Kara/ Fearless”, Gallery Karsi Sanat Calismalari, Istanbul 2005 Exh.Cat. „Orientación-Nezaket Ekici“ Performance, Video, Fotoeditions; Goethe Institut Madrid, Spain, 2005 BOOKS/ CATALOGUES/ ARTICLES ON THE ARTIST (Selection) Exh. Cat. “Große Kunstausstellung München 2000 / Räume für die Positionen im Haus der Kunst“, S.59, Haus der Kunst München 2000 Foundazione Ratti: “Ilya Kabakov/ Public projects or the spirit of a place” Advanced Course in Visual Arts Publication, S.297, Edition Charta, Milano 2001 Exh. Cat. „base.ment“ 13 Installationen im Zwischengeschoß der U6 München 4-8.7.2001, S.42-45, Alpha team, München2001 Exh. Cat. „NO PLACE“ IFA Galerie Bonn, S.44, Bonn 2002 Exh. Cat. “Braziers International Artist Worshop 2001”, S.22-23, Oxfordshire England 2001 Exh. Cat. „Rituale- in der zeitgenössischen Kunst“ Akademie der Künste, S.58-59, Berlin 2003 Exh. Cat. „4 th International Performance Festival Odense“ S.29, Odense Dänemark 2003 Exh. Cat. „Marina Abramovic- Student Body” S.194-2001, Edetion Charta 2003 Exh. Cat. “Recycling the future/ VivereVenezia2”, S.91, Editori Marsilio, s.p.a. in Venezia, 2003 Hans-Jörg Clement "Szene Berlin. Ein Kultur-Lesebuch" Bostelmann & Siebenhaar Verlag, S.230-234, 2003 Exh. Cat. “6 Kunstvereine-6 Standorte” Ein Gemeinschaftsprojekt auf der Landesgartenschau Gronau/Losser, S.32-40, Stiftung Künstlerdorf Schöppingen, 2003 Exh. Cat. „20.Kasseler Dokumentarfilm-und Videofest, 11-16.11.2003, S.92, Filmladen Kassel, 2003 Exh. Cat. 40 Heures/ 40 Stunden, Une exposition au Couvent La Tourette/ Lyon 30.10-1.11.2003, S.46-49, Akademie der Künste München, 2004 Collecteurs: Proje 4L, Elgiz Museum of Contemporary Art, Istanbul -Gasag Aktiengesellschaft, Berlin Nezaket Ekici, is represted by aeroplastics contemporary, Brussels. |
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| Future shows | |
| 2006 - “Into me, Out of me- “PS1 New York - FRIKTIONERFRICTIONS INTERNATIONAL PERFORMANCE FESTIVAL,UPPSALA, Schweden, - “Gallery 18th”, Performanceseries, Festival, Santa Monica, Los Angelas, -Goethe Institut Los Angeles -Skulpturale Handlungen,Gallery BBK München - “Das kritische Auge” Neue AschaffenburgerKunstverein, -Proje 4L, Elgiz Museum of Contemporary Art, Istanbul |
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| Website: www.ekici-art.de | |
| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE | |
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