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Nicole Barakat
 
 
About the Artist

Nicole Barakat is an artist and performance maker working with a diversity of media and ideas. Barakat is also known on the stage as Wife.

Nicole’s practice centres on material and aesthetic languages embodied through the manipulation of familiar materials and processes. She often uses her body as a site for artistic practice.

Her work transcends the borders of art practice and cultural production, often employing a number of disciplines and strategies including, drawing, sculpture, installation, textile processes, performance, writing, story telling and collaboration.

She says,
Through my practice, I aim to conjure alternative ways of thinking, feeling and envisioning our ‘reality’. I see creativity and imagination at the forefront of my practice and commitment to positive social change.

Nicole currently lectures in the Textiles department at the University of New South Wales, College of Fine Arts in Sydney, Australia.

 
Click to enlarge images
(if larger image has been loaded)
 

Flayed (again)

2006
Found deconstructed clothing and cloth objects
150 x 65 cm

Flayed (again)
Flayed (again) is about the flaying of our mothers, sisters, aunties, daughters, lovers, friends, teachers... our soil, our beds and our stories. The term flayed refers to numerous violations of both humans and animals. It refers to physical violence (whipping and beating) as well as severe, harsh & unfair criticism. It also has its roots in the deceitful and intimidating taking of a person's money or valuables. More commonly, it refers to the removal of skin or an outer covering. Exhibited in T'Fouh raw responses by Arab artists Mori Gallery, September 2006 Image: Sue Blackburn courtesy of Mori Gallery, Sydney

Suspended. (detail)

2006
Hand cut suspension files
47.5 x 40.5 cm

The Suspended. Series is part of a larger investigation based on the recording, archiving and appropriation of patterns from the interiors of mosques and other buildings in the Arab world by Orientalists during the Nineteenth Century. Exhibited in Are We There Yet? Chrissie Cotter Gallery, July 2006 Image: Irena Conomos

Embroidered/Embedded

2006
Paper; silk; cotton
21 x 25 cm

Embroidered/Embedded
Image: Irena Conomos

Stripped. (detail)

2006
Woven book cover; cotton
24.5 x 34.5 cm

Stripped. (detail)
Stripped. is part of a series of four manipulated woven book covers. This work references both original tile and textile patterns from the Arab world, as well as patterns from contemporary wallpaper designs. Exhibited in Are We There Yet? Chrissie Cotter Gallery, July and Making Do 2 ANCA, October 2006 Image: Irena Conomos

Reflected/ Reflected

2006
Silk; book cover; cotton
20 x 26 cm

Reflected/Reflected is part of a larger body of work exploring the life of patterns, appropriated and used in wallpaper and furnishing designs. Exhibited in Are We There Yet? Chrissie Cotter Gallery, July 2006 Image: Irena Conomos

Our home is so different

2006
Paper (from a pianola roll); glass; cotton
30 x 30 x 15 cm

Image: Irena Conomos

Negatives: Reflected/Embedded

2006
Paper; cotton; steel fastener
47.5 x 40 cm

Image: Irena Conomos
 
Education and biography
EDUCATION
2002 Bachelor of Applied Arts Honours 1 (Textiles) UNSW College of Fine Arts

EMPLOYMENT

I am currently lecturing in textiles in the Bachelor of Fine Arts degree at the UNSW College of Fine Arts.

SOLO EXHIBITION

2002 '...Subverting the Feminine' Chrissie Cotter Gallery, Camperdown NSW

SELECTED GROUP EXHIBITIONS

2008 'Kudos to Kudos' Kudos Gallery, Paddington NSW
'Quick + Dirty' Performance Space, Redfern NSW
'Fairy Tales' Mori Gallery, Sydney NSW

2007 'Marrickville Contemporary Art Prize' At The Vanishing Point, Newtown NSW
‘T’ Medium Rare Gallery, Redfern NSW
Domestic Love Kudos Gallery, Paddington NSW

2006 'Making Do 2' ANCA, Dickson ACT
'TFOUH! Raw Responses by Arab Artists' Mori Gallery, Sydney NSW
'Reframe' Ivan Dougherty Gallery, Paddington NSW
'Are We There Yet?' Chrissie Cotter Gallery, Camperdown NSW
'Tools' First Draft Gallery, Surry Hills NSW
2005 'Artists Against Sedition Laws' Casula Powerhouse Arts Centre, Casula NSW
2003 'Accidental Ensemble' Pine St Arts Centre, Chippendale NSW
'I Remember 1948' Performance Space, Redfern NSW

GRANTS AND RESIDENCIES

Aug 2007 New Work Grant Awarded by the Australia Council
Feb 2007 Artist Residency (Larnaka, Cyprus) Awarded by Marrickville Council
Jan 2004 Western Sydney Artist Fellowship Awarded by Arts NSW


 
Future shows
'Let the Beauty We Love Be What We Do'

3-14 March 2010

Chrissie Cotter Gallery
Pidcock St, Camperdown

 
 
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