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In my art, I explore the fringes of aesthetic acceptability as I bring concepts, language and symbolism into my work. I take a bold and adventurous approach with my materials, using acrylic mediums in non-traditional ways, and adding photographs and household objects to the palette. My unconventional compositions and aesthetic choices grow from my love of artistic adventure and a desire to awaken our senses from the trance of the familiar.

In place of traditional canvas, I use wire mesh (hardware cloth). The mesh becomes an active component of the artwork, rather than a passive, invisible surface on which to paint. Its interwoven strands unify the work, and at the same time make it possible to paint on both sides of its transparent surface. Its industrial, mass-produced look creates a tension with the traditional aesthetic role of fine art, and its sturdiness allows me to incorporate the power of assemblage into my paintings.

The mesh, however, is not an end in itself, but rather a means of presenting visually rich and thought-provoking concepts. I hope you are moved by these works. I hope they spark the ferment of new feelings and ideas. It is their main purpose in life.

Tower Of Babel

2006
Mixed
112 X 142 cm

Dam

2005
Mixed
107 x 122 cm

Evolution

2005
Mixed
152 x 183 cm

Surfing The Net

2004
Mixed
137 X 91 X 8 cm

Bless Us O Lord

2002
Mixed
66 x 81 x 18 cm

Millennium Bug

1999
Mixed
173 x 142 cm

Timeline

1998
Mixed
127 x 183 cm

One Pair Of Jeans

1999
76 X 61 cm

Briefcase

2001
41 X 51 X 5 cm

Bath Mat

2001
102 X 61 cm

Shoe Shrine

2002
51 X 41 X 10 cm

Cassettes

2004
51 X 71 cm

Patriotic Ice Scraper

2005
41 X 81 X 5 cm

Dictionary

2007
46 X 56 X 10 cm

Jazzy Shoes

2007
61 X 51 X 15 cm

I Am Thy Ladle

2007
Mixed
86 x 76 x 8 cm