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-Pablo Picasso
-Paul Cezanne
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-Claude Monet
-Marcel Duchamp
-Henri Matisse
-Jackson Pollock
-Andy Warhol
-Willem De Kooning
-Piet Mondrian
-Paul Gauguin
-Francis Bacon
-Robert Rauschenberg
-Georges Braque
-Wassily Kandinsky
-Constantin Brancusi
-Kasimir Malevich
-Jasper Johns
-Frida Kahlo
-Martin Kippenberger
-Paul Klee
-Egon Schiele
-Donald Judd
-Bruce Nauman
-Alberto Giacometti
-Salvador Dalí
-Auguste Rodin
-Mark Rothko
-Edward Hopper
-Lucian Freud
-Richard Serra
-Rene Magritte
-David Hockney
-Philip Guston
-Henri Cartier-Bresson
-Pierre Bonnard
-Jean-Michel Basquiat
-Max Ernst
-Diane Arbus
-Georgia O'Keeffe
-Cy Twombly
-Max Beckmann
-Barnett Newman
-Giorgio De Chirico
-Roy Lichtenstein
-Edvard Munch
-Pierre Auguste Renoir
-Man Ray
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-Tracey Emin
-Damien Hirst
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-Amedeo Modigliani
-Umberto Boccioni
-Jean Dubuffet
-Eva Hesse
-Edouard Vuillard
-Carl Andre
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-Lucio Fontana
-Franz Kline
-David Smith
-Joseph Beuys
-Alexander Calder
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-Marc Chagall
-Gerhard Richter
- Balthus
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-Ernst Ludwig Kirchner
-Frank Stella
-Georg Baselitz
-Francis Picabia
-Jenny Saville
-Dan Flavin
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-Anselm Kiefer
-Matthew Barney
-George Grosz
-Bernd And Hilla Becher
-Sigmar Polke
-Brice Marden
-Maurizio Cattelan
-Sol LeWitt
-Chuck Close
-Edward Weston
-Joseph Cornell
-Karel Appel
-Bridget Riley
-Alexander Archipenko
-Anthony Caro
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-Luc Tuymans
-Claes Oldenburg

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Paul Hazelton
 
 
About the Artist

The dust of everyday life – the unavoidable and necessary by-product of living, engrosses me. Art, also an unavoidable and necessary by-product of living, engrosses me. Art, like dust, is a residue of life and therefore, the making of art is like an extreme act of self-exfoliation. For me, making art is a per-version of life that has many possible diversions. Sometimes these diversions take you somewhere unexpected, sometimes somewhere gross but you have to keep going.

When I was growing up, creating dust and getting dirty were taboo, but even clean living creates dust and dirt. Like expulsions from the immaculate environment of my youth, I now create 'immaculate conceptions' - concepts involving the control of dirt and the subversion of cleanliness. They are the manifestations of an impossible desire to come clean.

For materials, I look mainly to the domestic environment; for example I have worked with household dust, burnt toast, cotton wool and printed matter. Then there is the secondary residual material, created from making something out of these primary ones.

As I work the dirt towards the immaculate and the immaculate towards the dirt, creation moves towards non-existence. It is here, where material almost becomes immaterial, that the immaculate and degenerate become one and the same. For in time, the dust settles and cleanliness gives way to degeneration - The muddle of youth slowly turns to the mud of old age and the soul returns to the soil.

For Picasso, who in later life suffered a morbid fear of degeneration and death, Art was to wash away from the soul, the dust of everyday life. Perhaps I have a morbid fascination, but I seem unable to separate the innocence of youth with the corruption that comes with age. The result is something quite fragile that dissolves from life.








 
Click to enlarge images
(if larger image has been loaded)
 

MOTH-ER

2006
household dust
5 x 4cm

The mother of the 'Immaculate Conceptions' part of a series made from household dust

Dust (death) Mask

2006
household dust
4 x 3cm (box frame: 18.5 x 18.5)

Part of 'Immaculate Conceptions' In order to give the most protection, the dust mask must sit snug, like an external skull against the contours of the skin. In the future, if evolution is to equip us against the increasing rate of pollution, we might develop an external apparatus similar to the exoskeleton of an insect.

Being and Nothingness

2007
household dust, cotton wool and insect skeletons
18 x 10 x 6 (floor standing uit 85cm h)

Being and Nothingness
Like dust, the figure settles into sleep. He becomes almost invisible to himself, lost between the particles of his thoughts, memories, and the subliminal messages of his dreams. Photo by Simon Steven Being and Nothingness is displayed in a black perspex floor standing display case which measures approximately 88 x 75 x 48cm

It came from another underworld I

2008
Collage
20 x 22cm

A combination of folkloric underworld and otherworldly myths of abduction with 50’s cult Sci-fi monster insect movies

It came from another underworld II

2008
Collage
20 x 25cm

with-drawn - without drawing series 1

2008
cut away from an image of Samuel Beckett
12 x 10.5cm

Cutting away at this was like performing a kind of cosmetic surgery on printed matter, only leaving the lines and wrinkles and cutting out the rest

Home Sweet Home

2007
Household dust
15 x 15

Crumpledsilkskin

2007
Silk shirt, hairspray, cotton thread
37 x 18 x 16

spinning a yarn between Dandyism and Rumpelstiltskin

dust man

2005
5.5 x 3.5 x 1.5 (box frame 18.5 x 18.5)

Made from household dust and dirt as part of the immaculate conception series

a spider

2006
Household dust
5 x 4.5 x 1.5 (white frame: 18.5 x 18.5)

Made from household dust as part of the immaculate conception series

a bug

2006
household dust
3.5 x 3.5 (box frame: 18.5 x 18.5)

Part of the immaculate conception series

genetic magnetic field

2007
Pencil, compressed household dust, dirt
12 x 8

Part of the immaculate conception series. Drawing on household dust

Life x Work = 0

1997-2000
pencil, red ink, brass rods on canvas
150 x 150 x 20


Hell on Toast

2004/5 reworked 2006/7
Burnt toast, wax
w29.5 x h15 x d4cm

carrier

2007
hoasehold dust, perspex
20 x 30 x 10

A transparent suitcase containing shadowy objects of dust, how one might expect to see a suitcase through an x-ray security screening system at the airport. It’s as though the x-rays, leaving only the coatings of dust, had completely disintegrated the actual objects. With the ever-increasing invasiveness of technology, you wonder from where the threat will come.

Flesh Eater (idea for a costume for 5 people)

2006
Giclee print (edition of 20)
30 x 24cm

Sac

2006
18.5 x 15

digital print edition of 20 in perspex box frame

Bzzz

2006
18.5 x 15

digital print edition of 20 in perspex box frame

2006
crushed pastel, pigment, glue, glitter
30 x 30

Flyblown (a diseased drawing)

2007
Dirt, dust, graphite, pigment
147 x 147cm

A corruption of the purity of the whiteness of the paper. The materials used have fused, making the paper appear more like a sheet of metal or raw flesh. The paper resembles skin, scarred by the process of drawing, pitted and warn. The drawing has been through 4 states of obliteration: The Fly, The Squashed Fly, The Ghost of a Fly and Flyblown

screwed up flat ideas no 1

2008
120 x 120cm

With the screwed up flat ideas series I would like to show the violence that exists in the physicality of living - It is the repetitive movements that keep us alive that will ultimately weaken and destroy us. In this work the thick paper is resuscitated to the point where it almost breaks down. The center was repeatedly screwed up and opened out whilst being violently drawn into, resulting in at least 15 pencils being broken in the process.

cotton woolly mammoth

2008
Woolly Mammoth soft toy and its stuffing

blow-up

2005/2006

A miniature sandcastle is metaphorically blown-up and then projected onto itself and its surrounding area. The barrage of sandblasted imagery makes for imaginary interpretations far removed from traditional beach activity. The mind when turned in on itself is similar to the sandcastle,unstable when bombarded by its own over-magnification. The war-machine and the mechanisms for creating art are not that dissimilar. Both have the propensity to be delusional. Originally shown at Deal Castle and then extended to the Ramparts, Saint-Omer, France as part of Defend/Defende, a cross-channel collaboration co-curated by Christine Gist and Benoit Warzee

Life x Work = 0

1997-2000
120 x 120cm

Detail of artwork

No End Game

2009
(W)12x(H)8cm

Lace-like cut-out lettering from Beckett\'s End Game but there seems no end for this game...ongoing
 
Education and biography
Education
1996 - 99 Canterbury Christ Church University College BA (Hons) Fine Art
1978 - 80 Kent Institute of Art and Design, Canterbury Graphic Design

Recent exhibitions
March 2010 - Shoebox Auction & Exhibition hosted by Kidsco & Bryan Adams Foundation, Haunch of Venison, London
March 2010 - The House of Fairytales, Millennium, St. Ives, Cornwall
Dec 09 Rare Gallery - Scope Miami
Nov - Dec 09 8x12 Group show Rare Gallery New York
July - Aug 09 Platform Raymond Gun Gallery London
June 09 Travelling Light Venice Biennale
May 09 Travelling Light Wilson Williams Gallery, London
March 09 Affluenza 187-211 St John St Clerkenwell, London.
July 08 Whitstable Biennale
May 08 Margate Rocks
April 08 Matt's and Polly's Studio
Oct-Nov 07 Decadence, Decay & the Demimonde Home House & 92 George Street, London.
Oct 07 Saatchi Online Exhibition Zoo Art Fair, Royal Academy of Arts.
May-June 07 Pathogeographies (or other peoples baggage) Gallery 400, University of Illinois, Chicago USA
July 07 Expecting the Unexpected Maidstone Library Gallery, Maidstone Kent
july-sept 06 Unnatural Selection Shrewsbury Museum and Art Gallery, Shropshire UK
Jan-Feb 06 Defend/Defendre Espace 36, Saint-Omer France

Publications
Jan 2009 ArtArtArt Issue 4 Art V History - Post-Historic Art http://www.artartartgallery.com/download
 
Future shows
2011 Solo show at Brahm Gallery, Leeds
 
Website:  www.axisweb.org/seCVPG.aspx?ARTISTID=13549
 
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