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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Peter J Ketchum |
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From the New York Times:
"Peter J. Ketchum knows how to get the viewer's attention. Shown widely around the country, his pictures commingle colors, people, situations, commentary and mediums in a manner that is provocative, funny and to the point. Attempts to pigeonhole the work as Pop, folk, cartoon, mixedmedia, collage, anthropomorphic, or merely strange tend to fall short of the mark!"
Five works were included in “35 Artists of North America,” curated by Thomas Krens, the director of the Guggenheim Museum in New York.
Peter J. Ketchum received a degree in fine arts from Colby College, did additional study at the School for Visual
Arts in NYC.
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| About the Artist |
The New York City based artist’s work is in the permanent collections of the Smithsonian Institute, The Norfolk History Museum and Colby. It has been shown at the Brooklyn Museum, The Bushnell, The Springfield Museum of Fine Art, The Discovery Museum (2 person show), The Morris Museum and the Connecticut Sports Museum.
The artist has shown in solo and group shows in Boston and NYC, including Exit Art, Lumina, SOHO 20, HERE, the Williamsburg (Brooklyn) Art Center, ArtWell, and, in Hartford, Real Artways and the Charter Oak Cultural Center.
Curators and/or gallery owners who have shown his work include Ethan and Ivan Karp (OK Harris, NYC), Susan Dunne (Pace NYC), John Klein (The Aldrich Museum) and Matthew Druitt (The Guggenheim.) |
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Click to enlarge images (if larger image has been loaded) |
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American Fan (Menu on Back)
2003 Acrylic on Canvas 32x32 |
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Black Americana, Prejudice Series. www.peterjketchum.com |
Toys for American Boys
Acrylic on Canvas 40x32 |
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NRA Gun Series. www.peterjketchum.com |
Black Evolution in Four Parts
2004 FOUR Separate Canvases 24x20 [4 canvases] |
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Adapted from found 1890's post cards. From my series on history of prejudice.
www.peterjketchum.com |
Herman of the Two Sexes
Acrylic on Canvas 48x36 |
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Found B&W photo blown up and painted on. Words gathered from guests at a dinner party. Words from men on the left. Words from women on the right. |
Design for a New American Flag
2006 Acrylic on paper on mounted board |
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What Mel Missed
Acrylic on Canvas |
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The Adoration of Margaret Mary
Acrylic, found photos,photo dye on Canvas |
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First Grade Apple Test
Acrylic on paper |
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Ketchum's Carrot Ladies (En Francais)
2009 Acrylic on Stretched Canvas 18x22 |
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Nude Ladies Admiring a Large Carrot, adapted from an 1898 French postcard (naughty or not?)
www.peterjketchum.com |
Bang Bang The Lone Ranger Is Dead En Francais
2009 Acrylic on Stretched Canvas 30 x 30 |
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Lone Ranger in French
www.peterjketchum.com |
The Lone Ranger Under Attack (En Francais)
2009 Acrylic on Stretched Canvas 30x30 |
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Lone Ranger in French on Canvas
www.peterjketchum.com |
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| Education and biography |
Most of my work is about personal and societal attitudes as reflected in our ephemera: found photographs (pre-1950’s), ads, menus, postcards. Because most of the found visual bits and pieces I use were mass produced, the broad acceptance of and interest in the ideology inherent in them is underscored. Before "political correctness," society happily perpetuated stereotypes.
This is true of “humorous” materials produced aboutwomen, Jews, people of color, Native Americans, fatpeople, gay people, Arabs, and other minorities. In
little bits and pieces negative views were approved atthe cash register, sent worldwide through the mails, and displayed at home. These popular images shaped
some of our current attitudes as a society: ideasabout beauty, woman’s work, body image, social acceptability, masculinity, sex, measures of successand morality.
I am also interested in our perpetuated cultural myths and lies: war as a given, for example. I am interested in our sports, religious and political leaders’ misadventures with truth and morality. I am
interested in moral standards as reflected in our icons and popular imagery.
I wonder if our societal soul is nothing more than an Ebay collectible. Will the coke bottle be the fossil index of modern culture, and the tabloids our dead sea scrolls? Are the bits and pieces of pop culture true
milestones in our trip from here to there, or barriers to a meaningful journey? |
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| Future shows |
Wish House Gallery West Cornwall CT July 15th-Aug
Dean Street Gallery Brooklyn NY Dec-Jan 2006-07 |
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Website: www.peterjketchum.com |
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| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
CLICK HERE TO SEND THIS PROFILE TO YOUR FRIENDS |
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Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
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