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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Peter Partington |
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Peter Partington was born in 1941. From his early teens he lived by Poole Harbour and it proved to have a deep influence. It was easy to escape from school and sit watching the shore-line; holidays and weekends were often spent bird watching and exploring its inlets and unspoilt reaches, where sea and marsh intermingle with woodland and meadow .
He started sketching at an early age, pursuing this interest more seriously at Bournemouth College of Art and later, Middlesex. He taught art students for many years until demand for his work encouraged him to pursue painting and printmaking professionally. Since then his hand-coloured dry-points, etchings, and original water-colours have been avidly collected; he has had numerous one-man shows. He writes magazine articles and his illustration work for books and cards has exposed him to a wider audience. His book for Collins "Learn to Paint Birds in Watercolour" was launched in 1989 at the Tryon Gallery, Cork Street, London. He has followed this with three further books in the Learn to Draw series; Wildlife, Farm Animals and Birds. They are written with real enthusiasm for the subject and are delightfully illustrated.
In his paintings he seeks out the effects of light and weather on the landscape and its birds, and expresses this through the discipline and yet freedom of water-colour. Robert Gillmor has described his technique as 'magical'. Few can grasp the intense labour and concentration that has gone into these apparently effortless expressions about the natural world. He is at his happiest in the field working in his sketchbook, keenly observing bird plumage and wildlife behaviour. It is said that he paints with understanding, wit and feeling. His interest has once again turned to sculpture, which he is currently exploring with great enjoyment.
He has been elected to the Society of Wildlife Artists. The International Museum of Wildlife Art has several pieces of his work in its collection.
He was invited in the Spring of 1992, by the Artists for Nature Foundation, to join their group of artists to record the Briebrza Wetlands to publicise the need for their conservation. He was invited again to Extramadura in Spain in 1994. Both trips resulted in sumptuous books which contain examples of his work. His talent has gained deserved recognition as a prize winner in the European Bird Art Competition. He willingly shares his expertise and he now writes regularly for 'The Artist' magazine on a range of painting subjects from landscape to weather, to birds and drawing.
He is now living near Lavenham in rural Suffolk, which provides much of the inspiration for his recent works.
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Click to enlarge images (if larger image has been loaded) |
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July Puffins
2006 Oil on canvas 60x45 |
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Blam
2007 Watercolour 30x17.5 |
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Resting Hare
2006 Bronze 60cm wide |
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Small Guillemot Colony
2006 Oil on canvas |
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150x79 |
Lek of Black Grouse
2006 Oil on canvas 75x50 |
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Website: www.peter-partington.fsnet.co.uk |
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| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
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Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
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