| Rebecca Dearden |
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| 关于此艺术家 |
I am interested in the ‘photograph-ness’ of a photograph — the light that made the picture possible, the relationship of the image to the physical object, the signs in an image—like motion blur – that make it peculiarly a photograph.
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And then, gone 3
2006 Photograph |
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Sealed inside a dark car, we see the blurred flashes of the distant world outside, lit up for a moment by the headlights and then lost.
Taken while driving, these painterly, almost abstract, photographs no longer seem to be of real places. Instead, they are a reflection of that hazy, half-consciousness of someone caught in their own inner world.
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And then, gone 2
2006 Photograph |
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Sealed inside a dark car, we see the blurred flashes of the distant world outside, lit up for a moment by the headlights and then lost.
Taken while driving, these painterly, almost abstract, photographs no longer seem to be of real places. Instead, they are a reflection of that hazy, half-consciousness of someone caught in their own inner world.
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Slip Horse
2005 Photograph |
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We might ask how a photograph was made, or we might ask why it was made. And when we have one answer—or both—something still slips away unexplained. The camera wants to pin down the unexplained; wants to make light, movement, accident and intention simple parts of an equation.
But something is always waiting outside the frame, lurking in the back of our minds. Something slips out of place in these photographs—and though I am the one standing there with a camera and a torch, it slips past me too.
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Constructed
2004 Photograph |
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Constructed to the point of reality. |
On-Off Trees
2005 Photograph |
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Here, light spills, flares and reflects back on itself, becoming the subject of the photograph as well as the means by which the images are made.
This series of photographs describes the unintended effect of artificial light – the accidental objects caught in its path.
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Slip Glow
2005 Photograph |
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We might ask how a photograph was made, or we might ask why it was made. And when we have one answer—or both—something still slips away unexplained. The camera wants to pin down the unexplained; wants to make light, movement, accident and intention simple parts of an equation.
But something is always waiting outside the frame, lurking in the back of our minds. Something slips out of place in these photographs—and though I am the one standing there with a camera and a torch, it slips past me too.
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Unseen Portraits - Nicky Brown
2004 Photograph 6' x 3' |
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Vision requires distance; touch requires intimacy. These photographic portraits are of people who will never be able see them.
They are life-size full-body portraits of blind and partially sighted people, alongside intimate tactile and audio versions produced using a range of techniques.
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Unseen Portraits - Martin Rayn
2004 Photograph 6' x 3' |
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Vision requires distance; touch requires intimacy. These photographic portraits are of people who will never be able see them.
They are life-size full-body portraits of blind and partially sighted people, alongside intimate tactile and audio versions produced using a range of techniques.
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Horizon series
2008 Photograph |
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From the Horizons series |
Horizon series
2008 Photograph |
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From the Horizon series |
Shade
2007 Photograph |
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From the Shade series |
Shade
2007 Photograph |
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From the Shade series |
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| 教育程度与个人自传 |
Exhibitions
Sitting Room – Amsterdam, Manchester, Winchester, Brighton, Bristol, USA, Mexico – 2007
Arts Festival Gallery – Hebden Bridge – October 2006
Arles Rencontres – France – July 4-8, 2006
Pavilion – Round Foundry Centre, Leeds – June 8-November 15
Zebra Gallery – Hampstead – March-April 2006
Virtual – City Inn, Birmingham – March-April 2006
New Art Birmingham – Jewellery Quarter, Birmingham – December 2005
Lens-Based Open – Surface Gallery, Nottingham – August 2005
Empty, swept and garnished – July/August 2005
Unseen Portraits – solo exhibition, St Julian’s Centre – July 2005
On-Off – Gloucester Guildhall – scheduled for 2006
On-Off – Taurus Gallery – 2005
Unseen Portraits – solo exhibition, Royal National College – 2005
Unseen Portraits – exhibition, Birmingham NEC – 2005
On-Off – solo exhibition, The Photography Gallery – 2005
Unseen Portraits – exhibition and lecture, Berkshire – December 2004
And then, gone – solo exhibition, Food Gallery – 2004
And then, gone – group exhibition, The Gateway Galleries – 2004
Nothing if not something more – group exhibition, Oriel Davies Gallery – 2004
Unseen Portraits – National Portrait Gallery presentation – 2004
Curation
A Thousand Words: The Art of Illustration – 2008
Nadia Sparham – 2008
Empty, swept and garnished – July/August 2005
Awards
Rhubarb-Rhubarb Bursary – 2005
Arts Council award – 2005
Seeing the Light travel bursary – Arles, 2005
International Photography Research Network bursary – 2005
Arts Council award – 2004
Photo Imaging Council Award – 2004
Publications
Pavilion - New writings on photography
The Independent
Radio 4
Radio 5 Live
Panorama Magazine
BBC.co.uk
British Journal of Photography
PIC Magazine
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