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陈列您的艺术作品给每天无数的访客观看
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| Rebecca Dearden | |
| 关于此艺术家 | |
I am interested in the ‘photograph-ness’ of a photograph — the light that made the picture possible, the relationship of the image to the physical object, the signs in an image—like motion blur – that make it peculiarly a photograph. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
And then, gone 3
2006 |
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| Sealed inside a dark car, we see the blurred flashes of the distant world outside, lit up for a moment by the headlights and then lost.
Taken while driving, these painterly, almost abstract, photographs no longer seem to be of real places. Instead, they are a reflection of that hazy, half-consciousness of someone caught in their own inner world.
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And then, gone 2
2006 |
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| Sealed inside a dark car, we see the blurred flashes of the distant world outside, lit up for a moment by the headlights and then lost.
Taken while driving, these painterly, almost abstract, photographs no longer seem to be of real places. Instead, they are a reflection of that hazy, half-consciousness of someone caught in their own inner world.
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Slip Horse
2005 |
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| We might ask how a photograph was made, or we might ask why it was made. And when we have one answer—or both—something still slips away unexplained. The camera wants to pin down the unexplained; wants to make light, movement, accident and intention simple parts of an equation.
But something is always waiting outside the frame, lurking in the back of our minds. Something slips out of place in these photographs—and though I am the one standing there with a camera and a torch, it slips past me too.
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Constructed
2004 |
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| Constructed to the point of reality. |
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On-Off Trees
2005 |
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| Here, light spills, flares and reflects back on itself, becoming the subject of the photograph as well as the means by which the images are made.
This series of photographs describes the unintended effect of artificial light – the accidental objects caught in its path.
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Slip Glow
2005 |
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| We might ask how a photograph was made, or we might ask why it was made. And when we have one answer—or both—something still slips away unexplained. The camera wants to pin down the unexplained; wants to make light, movement, accident and intention simple parts of an equation.
But something is always waiting outside the frame, lurking in the back of our minds. Something slips out of place in these photographs—and though I am the one standing there with a camera and a torch, it slips past me too.
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Unseen Portraits - Nicky Brown
2004 |
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| Vision requires distance; touch requires intimacy. These photographic portraits are of people who will never be able see them.
They are life-size full-body portraits of blind and partially sighted people, alongside intimate tactile and audio versions produced using a range of techniques.
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Unseen Portraits - Martin Rayn
2004 |
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| Vision requires distance; touch requires intimacy. These photographic portraits are of people who will never be able see them.
They are life-size full-body portraits of blind and partially sighted people, alongside intimate tactile and audio versions produced using a range of techniques.
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Horizon series
2008 |
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| From the Horizons series |
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Horizon series
2008 |
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| From the Horizon series |
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Shade
2007 |
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| From the Shade series |
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Shade
2007 |
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| From the Shade series |
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| 教育程度与个人自传 | |
| Exhibitions Sitting Room – Amsterdam, Manchester, Winchester, Brighton, Bristol, USA, Mexico – 2007 Arts Festival Gallery – Hebden Bridge – October 2006 Arles Rencontres – France – July 4-8, 2006 Pavilion – Round Foundry Centre, Leeds – June 8-November 15 Zebra Gallery – Hampstead – March-April 2006 Virtual – City Inn, Birmingham – March-April 2006 New Art Birmingham – Jewellery Quarter, Birmingham – December 2005 Lens-Based Open – Surface Gallery, Nottingham – August 2005 Empty, swept and garnished – July/August 2005 Unseen Portraits – solo exhibition, St Julian’s Centre – July 2005 On-Off – Gloucester Guildhall – scheduled for 2006 On-Off – Taurus Gallery – 2005 Unseen Portraits – solo exhibition, Royal National College – 2005 Unseen Portraits – exhibition, Birmingham NEC – 2005 On-Off – solo exhibition, The Photography Gallery – 2005 Unseen Portraits – exhibition and lecture, Berkshire – December 2004 And then, gone – solo exhibition, Food Gallery – 2004 And then, gone – group exhibition, The Gateway Galleries – 2004 Nothing if not something more – group exhibition, Oriel Davies Gallery – 2004 Unseen Portraits – National Portrait Gallery presentation – 2004 Curation A Thousand Words: The Art of Illustration – 2008 Nadia Sparham – 2008 Empty, swept and garnished – July/August 2005 Awards Rhubarb-Rhubarb Bursary – 2005 Arts Council award – 2005 Seeing the Light travel bursary – Arles, 2005 International Photography Research Network bursary – 2005 Arts Council award – 2004 Photo Imaging Council Award – 2004 Publications Pavilion - New writings on photography The Independent Radio 4 Radio 5 Live Panorama Magazine BBC.co.uk British Journal of Photography PIC Magazine |
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| 网站: www.elsewise.co.uk | |
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