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My work is a way of exorcising something from myself, which is very emotional, maybe troubled. I become a subject who produces that which is visible. It is my silent, non-verbal response.

My practice involves digital photography, the manipulation of my body using this process, documentation of hair growth and removal, cleansing, grooming, this relentless self surveillance and obedience.

There are a multiplicity of socio-cultural concerns about femininity and feminism, about the body, about individual control and consumption within a consumer society. Food is the medium through which women are addressed, in turn; food has become the language of women’s response.

The artwork is a play on traditional sculptural concerns, the process of adding or taking away. However, this is not achieved using stone or wood but chocolate or soap, degradable or even edible materials which underline the transient state of the body. The final works show the seductive yet repellent nature of human anatomy.

I Dream of a Common Language

2005
50x150x7cm each

Going That Same Way

1998
76x51cm each

1m2

2003
100x100x32cm

Followed

2000
50x70x17cm

Bird of Paradise

1999
77x40x15cm

Tart

1997
44x33cm