| |
Skip navigation
|
|
 |
|
|
|
 |
|
|
|
|
 |
|
|
|
 |
|
 |
|
|
 |
|
 |
|
|
 |
|
 |

TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
|
|
 |
|
 |
|
|
|
|
| Shalom Neuman |
| |
|
Shalom Tomas Neumann was born in Prague, Czechoslovakia in July, 1947. He is the last surviving male of a large Jewish family, most of whom perished in Nazi Germany’s Holocaust. His family escaped from Prague towards the end of the war and emigrated to Haifa, Israel where he spent his childhood. When he was 12 Shalom, his sister and his parents emigrated to Pittsburgh, PA. He has lived in the United States ever since and has made New York City his home since the early 1980’s. Shalom resides in one of New York's outer boroughs and works out of his studio in Fort Green, Brooklyn. He has taught at The Cooper Union, Parsons School of Design, and has been a visiting lecturer at The School of Visual Arts and Yale. He currently teaches at Pratt Institute of Technology. He exhibits in the United States, South America, Asia and throughout Europe.
 |
| |
| About the Artist |
If our world is composed of overlapping stimuli which create constant sensory overload, then why should visual art limit itself to any one discipline such as painting, sculpture, the printed word, video, performance/action, or computerized digital images? Is it not true that imagery is inseparable from sound and evolution in time? And if that is the case, shouldn’t art be a mirror which accurately reflects our environment, our society and our culture?
I built my first computerized dimming system in 1968. It was programmed for infinite lighting combinations which create a multi-sensory environment where two-dimensional images are indistinguishable from the three-dimensional objects and sculpturally painted elements in my work. The overlay of evolving colored lights and projections in conjunction with a looped sound system
distorts the viewer’s perception of his or her surrounding physical space, and thereby successfully integrates all media into one indistinguishable statement which I call fusion art.
I want to bridge the existing barriers between artistic disciplines such as painting, sculpture, light, sound, text, performance/action and digital art. I want to make these individual disciplines indecipherable from one another. I love figurative painting and I am firmly committed to it. By breaking away from the canvas, I can bring a classical approach into a more contemporary mode,
especially when using the computer to incorporate digital art into my work. In this way, I am creating a bridge between the past and the present, where classical tradition can fuse with our continuing cultural and technological evolution.
|
| |
Click to enlarge images (if larger image has been loaded) |
| |
Neo Nuky Madonna
1984 Oils, found objects, lights and sound on plywood 152 cm H x 91 cm W x 31 Cm D |
|
| |
Wall of Cultural Confusion
2002 Oils, found objects, lights and sound on plywood 244 cm H x 183 cm W x 31 cm D |
|
| |
Detail from "Jew"
1986 Oils, found objects, lights, formica on plywood 244 cm H x 74 cm W x 74 cm D |
|
Detail of self portrait from "Jew" |
Fusion Golem
1996 Robotic sculptures with found objects, oils, incandescent lights 396.24 cm H x 106.68 cm W x 121.92 cm D each |
|
The Fusion Golem took more than 3 years to create. They are both close to 396 cm tall and are robotic multidisciplinary sculptural oil paintings with found objects and artificial lights. They represent the ego and macho thinking that so many men protect within themselves. |
Classical Myth
1969 Oil painting with found objects 123 cm H x 213 cm W x 18 cm D |
|
Classical Myth was inspired by the artist's belief that all religion is merely a myth. He referenced Tintoretto"s Madonna and Child to highlight the long promoted adsurdity that Jesus was blond, blue-eyed and fair skinned despite the relality that he was a semitic living in the middle east and most probably had features more in keeping with the Madonna in Classical Myth.
|
Jew
1986 Oils, found objects, lights, formica on plywood 244 cm H 74 cm W 74 cm D |
|
"Jew" is a sculptural work with painting and found objects that speaks to the Jewish immigrant experience in the aftermath of W.W. II. It is an autobiographical work that specifically reflects the artist's painful experience of fleeing with his family from his birthplace in Prague, Czech Republic to the relative safety of Israel, where he spent his early childhood. |
|
|
| |
| |
| Education and biography |
Shalom simultaneously received dual BFA’s and MFA’s in painting and sculpture from Carnegie-Mellon University in Pennsylvania. He won the Damrosch Scholarship to study in France where he received The Beaux Arts painting prize.
Shalom did his post graduate fellowship in painting and sculpture at Indiana University.
|
| |
| Future shows |
State of Mind: Death Row
March 16 through April 30, 2007
Pratt Manhattan
144 West 14th Street
2nd floor
New York, NY 10011
|
| |
|
Website: www.shalom-art.com |
| |
| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
CLICK HERE TO SEND THIS PROFILE TO YOUR FRIENDS |
| |
|
|
Copyright 2003-2010 © The Saatchi Gallery : London Contemporary Art Gallery
|



|
|