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Shalom Neuman
 
 
About the Artist

If our world is composed of overlapping stimuli which create constant sensory overload, then why should visual art limit itself to any one discipline such as painting, sculpture, the printed word, video, performance/action, or computerized digital images? Is it not true that imagery is inseparable from sound and evolution in time? And if that is the case, shouldn’t art be a mirror which accurately reflects our environment, our society and our culture?

I built my first computerized dimming system in 1968. It was programmed for infinite lighting combinations which create a multi-sensory environment where two-dimensional images are indistinguishable from the three-dimensional objects and sculpturally painted elements in my work. The overlay of evolving colored lights and projections in conjunction with a looped sound system
distorts the viewer’s perception of his or her surrounding physical space, and thereby successfully integrates all media into one indistinguishable statement which I call fusion art.

I want to bridge the existing barriers between artistic disciplines such as painting, sculpture, light, sound, text, performance/action and digital art. I want to make these individual disciplines indecipherable from one another. I love figurative painting and I am firmly committed to it. By breaking away from the canvas, I can bring a classical approach into a more contemporary mode,
especially when using the computer to incorporate digital art into my work. In this way, I am creating a bridge between the past and the present, where classical tradition can fuse with our continuing cultural and technological evolution.

 
Click to enlarge images
(if larger image has been loaded)
 

Neo Nuky Madonna

1984
Oils, found objects, lights and sound on plywood
152 cm H x 91 cm W x 31 Cm D

Wall of Cultural Confusion

2002
Oils, found objects, lights and sound on plywood
244 cm H x 183 cm W x 31 cm D

Detail from "Jew"

1986
Oils, found objects, lights, formica on plywood
244 cm H x 74 cm W x 74 cm D

Detail of self portrait from "Jew"

Fusion Golem

1996
Robotic sculptures with found objects, oils, incandescent lights
396.24 cm H x 106.68 cm W x 121.92 cm D each

The Fusion Golem took more than 3 years to create. They are both close to 396 cm tall and are robotic multidisciplinary sculptural oil paintings with found objects and artificial lights. They represent the ego and macho thinking that so many men protect within themselves.

Classical Myth

1969
Oil painting with found objects
123 cm H x 213 cm W x 18 cm D

Classical Myth was inspired by the artist's belief that all religion is merely a myth. He referenced Tintoretto"s Madonna and Child to highlight the long promoted adsurdity that Jesus was blond, blue-eyed and fair skinned despite the relality that he was a semitic living in the middle east and most probably had features more in keeping with the Madonna in Classical Myth.

Jew

1986
Oils, found objects, lights, formica on plywood
244 cm H 74 cm W 74 cm D

"Jew" is a sculptural work with painting and found objects that speaks to the Jewish immigrant experience in the aftermath of W.W. II. It is an autobiographical work that specifically reflects the artist's painful experience of fleeing with his family from his birthplace in Prague, Czech Republic to the relative safety of Israel, where he spent his early childhood.

 
Education and biography
Shalom simultaneously received dual BFA’s and MFA’s in painting and sculpture from Carnegie-Mellon University in Pennsylvania. He won the Damrosch Scholarship to study in France where he received The Beaux Arts painting prize.

Shalom did his post graduate fellowship in painting and sculpture at Indiana University.



 
Future shows
State of Mind: Death Row
March 16 through April 30, 2007
Pratt Manhattan
144 West 14th Street
2nd floor
New York, NY 10011
 
Website:  www.shalom-art.com
 
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