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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Simonetta Berruti |
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Born in Varese (Italy) in 1961 I moved to Prato (20 Km to Florence) where I live and work.
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| About the Artist |
About my art concept, my sculptures must seem more natural as possible: the artistic works must be like a a natural object , shells , stones,a big grain of rice, the leaves, the bones.The artistic intervention must seems a secondary part respect to a work that must live for own tension.
For ll my ceramic works I used grès.The glazes used for these sculptures are all glazes fired in an oxidizing atmosphere in an electric kiln oven at 1200 degrees.
The other type of procedure, only possible in gas ovens, is the so-called “reduction” method in which oxygen is removed during a determinant phase of the firing, in order to create a chemical reaction and consequently chromatic variations in the glazes.
The formula of the white glaze is formed by a composition, its major component is feldspathic sodium, calcium carbonate, magnesium carbonate, baric carbonate, zinc oxide and bentonite. From this base other coloured oxides are added at variable percentages ( cobalt oxides for blues and greys ) and oxides based on praseodymium and zirconium ( for yellows and greens).
The red – yellowish highlighting are the result of the addition of glazes derived from iron such as ilmenite and rutile which create a more “vibrant” and less dull effect on the surface.
All sculptures in this gallery are created by the technique ”lucignolo”, which is by hand; rolling the clay in long strands and building up the form. It is an extremely slow procedure which however permits the creation of even large dimension forms consisting in starting from a base from which small pieces are slowing added and modelled according to the desired form. Given the plasticity of the material, the work must often be suspended in order to wait for the ground to consolidate.
Once the form is complete and the surface is “ leathery hard” one intervenes with small pointed instruments, lamé and steel needles to create the engraved reticulated and corroded effect which is a dominant characteristic of the works exhibited.
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Click to enlarge images (if larger image has been loaded) |
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SHANGHAI SHAPE
2004 53x42x20 |
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The title is reminiscent of the ancient game called in italian “Shanghai”, or “Mikado” where the talent lies in being able to move a stick or a series of sticks without moving those underneath.
A series of points, like sharpened arrows overlap one another intersecting on the superior part of the sculpture, made up of a simple lenticular disk.
The inert surface thus corrodes throwing itself into a game of plasticity of small cuts and wounds where the skill of the game doesn’t consist any more in the absolute immobility but in the search of vitality and movement which destroys the petrified inertness of the material itself.
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IL SOGNO E LA CONCHIGLIA (The
2004 19x40x54 |
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A simple form, like a “comfit” stone in which the static mass explodes in thousands of fragments of splinters, tiny sharpened crests to the point of transforming itself into an oniric seashell which lives within the contrast of the apparent irreconcilability of being different.
The inert mass thus metamorphosizes into something surprising; solidifying in a form and hence imprisoning a reminiscence of something vaguely natural and primordial.
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DIETRO IL VELO (Behind the Ve
2006 146x38x18 |
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Here the veil (that one of the seclusion sisters of St. Catherine convent in Prato) begins metaphor of protection and safety.
Behind the veil remains only a small glimmer of darkness, where no one light is be able to penetrate and the loneliness and the separation from the world begins an absolute certain
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YELLOW BONDAGE
2006 stoneware glazed 55x43x19 |
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In this sculpture the expressiveness and the harmony is searched for the game of weavings and chromatic contrasts of yellow and blue-brown glazes.
An essential shape, a disk that raises ending in two little pointed horns, is subjected and compelled by a yellow band that tangles forming a surprising game of lights and shadows.
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doppio sogno twin dream
2007 72x83x18 |
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A double triangular sculpture, two specular parts divided but, in the same time,simbolised both the same twin dream.
Remain ,over all, the same oniric sensation of evanescence and fraility. |
gorgonia
2005 24x38x48 |
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Almost a natural sea creature, the stoneware begin light as influenced and moved by a submarine wind |
fragile giorno frail day
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An explosion of light pale yellow rips up the night but it''s only a moment because the darkness of a frail day will return to close all around. |
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| Education and biography |
I studied in Florence the classics and received my degree in antique literature in the archeological context.
At the same time I began to be interested in sculpture , at first guided by Leonetto Tintori, famous painter and restaurer of frescoes and successively from 1991, ceramics with the sculptor and potter Salvatore Cipolla.
In 1995 I founded together with other four ceramicists the group “Keramèia”, with which I exhibited in diverse cities.
From 1998 onwards I have continued the activity of sculptress and ceramicist on my own partcipating in solo and group exhibitions.
Exhibitions
1995 Prato, Palazzo Pretorio
1995 Montecatini Terme (PT) , Saloni espositivi dell’Azienda di Soggiorno
e Turismo
1995 Tenno (TN), Casa dell’Artista
1998 Carmignano, (PO), Palazzo Comunale
2002 Cerreto Sannita, (BN), Biennale di Ceramica
2003 Prato, Galleria New Assioma
2004 Prato, Palazzo Datini
2004 Milano, Galleria In Arte
2004 Genova, Galleria San Bernando
2004 Prato, Galleria Carlo Livi 115
2005 Prato, Cassero Mediovale, collezione del museo d’Arte Moderna Sacra di Brescia
2005 Merano(BZ), Galleria Martin Geier
2005 Pisa, Centro Arte Moderna
2005 Brescia, Centro “Mater Divinae Gratiae”
2006 Potenza, Galleria Civica Palazzo Loffredo
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| Future shows |
2006 Bruxelles (Belgium), Cocoon fair : saloon de design et deco (18-27 of november 2006)
2006 Bastogne(Belgium) Gallerie Leukòs (2 december of 2006- 13 of january 2007)
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Website: www.simonettaberruti.com |
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| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
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Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
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