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Tatana Kellner
 
 
关于此艺术家

Growing up in communist Czechoslovakia, as the daughter of Holocaust survivors, I learned to mistrust authority and question official doctrines. The current political landscape with the erosion of civil liberties, the misinformation fed to us by our leaders and the manipulation of facts by the media has motivated me to refocus my artistic concerns from exploring my personal history, albeit political, to taking a direct stance on contemporary politics.
I use media, especially the newspaper, as my primary source material. The images and text fragments are processed in a way that parallels political maneuvering (deal making). My work is tactile. Layers of inky marks form the images. The inherent messiness references political corruption, loss of innocence, and encapsulates a specific moment in time.

 
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Iron

2008
silkscreen on fabric

Iron
Iron is an installation consisting of an ironing board with an iron attached to an automated arm. Each day one white dress shirt is placed on the ironing board. Throughout the course of the day as the iron heats the shirts texts is revealed, commenting on the working conditions of domestic workers and immigration issues relating to women from the 1900’s until the present time. At the end of the eight hours the ironed shirt is removed form the ironing board, hung on the wall and a new shirt is placed on the ironing board so that the cycle continues for the duration of the exhibit.

Iron

2008
silkscreen on fabric

Ironing, a performance. Detail. Left side text not visible as yet; right side - after additional ironing the text is revealed.

Iron

2008
silkscreen on fabric

Iron

While You Were Sleeping

2001
photographic emulsion on fabric, motion sensor
43 x 61x 17

While You Were Sleeping
50 pillows. Installed in a darkened room. The pillows light up when approached by the viewer.

While You Were Sleeping

2001
photographic emulsion on fabric, motion sensor
43 x 61x 17

While You Were Sleeping
Detail Installed in a darkened room. The pillows light up when approached by the viewer.

Re-consider

2007
drawing on handmade paper, sewn
each head approx 50 x 41 x 12

Re-consider
100 heads installed on the floor.

Re-consider

2007
drawing on handmade paper, sewn
each head approx 50 x 41 x 12

Re-consider
100 heads installed on the floor.

Eye Witness

2001
photographic emulsion on cast handmade paper
13x19x11

Eye Witness
detail

Eye Witness

2000 - 2001
photographic emulsion on cast handmade p aper
variable

Eye Witness
Installed at the Center for Photography at Woodstock. 100 'eyes' on a wall. In the background, "Arcticum Lappa: Tenacious Leaves, Tenacious Memories" - photographic emulsion on burdock leaves.

Lethal Mix

2007
trance monoprint drawing, collage
89x122

Lethal Mix

Terminal Timidity

2007
trace monoprint, drawing, collage
105x69

Terminal Timidity

Compulsion

2007
trace monoprint, drawing, collage
89x120

Civil Disobedience

2007
trace monoprint, drawing, collage
69x105

Civil Disobedience

They Lied

2006
trace monoprint, drawing, acrylic on paper, mounted on canvas
132x153

Secret Acts

2006
trace monoprint, acrylic, drawing on paper, mounted on canvas
155x94

Embarrassing Facts

2006
trace monoprint, collage
69x110

Untitled

2007
trace monoprint and encaustic
50 x 40

trace monoprint collage with encaustic, mounted on wood

Untitled

2007
trace monoprint and encaustic
50 x 40

trace monoprint collage and encaustic, mounted on wood

Untitled

2007
trace monoprint and encaustic
50 x 40

trace monoprint collage and encaustic, mounted on wood

Untitled

2007
trace monoprint and encaustic
50 x 40

trace monoprint collage and encaustic, mounted on wood
 
教育程度与个人自传
I have exhibited my work in USA and Canada and have had over 25 solo exhibitions. My work has been featured at CEPA Gallery in Buffalo, New York, Museum of Contemporary Art in Fort Collins, Co, Center for Photography in Woodstock, NY, Bucknell University in Lewisburg, PA and Creative Concepts in Beacon, NY, Neuberger Museum, Purchase, NY and District Fine Arts Gallery, Washington, DC, the Dorsky Museum, New Paltz, NY, Kean University, Union, NJ, among others

I have received the Pollock Krasner Foundation Grant as well as the New York Foundation for the Arts Fellowship, Photographer’s Fund Award from the Center for Photography at Woodstock and Ruth Chenven Foundation Grant.
I have been awarded residencies at The MacDowell Colony (three times), Yaddo, Banff Centre for the Arts, Lightwork, Visual Studies Workshop, Saltonstall Art Colony, Millay Colony, the Virginia Center for the Creative Arts, Artpark Blue Mountain Center, Jentel and Ragdale Foundation.
 
网站:  www.tatanakellner.com
 
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