陈列您的艺术作品给每天无数的访客观看

LAYERS, DENSITIES, PROCESSES (an excerpt)

Tibor Csikós the obsessed circle-drawer, who keeps covering his layers, surfaces with the symbol of entirety, security, eternity -at last a symbol that bears the same meaning among all peoples- does not attempt at the impossible or some achievement. The expanding spaces, rhythms, the forms turning into brushwork, the intermediate negativ spaces excite him. When he applies more colours, when the takes a step toward the monochrome, in real the results of an unfolding and contracting pictorial reality interest him. When in an experimenting mood, he renders our task more complex with ocassionally turning the surfaces plastic. However, his art is not optical, nor of the pattern type. He is seeking the intermediate states between the graphical symbol and the pictorial form, the expanding space places the surfaces of the intersecting points more and more to the foreground, let it be discovered from among the density of grapes in a bunch or among the billions of planets and stars, bearing the colours of golden-brown or ultramarine blue -this is the real medium of the pictures, the layers of Tibor Csikós Are we mislead, as among the media -like the sky from behind the foliage- entirety hardly appears? I do not think so. This world made round by circles and spheres is entirety in itself. Csikós Tibors own universe.

István Sinkó artist-art critic
Delivered at the Újlipótvárosi Klub Gallery - 16.November, 1999

PATTERNS AND ACCUMLATIONS
extract

"It seems that Csikós keeps experimenting with modes of expression of this so-called abstarct, sometimes geometric, expressionistic world. At the same time, he makes less and less but more and more refined changes in working out his own motifs and individual gestures.By changing the colours and the formations, every work becomes different, filled with a new feeling and content. Csikós proceeds by thoroughly circles, and the curved space, the creation of depth on the flat surface, and the discovery of order hidden in chaos."(Ágnes Veronika Kovács)(DUNA Art Gallery, 6-27 July 1997)
In: Új Művészet January-February 1998, IX. issues 1-2


´The artist asserts such things as, this is Homage á M.Ago, and Progression T 197, and Progression O 2096 etc. Let him do it, I nod, while I know that even if it is called a progression; it is above all, merely, an anatomy lesson. The precise anatomy lesson of Tibor Csikós - in my opinion - following in the wake of Danilo Kis.´
(Attila Balázs - writer, on 3 December 1998 in Budapest, MERLIN Art Gallery)

MONOTONOUS ETERNITY (An excerpt)

Every artist furtively desires to establish a foundation, a permanent matrix in which he can condense the world. Where thoughts, emotions find their places thus the constant collision and congestation can cease.
A fluttering, liquid veil forms, a flowing prism. A homogene mandala is created out of circles, floating spheres of which every single point is the centre. The constant flux of souls, destinies. They keep altering, they evolve and wither, then merge in the process of rebirth.

József Gaál artist
18.March, 1999, Budapest

Process O 295

1995
120x100cm

Process O 997

1997
120x100cm

Process O 1097

1997
120x100cm

Process O 699

1999
140x200cm

Process O 102

2002
140x200cm

Like a dream...

2002
24x18cm

Process T 398

1998
70x50cm

Butterfly IV.

2005
Viskosity print
40x30cm

Proc.teng.G203a

2003
viskosity print
49x40 cm

Process G103a

2003
viskosity print
49x40 cm

Process after a photo I.

2003
viskosity print
13x20 cm

Cross I.

2003
viskosity print
19,5x15 cm

Process sz 106

2006
viskosity print
42x30 cm

Process sz 206

2006
screenprint
42x30 cm

Process T 200

2000
tempera
29.6x42 cm

Process T 101

2001
tempera
29.6x42 cm