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John Uzzell Edwards
 
 
关于此艺术家

'FORWARD' Robert McKee on John Uzzell Edwards

The Hindu symbol for the human mind is the jabbering monkey, that cerebral Pandemonium only intense meditation can silence. For while the incessant rattling of self-debate, of repetitious mental tasks, of flitting memory and anticipation gets us through our days, this moil also builds an impenetrable frtress against deep experience. As long as the mind is whirling away, no substantive change can occur within us. The joy of art, therefore, is its power to silence the monkey. When in the grip of compelling work we slip into a spontaneous meditation. Then, in the quiet of aesthetic contemplation, we are filled with the artist's vision, our humanity is illuminated, our being renewed.

Thus I have a simple test that tells me whether or not a painting works, if, when I step up to a canvas, I hear my mind spewing thoughts such as "Clever juxtaposition of red against blue," "Interesting solution to that problem in the upper left," "That image...yes, I remember, it's the symbol for -", I know in a flash that this piece does not work. It has amplified the chatter. If, however, my mind falls silent as my eye travels around the surface for five, ten minutes or more with no analysis, no musing, no questioning, only pure sensory focus inside a perfect stillness of thought, then, as I finally look away, sensing a deep resonation of aesthetic experience, I know that this painting works. It is not merely decorative; it is expressive. It has silenced the chatter in my mind and caused a profound shift within such that I am not the same person I was just moments ago.

The paintings of John Uzzell Edwards have this power. I first experienced his magic a decade ago in Cardiff's West Wharf gallery. There were other painters on exhibit that day, solid professional artists, but the Uzzell Edwards canvasses drew me like a Siren's song. In this period his works were figurative... muscular outlines and vigorous matrixes created through a layering of oils, brush strokes and pallet knife, that generated the most amazing textures and colour combinations I had ever seen. I stood, I don't know how long, in wordless fascination. When at last I stepped back, I knew I wanted these paintings in my life, for if they had such power at first viewing, surely their force would grow day after day, year after year to give me endless, bottomless pleasure. Indeed, the six 'Uzzell Edwards' I've collected to date have done all that and more.

Robert McKee is a screen guru who lectures in 'story structure' to auditoriums worldwide. His bestselling bible on the principles of screenwriting 'Story' was published in 1998.

 
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2005
oils and acrylic and mixed materials
200 cm x 200cm

2006
oil on canvas
200cm x 200cm

2006
oil on canvas
200cm x 200cm

celtic hinge

2006
oils and acrylic and mixed materials
200cm x 150cm

2005
oil on canvas
200cm x 200cm

2005
oil on canvas
200cm x 200cm

 
教育程度与个人自传
In 1999 he exhibited at the Humphries Gallery, San Francisco; in 2000 he had the Millennium exhibition on at Tenby Museum and Art gallery; in 2001 at the Mall Gallery, London, at the National Museum and Gallery of Wales, Cardiff in 2003, and in 2004 at MOMA, Y Tabernacl, Machynllyth.

For the last three years he has shown at the Euro-Celtic exhibition at L’Orient, Brittany. He has exhibited widely both nationally and internationally and his work is represented in many public and private collections in the United Kingdom and abroad. He lives and works near Swansea, South Wales.

John Uzzell Edwards’ work is to do with Pure Painting, not picture making, and is driven by an exploration of Celtic forms. He is inspired by Celtic crosses and stone inscriptions, mediaeval tiles, and the lettering and carpet pages of holy books and ancient manuscripts.

The main inspiration for the very recent paintings has come from the St. Teilo’s Bible, which was made in Wales after the time of the Lindisfarne Bible and before the Book of Kells.


'From 1985 I was awarded a Welsh Arts Council Travel Grant to study 'Standing Stones' throughout Europe, I have worked on a series of paintings and drawings which are totally connected. The first standing stone I painted was the 'Llywel Stone' which is now in the British Museum. This was followed by a series of paintings based on the imagery from the 'Standing Stones' throughout Wales. The imagery and the feelings expressed in these paintings seemed to relate to the poetry of RS Thomas, and particularly the poem 'Welsh landscape' and the lines -

To live in Wales is to be conscious
At dusk of the spilled blood
That went to the making of the wild sky
RS Thomas

Early in 1996 I was commissioned by the Shakespeare Institute, Stratford upon Avon, to paint any Shakespearean charcter. I chose Owain Glyndwr and the statement by Glyndwr from 'King Henry IV' -
When I was born the earth did shake

The two quotations above are often written directly on the paintings.
In August 1997 I visited Neath Abbey and there in the large hall I found a most wonderful medieval tiled floor from the 12th Century; the subject matter was hunting and jousting. The 'jousting' imagery seemed to relate to a previous 'Warrior' series, and has inspired a whole new series of works. They appear to be all about 'Painting' and not 'Picture Making'. They seem to relate to manuscripts I have studied in Ireland and Wales. They seem to weave and meander like a story from the 'Mabinogion', a Welsh knot, or a piece of penllion music.
Statement taken from the catalogue of The Millennium Exhibition at the Tenby Museum.'

Curriculum Vitae

# 1937 Born Deri, Rhymney Valley, South Wales.
# 1965-66 Awarded Granada Arts Fellowship at York University.
# 1966 Exhibition at York Festival and three London shows.
# 1968-69 Awarded Prix de Rome at British School, Rome.
Awarded Leverhulme European
Research Fellowship.
Three exhibitions in Germany.
Two London one-man shows.
# 1970-80 Exhibitions in Wales, Germany and France (UNESCO Travelling Show)
Twice First Prize Winner of Main Painting Competition at National Eisteddfod of Wales.
Featured H.T.V. and B.B.C. Television arts programmes.
Artist in Residence, Glynn Vivian Art Gallery, Swansea.
# 1980-90 Artist in Residence, The Cross, Pontardawe.
Made Honorary Member of York University.
# 1993-4 Exhibitions in London, York, France.
# 1995 TV Film BBC2 'Conflicting Images' - 40 minutes, Three Welsh Artists, Terry Setch, Peter Prendergast and John Uzzell Edwards.
# 1996 Awarded Commission from Shakespeare Institute, Stratford upon Avon to paint a series of paintings for new library on Owain Glyndwr (Henry IV).
Organised one-man show at Humphries Gallery, Nob Hill, San Francisco and helped organise Welsh Festival, March 1st.
# 1997 Featured on H.T.V. arts programme 'A Word in your Eye'.
Commission from Robert McKee, Los Angeles.
Commission from Beti George and David Parry Jones.
# 1998 London Contemporary Arts Exhibition, Riverside Studios.
Invited to Arts Reception by H.M. The Queen at Windsor Castle.
With Brendan Stuart Burns, formed new group of Contemporary painters - 'Ysbryd/Spirit Wales'.
# Oct 1998 First exhibition of ''Ysbrid/Spirit Wales' at Howard Gardens Gallery, Cardiff.
Further commissions from Shakespeare Institute.
# 1999 'Welsh Contemporaries' London, Riverside Studios.
Feb 1999 Work featured on S4C television arts programme.
Oct 1999 B.B.C. Film on recent work called 'Painted Dragons' Exhibition at Theatre Clwyd, Wales.
# 2000 15 January to Oct 2000 - one-man show of recent paintings - The Millennium Exhibition at Tenby Museum.
May 2000 Exhibition at National Museum and Gallery of Wales, cardiff called 'Painted Dragons'.
Feb 2001Exhibiton at 1The Mall, London.
May 2001 Exhibition of Ysbryd Group at the National Museum and Gallery of Wales, Cardiff.
# 2005 St Davids Cathedral, St Davids, Pembrokeshire, S.Wales May 21st - June 5th
# 2005 Hay and Wye Festival "Fragments of Manuscripts"Hay on Wye (Drill Hall) May 27th - June 5th



 
未来的展览
# Upcoming Exhibitions:
# 2006 Summer Museum of Modern Art Macynlleth
 
网站:  www.johnuzzelledwards.co.uk
 
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