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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| David Jones |
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David Jones: Born London 1945
For many years I have made much use of the technique of cubism and the idea of having pictures within a picture in my work. One motivation for this is an attempt to investigate and illustrate more accurately how we experience the world. Cubism is a most effective method of introducing movement through space and time into a more or less two-dimensional image. The use of pictures within pictures enables me to play around with time, scale and the multiple layers of perception we have of the world. Very rarely are we totally in and of the moment. We usually have at least two layers of awareness functioning at any one time. Externally we are clocking our whereabouts in the world while internally we could be revisiting our childhood, planning next summer’s holiday, or any one of a million other things.
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| About the Artist |
I became interested in wood sculpture in the early 1980’s. This had an influence on my two-dimensional work and I developed a technique called fret cut relief. This is a process where the main structure of the composition is cut out, usually in birch plywood. The wood is carved, built up in various thicknesses, painted and re-assembled, often in combination with collage and mixed media. The process is innovative and I published a book on the technique in 1997.
My three dimensional work is predominantly in wood and mainly in oak, due to its natural durability. Much of my recent carving has been influenced by The Herefordshire School of Romanesque Sculpture who did some stunning work in the Twelfth Century in churches in the area surrounding where I now live, Kilpeck being of particular note.
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Click to enlarge images (if larger image has been loaded) |
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‘Granada Suite El Albiacin no
2005 40 x 30 cm |
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'Star Death in the Cat's Eye N
2002 82 x 72 cm. |
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‘Marche Bossay’
2005 46 x 73 cm |
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: 'Exquisito Pollo.'
2003 60 x 60 x 40 cm. |
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'Gargoyle'
40 x 50 x 60 cm. |
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'Hare'
2002 70 x 30 x 50 cm |
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'Hare Today'
2004 19 x 46 x 5 cm. |
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'The Three graces
2000 onwards Each Grace approx 80 x 30 x 30 cm |
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| Education and biography |
Education: I did a three-year diploma course in graphic design at Reading in the early sixties.
Publications: ‘Fret Cut Relief Work’ Published by Stobart Davies. 1997. ISBN 0 85442 069X
Exhibitions: I moved out from London to Herefordshire in the 1970’s and had my first exhibition in 1983, one that I organised myself in collaboration with three other artists. Since then I have had numerous solo exhibitions in Herefordshire and Shropshire. My work has also been shown in Bath, Bradford on Avon, Andalusia and California. I have sold work in the US, Canada, Australia, France, Holland and Spain.
A sample of commissions undertaken:
• A large decorative orange tree for the Chelsea branch of Neal’s Yard Wholefoods, made in fretcut ply with an airbrushed pattern of leaves, blossom and oranges and a trunk of yew wood.
• A series of big, interlocking fretcut plywood arches, painted to simulate a jungle for the children’s section of The London University Bookshop.
• A dinosaur in boldly painted fretcut plywood for the children’s section of Fogarty’s Bookshop in Devon.
• A mobile of giant gold coffee beans for The Monmouth Coffee House in Covent Garden.
• A carved and painted spiral in a 15 ft. tall willow tree and a 3 metre long wooden crocodile for the City Carver Scheme in Hereford.
• Two carved and painted oak whales, as seating for children at a special needs school.
• Three large fretcut panels for the reception area of Frank H Dale in Leominster, depicting the company’s past, present and future.
• One central circular bench and three radial ones in green oak, featuring carved birds and animals for the ‘Withies’ community garden, Hereford. The designs for the carvings developed from a workshop with children from the local junior school.
• A seventeen-metre long fretcut frieze on the theme of Bromyard for the new public library.
• A carved oak bell tower to house the school bell for Whitchurch Junior School, Herefordshire
Residencies: I have undertaken several short residencies at schools, including two weeks at Gordonstoun, a short stay at The Minster College in Leominster where together with many of the pupils, I produced a triptych of the school. I have also completed two large panels for Evesham Public Library the designs for which were developed with children from Evesham High School.
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Website: www.brockhampton.com/artmaker_project.htm |
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| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
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Copyright 2003-2010 © The Saatchi Gallery : London Contemporary Art Gallery
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