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Shelly Jyoti
 
 
About the Artist

Shelly Jyoti is a visual artist, fashion designer, poet ,researcher and independent curator whose research centers on design and visual representation of 20th century costumes. She is trained in fashion design and clothing technology at the National Institute of Fashion Technology, New Delhi (an affiliate of FIT NY) and earned her Masters degree in English
Literature from Punjab University in Chandigarh.

Recent shows include:Women imaging Women:The study of female portraiture(The state street gallery) Robert Morris University Chicago, Beyond Mithila :Exploring the Decorative (Woman Made Gallery, Chicago; Jamaat Art Gallery, Mumbai; India Habitat Center, New Delhi 2008/2009) and Lyrical Abstraction: A room of/for muses (Experimental Art Gallery- India Habitat Center, New Delhi 2007, WelcomArt Gallery Baroda 2009). Her writings and paintings have been published internationally.

Her works are in collection with Sahitya Akademi, the journal of Indian English literature. Jyoti has been a juror, given talks, conducted workshops in art and fashion schools in India and abroad. She is an advisory board member of Disha , a non-profit organizations dedicated to helping children with autism, and Socleen , a non-profit environmental organization.
Shelly Jyoti lives and works in Vadodara, Gujarat,India

 
Click to enlarge images
(if larger image has been loaded)
 

HOMAGE:'woeful tales of champaran farmers'Installation- 5 feet high,86 indigo resist fabric discs.hanging parallels from the ceiling .This display explores the narratives of ryots of champaran 1917-18 .These works travel Baroda, New Delhi Mumbai in India and later to chicago in 2010.

HOMAGE:'woeful tales of champaran farmers'Installation- 5 feet high,86 indigo resist fabric discs.hanging parallels from the ceiling .This display explores the narratives of ryots of champaran 1917-18 .These works travel  Baroda, New Delhi Mumbai in India and later to chicago in 2010.
Indigo narratives 2009-2010 by Shelly jyoti "Not a chest of indigo reached England without being stained with human blood”, an Englishman in the Bengal Civil Service is said to have commented. In the 19th century, Bengal was the world’s biggest producer of indigo but today, the deep blue color of indigo is synthetically created in a lab and is associated, in the West, with blue jeans more than its torrid colonial past. But indigo holds a sustained presence in the post-colonial identity of India. Employing fair trade embroidery artisans from women’s collectives in India and executing their works in indigo blue, Indian artist SHELLY JYOTI’S new works draw upon India’s history, narratives of immigration and transnational economic interchanges.

Fully structured /indigo painted canvas/32x24in.2009

Fully structured /indigo painted canvas/32x24in.2009
The blued jacket is iconographic of forced labor, oppression of the farmers during colonial past of India

' Indigo Narratives'India torrid colonial past

2009
Origami newspaper boat

' Indigo Narratives'India torrid colonial past
Not a chest of indigo reached England without the stains of blood..

Indigo narratives:The indigo farmer

2009
indigo twisted rope on steel structures , metallic lace like a rope around the structure

Site specific installation Homage :blue farmers

2009

Site specific installation Homage :blue farmers

Triptych:An Ode to 'Neel Darpan'

2009
acrylic on canvas, sanskrit caligraphy,embroidered loops

Triptych:An Ode to 'Neel Darpan'

Triptych:An Ode to 'Neel Darpan'

2009
Indigo Narratives

Triptych:An Ode to 'Neel Darpan'

Indigo narratives:An Allusion to Stitches

2009

Indigo narratives:An Allusion to Stitches
Embroidery on canvas

Indigo Narratives:An Allusion to Stitches

2009
embroisery on canvas with sanskrit calligraphy

Indigo Narratives:An Allusion to Stitches

Indigo Narratives:An Allusion to Stitches

2009
embroidery on canvas with sanskrit calligraphy
46x42

Indigo Narratives:An Allusion to Stitches

Indigo Narratives:An Allusion to Stitches

2009
embroidery on canvas with sanskrit calligraphy

Indigo Narratives:An Allusion to Stitches

Indigo Narratives:An Allusion to Stitches

2009
embroidery on canvas with sanskrit calligraphy
46x42

Indigo Narratives:An Allusion to Stitches
Mahatma Gandhi's footwear

Indigo Narratives:An Allusion to Stitches

2009
embroidery on canvas with sanskrit calligraphy

Indigo Narratives:An Allusion to Stitches

Indigo Narratives:An Allusion to Stitches

2009
embroidery on canvas with sanskrit calligraphy

Indigo Narratives:An Allusion to Stitches

Indigo Narratives:An Allusion to Stitches

2009
embroidery on canvas with sanskrit calligraphy

Indigo Narratives:An Allusion to Stitches

Indigo Narratives:An Allusion to azrak

2009
azrak resist printing on khadi fabric
60x46 in

Indigo Narratives:An Allusion to azrak
An Allusion to azrak are apart of Indigo Narratives (2009) series that features the history of India’s colonial past along with references to indigo plant/color/dye I worked with 9th/10th generation Azrak artisans in Bhuj in the interior of Gujarat ,on khadi fabric with ancient indigo resist printing techniques. My designs, however, are entirely contemporary interpretations of the politics of indigo. The use of azrak printing on khadi utilizes indigo techniques, which are used by khatris ,the immigrants from Sindh and Baluchistan. Through this process I examine the implications of personal, political and cross-cultural choices of these communities who came and settled in coastal Gujarat in 1600CE. Through my contemporary design motifs and presentation I strive to present the viewer with a heritage so rich and color so historically meaningful, in today’s context of technique and its conservation.

Indigo Narratives:An Allusion to azrak

Mahatma Gandhi's 'Spinning wh
azrak resist printing on khadi fabric
46x46in

Indigo Narratives:An Allusion to azrak

Indigo Narratives:An Allusion to azrak

Mahatma gandhi's footprint 200
azrak resist printing on khadi fabric

Indigo Narratives:An Allusion to azrak

Indigo Narratives:An Allusion to azrak

modern spinning wheel 2009
azrak resist printing on khadi fabric

Indigo Narratives:An Allusion to azrak
 
Education and biography
SHELLY JYOTI
11 Productivity Road Akota Baroda Gujarat 390020 India
Cell 0 9824029372 Studio 91 265 2332160
shellyjyoti12@yahoo.com
www.shellyjyoti.com

Date of birth 12th November 1957
Education
Researching"Costume History of India,"A search for ethnic identity in the costume history 20thcentury:Documentation throughVisual representation. Independent researcher

F D C T 1994 National Institute of Fashion Technology New Delhi
M.A. Eng Lit 1980 Punjab University Chandigarh
B .A. Eng Lit 1978 Punjab University Chandigarh

Selected Solo Exhibitions
2009 Beyond Mithila: Exploring the Decorative, catalog
India Habitat Center, New Delhi
2008 Beyond Mithila: Exploring the Decorative, catalog
Woman Made Gallery, Chicago.
Beyond Mithila: Exploring the Decorative, catalog
Jamaat Art Gallery, Mumbai
A Space for Abstraction & Muses, catalog
Sristhi Art Gallery WelcomHotel, Baroda
2007 Lyrical Abstraction: A room of /for muses works on canvas, catalog
Experimental Art gallery India Habitat Center, New Delhi
2005 Works on Paper - Mixed Media, ICC Milpitas, California
2004 Paintings and Poetry, pastels, inks, drawings, Welcome Art Gallery, Baroda
2003 Ethnicity and Symbols I, American India Foundation, California
Ethnicity and Symbols I, Indiana University, South Bend Indiana
1999-2000 Woman of the New Millennium, Shristi Art Gallery, Baroda.

Selected Group Exhibitions
2009 Women Imaging women: A study of female portraiture, (Robert Morris
University, Chicago)
2007 The spirit of India, Singapore
Line and Form, The Mahua Art Gallery, Bangalore.
Cynosure Lanxes, ABS Art Gallery, Baroda, Gujarat
2006 Creative Fantasy, The Mahua Art Gallery, Bangalore
2006 Elle Decor Art & Design Show, New Delhi Curated by Dr. Alka Pande
Here Comes the Bride, Woman Made Gallery, Chicago,
Illinois Curated by Beate Minkovski
Annual Benefit Auction, Woman Made Gallery, Chicago, Illinois
2004 Print Making, Chaap, Baroda
Annual Benefit Auction, Woman Made Gallery, Chicago, Illinois
2003 Holiday Bazaar, Woman Made Gallery, Chicago, Illinois
Women, Trauma and Visual Expression, paintings and poetry selected
For documentation purpose; Woman Made Gallery, Chicago, Illinois
2002 Show Curated Nature's Fury, Pranav and Priyum, digital artwork, Srishti Art
Voices against Violence, Fine Arts Faculty, Baroda
2001 Earthquake Relief Fund Benefit Exhibition, Fine Arts Faculty, Baroda
Earthquake Relief Fund Benefit Exhibition, Artcore Gallery, Baroda

1994-2003 Designed, manufactured Garments under my own label - Domestic Market
Freelanced as a designer with Export houses for American and European market
Coordinated fashion related courses in premier Fashion Institutes

Honors & Jury
2004 Artist of Eminence by Baroda Management Association, Baroda
1994 Best Traditional craft Design Collection Award, NIFT New Delhi
2001-2005 Juror to Fashion shows – National Institutes of fashion Design, Baroda

Artist lectures and Workshops
2008 Lecture and Presentation-Contemporization of folk arts of India
University of Illinois-Chicago
2006 workshop on ‘Madhubani Art form’
Talk on ‘Fashion designing as a career opportunity’
Anand Vidya Vihar School ,Baroda
2005 Apparel Designing : Methods & Trends, National Workshop
Dept. of Home Science; M.S. University, Baroda
2004 Talk ‘Experience sharing as a women Artist and a Designer’ Baroda
Seminar on Women Force and Source, Baroda Management Association
2003 Conducted workshop-Madhubani Art Form, Stanley Clarkes School
South Bend, Indiana
1996 Designing Kids Wear from Concept to Consumer’
Six weeks Programme design and conducted
For domestic market - NIFT Delhi

National Workshops / Seminars
2009 International speaker’s forum:
New Media: Alternatives Networks: Artists and Communities
Indian Art Summit New Delhi
National workshop: Perspectives on Caste and Gender in Early India
Center on Contemporary Theory and General Semantics Baroda
2006 Seminar: The Idea of India in Indian English Writers, English Dept.
M.S. University, Baroda
2005 Baroda Disaster Management: Industrial and Floods, Socleen Baroda
National Workshop: Apparel Designing: Methods & Trends –
Dept. of Home Science; M.S. University, Baroda
Seminar on “Water Body Management”, Socleen, Baroda
2004 Seminar on Women Force & Source-
Baroda Management Association, Baroda
Seminar on Art & Architecture by USEFI:
United States Education Foundation India- Baroda
2003 Class, Caste, Gender & Politics - National Seminar in Art History Dept.
M.S. University, Baroda
Art and Activism – National Seminar in Art History Dept
M.S. University, Baroda
Politics of Representations – Forum on Contemporary Theory – Baroda
2002 India: A Discursive Terrain – Forum on Contemporary Theory – Baroda
2001 Philosophical Foundations of Discourses of Science –
Forum on Contemporary Theory – Baroda


Publications / Paper presentation/ Articles
2009 Published painting on’ Global warming’ by Socleen annual journal
2008 Published Painting by institute of General Semantics - Texas US
2007 Published Painting by St. Xavier University - Chicago Spring Magazine
2007 Published by Sahitya Akademi Poetry and Paintings IL238
2002 Technology and Computation Accelerating the Speed and Growth in the Garment Industry Forum on Contemporary Theory, /Funded by Ford Foundation- Baroda

2002 Raje Ravi Verma –‘Fusion of Art and Design’ Times of India

Advisory Board Member/ Professional Affiliation
Board member,Society for Clean Environment – SOCLEEN Baroda
Board member,Disha--NGO-Special School & Center for Autism Baroda

Woman Made Gallery, Chicago Illinois Chicago
Forum on Contemporary Theory Baroda



Works in collection India and abroad

 
Future shows
2009 -2010
Indigo:new works by shelly jyoti and laura kina
15-16 December 2009
Red Earth Gallery Baroda
23-28 December 2009
open palm court gallery ,
India Habitat Center
New Delhi India
12-18 january 2010
Nehru Center worli Mumbai india
To view more works of this show visit
www.shellyjyoti.com www.laurakina.com

 
Website:  www.shellyjyoti.com
 
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