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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Mia Brownell |
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Mia Brownell paints intertwined clusters of fruit spiraling in meandering structures suspended in space. Employing dramatic chiaroscuro, Brownell's still-life fantasies simultaneously reference Dutch old Master paintings and the coiling structures of DNA, amino acids, and protein chains.
Mia was born in Chicago to a sculptor and biophysicist. Her food-and-science-based still life paintings are in private collections throughout the United States. She is the recent recipient of grants from the New York Foundation for the Arts and Southern Connecticut State University, where she is a professor of art.
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| About the Artist |
Excerpt from the Catalogue Essay "Ambiguous Nature: Mia Brownell's Paintings"
by Donald Kuspit
"...I am suggesting that Brownell's paintings resonate with Old Master allusions--a traditional iconographic and stylistic richness that adds to their depth and meaningfulness--and metaphysical import. But they are also abstract, indeed, I venture to say a sort of Abstract Expressionism, for each grape functions as an idiosyncratic gesture, and the linear vines epitomize the all-over movement--relentless dynamic--that informs the most thoroughly expressionistic abstract painting. Brownell has invented a unique, convincing way to synthesize Old Master realism and Modern Master abstraction--and make a metaphysical as well as social point by doing so. Both have become historical, academic, and even decadent, but the artistic future belongs to those who can find innovative ways of integrating them, so that each revitalizes the other. It is the postmodern task, as many critics and theorists have argued. Brownell is one of the few young artists who intuitively understands this, which is why her paintings--at once crisp and poignant--give one hope for the future of art, all the more so because they show that painting is far from dead, and perhaps even more importantly that beauty is still possible in art, and can still be discovered in nature. Indeed, Brownell reminds us that it is innate to natural form if not to art, which is why ars pictura natura remains Brownell's motto, however much our understanding of nature has changed since antiquity--however much we have understood the basic abstract form of flourishing organic life, a flourishing form that Brownell's art rapturously represents, even worships."
Donald Kuspit is an American art critic, poet, and professor of art history and philosophy at the State University of New York at Stony Brook. He was formerly the A. D. White Professor-at-Large at Cornell University (1991-1997). He received the Frank Jewett Mather Award for Distinction in Art Criticism in 1983
View Exhibition Catalogue:
http://bigorbitgallery.org/bigorbit/bog/pastimage/brownell/brownell_catalog.pdf
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Click to enlarge images (if larger image has been loaded) |
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Still Life with Chicken Villin Headpiece
2006 Oil on Canvas 40x40 inches |
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Still Life with Pear and Grape VII
2005 Oil on Canvas 54x64 inches |
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Still Life with Villin Headpiece
2006 Oil on Canvas 72x96 inches |
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Still Life with Flu
2006 Oil on Canvas 56x50 inches |
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Still Life with Pear, Plum and Grape IX
2005 Oil on Canvas 98x78 inches |
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Still Life with Double Double
2006 Oil on Canvas 72x54 inches |
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Still Life with Sympathy for Eve (Prelude)
2007 Oil on Canvas 30x48 inches |
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Still Life with Cock (Currin)
2007 Oil on Canvas 16x20 inches |
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Website: www.miabrownell.com |
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| IF YOU ARE INTERESTED IN CONTACTING THIS ARTIST, CLICK HERE |
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Copyright 2003-2009 © The Saatchi Gallery : London Contemporary Art Gallery
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