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Stephen Spiller
 
 
About the Artist

I believe these things:

1) Connecting with others, and oneself, defines and informs how we live as individuals as well as how culture evolves.

2) Emotion is a common-denominator language.

3) Shooting on instinct is best because it's honest. I'm drawn to what‘s sexy or obnoxious, gorgeous or ugly, or just plain weird.

4) Feeling something is the litmus test on whether to shoot or not. I connect viscerally with people I’d hate to be, or love to be. Those I envy or those who infuriate me. The ones who make me sad or jealous.

5) My work is documentary and conceptual. It’s social and political commentary.


 
Click to enlarge images
(if larger image has been loaded)
 

Paris Lady

2005
Archival pigment print
94 cm x 91 cm

Mystery surrounds this woman and that captivates me. On a street in Paris she stands at the threshold of a partially open door. Anxious? Obsessing? Shall I go? Or stay? "She's me forgodsakes! It's like she's been hiding or trapped the whole time I lived in there. I don't know. Maybe paralyzed."

Dance Man

2004
Archival pigment print
162.6 cm x 83.8 cm

Dancing on the street in New York city, a man exhibits himself. He demands, and gets, public attention even while he lives in a private world.

Mayday! Mayday!

2006
Archival pigment print
223.5 cm x 83.8 cm

His T-shirt reads: "I found Jesus. So can you." A "crusader" mesmerized by lovers. " It's the point of life he's obsessing about; yearning as a circumstance and possibility as an interpretation."

Mise en scene

2006
Archival pigment print
121.9 cm x 104.1

In Venice, California a chance meeting seems to create anxiety about what happens next. "All of us, we're invention cruising the avenues."

Liberty Street

2006
Archival pigment print
124.5 cm x 99.1 cm

On a smoking break, a construction worker at the ground zero site in New York city watches blacks relaxing curbside while men in suits pass by. I think about race relations, prejudice, and economic disparity.

Men Working

2004
Archival pigment print
83.8 cm x 104.1 cm

In front of a "Men Working" sign, a Black Muslim in Savannah, GA hawks newspapers headlining "Saving The Family".

Subway Girl

2004
Archival pigment print
88.9 cm x 81.3 cm

On a subway in New York. I loved this woman's big, dark eyes staring at me ... hostile, curious, and sad simultaneously.

Heavy Baggage

2006
Archival pigment print
109.2 cm x 104.1 cm

Venice, CA. While it was astonishing to see how the man resembled the mannequin, what I thought about was the fantasies of youth one becomes burdened with in old age. "...heavy baggage haunting his future, the ingenue whose heart he can't break."
 
Education and biography
1993 Longwood Gardens, West Chester, PA.

2004 Soho Photo 2004 National Competition, juried Exhibit, Lyle Rexer, Juror, Soho Photo Gallery, New York, NY.

2004 Borders Books and Music, New York, NY.

2004 Starving Artist Ball, New York, NY.

2005 Association of Independent Video and Filmmakers, New York, NY.

2005 Art Basel Miami Beach, Miami Beach, FL.
 
Future shows
2006 (September) Broadway Gallery, New York, NY.
 
Website:  www.absolutearts.com/stephenspiller
 
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