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TOP 200 ARTISTS OF THE 20TH CENTURY TO NOW
TIMES READERS AND SAATCHI ONLINE VISITORS VOTE FOR THEIR FAVOURITE ARTISTS
AFTER 1.4 MILLION VOTES WERE CAST, HERE ARE YOUR LEADING 200 ARTISTS:
| - | Pablo Picasso |
| - | Paul Cezanne |
| - | Gustav Klimt |
| - | Claude Monet |
| - | Marcel Duchamp |
| - | Henri Matisse |
| - | Jackson Pollock |
| - | Andy Warhol |
| - | Willem De Kooning |
| - | Piet Mondrian |
| - | Paul Gauguin |
| - | Francis Bacon |
| - | Robert Rauschenberg |
| - | Georges Braque |
| - | Wassily Kandinsky |
| - | Constantin Brancusi |
| - | Kasimir Malevich |
| - | Jasper Johns |
| - | Frida Kahlo |
| - | Martin Kippenberger |
| - | Paul Klee |
| - | Egon Schiele |
| - | Donald Judd |
| - | Bruce Nauman |
| - | Alberto Giacometti |
| - | Salvador Dalí |
| - | Auguste Rodin |
| - | Mark Rothko |
| - | Edward Hopper |
| - | Lucian Freud |
| - | Richard Serra |
| - | Rene Magritte |
| - | David Hockney |
| - | Philip Guston |
| - | Henri Cartier-Bresson |
| - | Pierre Bonnard |
| - | Jean-Michel Basquiat |
| - | Max Ernst |
| - | Diane Arbus |
| - | Georgia O'Keeffe |
| - | Cy Twombly |
| - | Max Beckmann |
| - | Barnett Newman |
| - | Giorgio De Chirico |
| - | Roy Lichtenstein |
| - | Edvard Munch |
| - | Pierre Auguste Renoir |
| - | Man Ray |
| - | Henry Moore |
| - | Cindy Sherman |
| - | Jeff Koons |
| - | Tracey Emin |
| - | Damien Hirst |
| - | Yves Klein |
| - | Henri Rousseau |
| - | Chaim Soutine |
| - | Arshile Gorky |
| - | Amedeo Modigliani |
| - | Umberto Boccioni |
| - | Jean Dubuffet |
| - | Eva Hesse |
| - | Edouard Vuillard |
| - | Carl Andre |
| - | Juan Gris |
| - | Lucio Fontana |
| - | Franz Kline |
| - | David Smith |
| - | Joseph Beuys |
| - | Alexander Calder |
| - | Louise Bourgeois |
| - | Marc Chagall |
| - | Gerhard Richter |
| - | Balthus |
| - | Joan Miro |
| - | Ernst Ludwig Kirchner |
| - | Frank Stella |
| - | Georg Baselitz |
| - | Francis Picabia |
| - | Jenny Saville |
| - | Dan Flavin |
| - | Alfred Stieglitz |
| - | Anselm Kiefer |
| - | Matthew Barney |
| - | George Grosz |
| - | Bernd And Hilla Becher |
| - | Sigmar Polke |
| - | Brice Marden |
| - | Maurizio Cattelan |
| - | Sol LeWitt |
| - | Chuck Close |
| - | Edward Weston |
| - | Joseph Cornell |
| - | Karel Appel |
| - | Bridget Riley |
| - | Alexander Archipenko |
| - | Anthony Caro |
| - | Richard Hamilton |
| - | Clyfford Still |
| - | Luc Tuymans |
| - | Claes Oldenburg |
TO SEE THE FULL 200 CLICK HERE
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| Sanjay Sen Gupta |
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1974, Kolkata, India
19/2, DPP Road
Behind Padmashree Police Quarters,
Near Abasarika Club,
Kolkata 700047
West Bengal
India
91 [0]33 24116317
91 [0]9432332481
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| About the Artist |
1.
As a human being, I am active and my actions are manifested through my gestures. And these gestures of my behaving, i.e. my behavioral patterns, have taken [ and are taking ] shape through the gradual development of my comprehensive attitude towards life.
They are the visual truth resulted from the unending interaction among my ‘self’, the ‘other’ and the ‘void’. And that’s where every possible gesture becomes important.
Because, each and every snap of mine is ‘me’ -- and ‘me’ only -- nothing else.
2.
As an artist, my prime intention is to keep on registering all the potential interactions that have some kind of appeal to my aesthetic perception. In this process, the subjects are chosen, developed and manifested automatically; and the activity of painting goes on – with and/or without.
This comprehensive spontaneity of happening is the most important aspect of my work. It transforms a potential interaction into another defined form. And the rest is ‘unknown’, which might be considered as the splendor – the most valuable aspect of life and art.
And thus, the visual outcome of each and every happening becomes the transformation of the ‘aesthetic self’, which includes the self, the other and the void.
In this way, I have taken the activity of painting as a raw interaction between my self and the space around. And I believe that each of these carries the possibility and potential of various degrees to determine the next one and thus whatever comes next.
3.
In these circumstances, I should rather identify and introduce myself as an objective painter, who doesn’t intend to tell a story.
Because, I believe that the entire life-scape of human civilization have already been ‘decorated’ with a lot of dimensions. And inevitably, too much of dimensions have resulted into an overall flatness.
Too much of happenings all around our experiences have numbed our sense and sensitivities.
We are no more surprised with anything; not even with the ugliest evil or with the greatest splendor. Hence, we have learnt to remain indifferent under all circumstances.
On the other hand – Economic aggression has taken over every aspect of our daily living.
Globalization is gradually leading towards ‘cultural generalization’.
Each and every moment, we are moving away from nature and thus from our soil as well.
Our identity, the sense of being, is loosing its significance.
Day by day, the reality as a whole seems to be more ‘virtual’ in nature.
And the saddest part is that we are not bothered at all. We have been habituated.
As a result, my objects and I have lost their subjectivity. I have no special message to deliver, except my gestures.
And we all know that each and every gesture – that I project – can definitely be a sole proof of my aesthetic perception. Because, they come ‘through’ me but not ‘from’ me. They come out [ willingly/unwillingly ] straight from everything that I possess – everything, positive and/or negative. And thus, all these spontaneous gestures becomes capable to reflect my comprehensive attitude towards life and aesthetics.
4.
As a living creature of this ‘Post-modern/Post-colonial globe’, I am always in search of that comprehensive spontaneity.
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Click to enlarge images (if larger image has been loaded) |
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The symphony I: 2007
2007 Earthcolor on paper 76x109 |
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painting, abstract, earthcolor, paper, artist, indian, asian, sanjay, sen, gupta, bengali, west, kolkata, painter |
Objectivity in flight
2007 Acrylic and ink on canvas 61x61 |
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painting, abstract, acrylic, ink, canvas |
Journey of a form
2007 Acrylic and ink on canvas 91.5x91.5 |
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painting, abstract, acrylic, ink, canvas |
The epitaph II: 2007
2007 Acrylic and ink on canvas 106.5x76 |
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painting, abstract, acrylic, ink, canvas |
Tranquil night
2007 Watercolor, acrylic and ink on paper 56cm x 76.5cm |
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watercolor, painting, acrylic, ink, paper, abstract |
The sculpture I: 2007
2007 Acrylic and ink on canvas 122cm x 122cm |
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painting, canvas, acrylic, ink, abstract |
The sculpture II; 2007
2007 Acrylic and ink on canvas 122cm x 122cm |
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painting, canvas, abstract, acrylic, ink |
Untitled II: 2007
2007 Acrylic and ink on canvas 91.5cm x 76cm |
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painting, canvas, abstract, acrylic, ink |
Metamorphosis I: 2007
2007 Acrylic and ink on canvas 91.5cm x 91.5cm |
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painting, canvas, abstract, acrylic, ink |
The rising soul
2007 Acrylic and ink on canvas 91.5cm x 76cm |
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painting, canvas, acrylic, ink, abstract |
The sacred pot: 2007
2007 Watercolor, acrylic and ink on paper 74cm x 60.5cm |
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painting, paper, abstract, watercolor, acrylic, ink |
Chronicle of an individual
2007 Acrylic and ink on paper 98cm x 79cm |
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paper, drawing, acrylic, ink, abstract |
Autobiography I: 2007
2007 Acrylic and ink on paper 98cm x 61cm |
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paper, drawing, abstract, acrylic, ink |
Destiny I: 2007
2007 Digital photography Size variable |
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photograph, composition, print, arrangement |
Destiny II: 2007
2007 Digital photography Size variable |
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digital, photography, composition, arrangement |
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| Education and biography |
Master of Visual Arts [ Painting ] from the Govt College of Art & Craft, Kolkata, India
[ 2002 ]
Short Course in Museum Studies [ 2005-06 ] from the Indian Museum, Kolkata, India
Continuing PhD at the University of Calcutta, India [ since 2006 ]
Group Show at Academy of Fine Arts, Kolkata, India [ 2005 ]
Group Show at Metropoliton Art Salon, Kolkata, India [ 2003 ]
Group Show at Lalit Kala Akademi, New Delhi, India [ 2002 ]
"Painted Delights", organized by Birla Academy of Art & Culture, Kolkata [ 2007 ]
"The Golden Brush 2007", organised by The Eye Within, Kolkata [ 2007 ]
Annual Exhibition of Birla Academy of Art & Culture, Kolkata, India [ 2008, 2006, 2005, 2002 ]
Annual Exhibition Of Govt College of Art & Craft, Kolkata, India [ 2001, 2000, 1999, 1998, 1997, 1996 ]
Annual Exhibition of Shilpa Sarit, Kolkata, India [ 1996 ]
Kishory Roy Award in the Annual Exhibition of the Govt College of Art & Craft, Kolkata, India [ 2001 ]
Several Private collections in India and abroad. |
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Copyright 2003-2010 © The Saatchi Gallery : London Contemporary Art Gallery
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