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陈列您的艺术作品给每天无数的访客观看
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| Jairo And Nicola | |
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Jairo Zaldua and Nicola Green both live in London. They previously worked as separate artists, but through a chance collaboration at East London Venue, The Foundry, they decided to amalgamate their diverse range of ideas and experiences. |
| 关于此艺术家 | |
Jairo and Nicola create imagery together through the mediums of print and three dimensional art. Combining the appearance of the sculptural and the two dimensional surface of the printed image. Observing the archaic qualities of neglected posters and derelict buildings where a sense of age and history has left it's mark, they have assembled an ongoing exploration into themes that include old propaganda and billboard posters, typography, symbolism and German Expressionist Cinema. As old posters decay and the original meanings become irrelevant, they transfigure into something more suggestive. With the use of a blowtorch, acrylics, screenprinting and digital facilities, Jairo and Nicola seek to push this process further. From found objects (wood, scrap metal and old victorian doors) to site specific installation and interactive performance, they have embarked on work where layers reveal layers and a sense of age, time and texture are clearly present. |
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| 按此以放大图像 (假如你已上传更大的图像) | |
Yesterday Was A Different Story
2002 |
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| Screenprint onto found object, then applied with mini- blowtorch. |
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For The Future
2004 |
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| Screenprint onto found object, then applied with blowtorch. |
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My Childhoods Faith
2006 |
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| Part of a site specific installation project, originally exhibited at St. Pancras Crypt.
Screenprints onto pages of a vintage childrens book. These have been placed into cigar boxes. |
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Final Exposure
2002 |
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| Screenprint onto wooden panel which has been reassembled and then applied with bowtorch. |
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In Search of Identity and Purpose
2001 |
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| Screenprint onto found object, then applied with blowtorch. We continue to burn and overlay until desired effect is achieved. |
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The Waiting Room
2002 |
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| Screenprint onto found object, then applied with blowtorch. We continue to burn and overlay until desired effect is achieved. |
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Being Left Alone
2001 |
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| Screenprint onto found object, then applied with blowtorch. We continue to burn and overlay until desired effect is achieved. |
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The Yellow Wallpaper (Cut-Outs)
2006 |
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| Part of a site specific installation project, originally exhibited at St. Pancras Crypt.
Images were cut out into appropriate shapes, then attached with fishing wire.
The purpose was to create a room full of screenprinted forms,suspended from the ceiling in a dark and enclosed space. |
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The Yellow Wallpaper - Installation at St Pancras Crypt
2006 |
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The Yellow Wallpaper - Installation and performance(2)
2006 |
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Extract from The Yellow Wallpaper(2)
2006 |
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The Master and Margarita
2002 |
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| Screenprint onto found object, then applied with blowtorch. |
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Fragments (at the Bankside Gallery)
2008 |
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| Installation and performance. The evolution of a project which began at St. Pancras Church Crypt in 2006. The piece consists of two layers of fragmented text. The inner layer from The Yellow Wallpaper by Charlotte Perkins Gilman and the external layer from Diary of A Madman by Gogol.
The dancer in these images is Katsura Isobe and the photographs from this event were taken by Gigi Giannella. |
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Fragments (at the Bankside Gallery)
2008 |
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| Installation and performance.
The original collaboration took place at St. Pancras Church Crypt in 2006, which was based on the short story The Yellow Wallpaper by Charlotte Perkins Gilman.
For this current piece, another story The Diary of a Madman by Nikolai Gogol was also used as a source. Both of these stories deal with alternate realities in the form of a journal like format narrated by the central character who fluctuates between the conscious and the unconscious.
Jairo and Nicola have created an installation of fragmented text arranged into two layers. The inner layer consists of The Yellow Wallpaper and the external layer displays text from The Diary of a Madman.
Katsura’s performance is a structured improvisation in the environment created by Jairo and Nicola. Alternatively, it could be said that the environment is the reflection of her inner world. She maintains her subjective existence, using her own language, with no matter how time passes and circumstances change.
Performer - Katsura Isobe.
Photo - Gigi Giannella
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Fragments (at the Bankside Gallery)
2008 |
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Fragments - Performance at Clarence Mews
2008 |
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| A continuation and development from the installation/live art performance at the Bankside Gallery earlier this year. These three images capture the emergence of the dancer from a nest of screenprinted text. Performer - Katsura Isobe Photo - Gigi Giannella. Extracts of this performance can be viewed on the link below. http://youtube.com/watch?v=zgD2YQOD57c |
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Fragments - Image from a slideshow
2008 |
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| Taken from a series of small A5 sizes mixed media prints which formed part of an installation/slideshow for a live interactive art performance and were also the components of a visual diary. The piece was called Fragments and is continuing to develop and expand.
Based on two novels, The Yellow Wallpaper by Charlotte perkins Gilman and Diary of A Madman by Gogol. |
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Fragments - Image from a slideshow -20
2008 |
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| Taken from a series of small A5 size mixed media prints which formed part of an installation/slideshow for a live interactive art performance and were also the components of a visual diary |
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Fragments - Text (4)
2008 |
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| Taken from a series of small mixed media prints which formed part of an installtion/slideshow for a live interactive art performance. Text taken from 'Diary of a Madman' by Gogol. |
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The Back Room Library (14))
2009 |
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| A collection of images assembled from Nicolas family archives (of Eastern European descent) have been transfigured into a series of mixed media prints which are to be featured in an installation titled 'My Childhoods Faith'. This wiil be exhibited at 'The Museum of Childhood' (Bethnal Green, London) in September. These images are a combination of the etching process overlayed with screenprinting and then cut away with a scalpel blade. |
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The Back Room Library (18))
2009 |
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| A collection of images assembled from Nicolas family archives (of Eastern European descent) have been transfigured into a series of mixed media prints which are to be featured in an installation titled 'My Childhoods Faith'. This wiil be exhibited at 'The Museum of Childhood' (Bethnal Green, London) in September. These images are a combination of the etching overlayed with screenprinting. The initial layer of these prints was created by the use of corroded etching plates. |
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The Back Room Library (26)
2009 |
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| A collection of images assembled from Nicolas family archives (of Eastern European descent) have been transfigured into a series of mixed media prints which are to be featured in an installation titled 'My Childhoods Faith'. The Back Room Library (26) is currently on exhibit at 'The Museum of Childhood' (Bethnal Green, London) until January 2010. These images are a combination of the etching overlayed with screenprinting. The initial layer of these prints was created by the use of corroded etching plates. |
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The Back Room Library (24)
2009 |
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| A collection of images assembled from Nicolas family archives (of Eastern European descent) have been transfigured into a series of mixed media prints which are to be featured in an installation titled 'My Childhoods Faith'. The Back Room Library (26) is currently on exhibit at 'The Museum of Childhood' (Bethnal Green, London) until January 2010. These images are a combination of the etching overlayed with screenprinting. The initial layer of these prints was created by the use of corroded etching plates. |
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The Back Room Library (27)
2009 |
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| A collection of images assembled from Nicola's family archives (of Eastern European descent) have been transfigured into a series of mixed media prints which are to be featured in an installation titled 'My Childhoods Faith'. The Back Room Library (26) is currently on exhibit at 'The Museum of Childhood' (Bethnal Green, London) until January 2010. These images are a combination of the etching overlayed with screenprinting. The initial layer of these prints was created by the use of corroded etching plates. |
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The Back Room Library (38)
2009 |
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| A collection of images assembled from Nicolas family archives (of Eastern European descent) have been transfigured into a series of mixed media prints which are to be featured in an installation titled 'My Childhoods Faith'. This wiil be exhibited at 'The Museum of Childhood' (Bethnal Green, London) in September. These images are a combination of the etching overlayed with screenprinting. The initial layer of these prints was created by the use of corroded etching plates. This is the final installment in this particular sequence. |
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| 教育程度与个人自传 | |
| Jairo specialized in Fine Art Printmaking at the University of Hertfordshire and Nicola studied Ceramic Art at the Roehampton Institute. EXHIBITIONS The Gasworks Gallery Kings Cross The Guardian 'Art for Sale' Queensway The Barbican Contemporary Print Show The Old Coliseum Hackney The National Theatre South Bank The Foundry Old Street Cowcross Gallery Farringdon Marmalade Gallery Wapping The Institute of Physics Portland Place The Hidden Art of Hackney Mile End Christies Contemporary Prize Draw The Tea Building Commercial Street The Menier Chocolate Factory Southwark Salon des Arts Kensington St. Pancras Crypt Euston Bankside Gallery Southwark Museum of Fairytales Germany |
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| 未来的展览 | |
| Museum of Childhood (September 26th 2009) at 11am onwards- Bethnal Green, London. |
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| 网站: www.saatchigallery.com | |
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